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...iscussion of the term "publisher" in relation to early modern printing and publishing, see Peter W. M. Blayney, "Chapter One: 1357–1500. Historical and Lexical ...ss, which at the time had sixteen institutional customers and aspired to a publishing model resembling the modern notion of “print on demand.”<ref>Gadd, "Use

...speare’s] Titus Andronicus''. Engraving. [London]: The London Printing and Publishing Company, [between 1852 and 1853]. Catalog item 84. Call number: [http://ham

..., historicism, theatre and performance, and printing history. As major new publishing series – including Arden 4 and the Cambridge Shakespeare Editions – are

...tion, the CMU Center for Digital Sciences, Humanities, Arts, Research, and Publishing (DSHARP), and the American Shakespeare Center with the goal of guiding stud ...with Robert Phiddian and Tully Barnett, was published by Monash University Publishing in 2018.

...Clavis Typographorum Regionis Carpathicae] - "a database for printing and publishing that includes all data of printing houses and publishers working in the act

...con.cgi?BBID=69468 H. Philip Bolton, ''Scott Dramatized''. London: Mansell Publishing, 1992: xi]</ref>. According to a computer analysis conducted by Dr. Barbara

...arly modern studies, along with a set of responses from readers. No longer publishing as of 2019. ...ern Digital Review] (EMDR) is an online, open-access, and refereed journal publishing high-quality reviews of digital projects related to early modern society an

...nce repertories. Dance masters met this demand by composing new dances and publishing them at the start of each season, giving people enough time to learn the ne

...Space, Visual Representa¬tion,</em> and Social Exchange (Farnham: Ashgate Publishing, 2007) [esp. 73-112].

...an and astronomer, completed this work on astronomy in approximately 1615, publishing the first edition in 1620 due to changes required by the Catholic Church. T

:"Publishing Networks in Elizabethan London: The Case of Thomas Man" :“Copyright and Corporate Publishing in the Stationers’ Company, 1617–1710”

...often competing modes of cultural production (such as literature, theatre, publishing, and performance) and for considering larger questions about the function o

* ''Mr. Macready as Iago''. London: London Printing and Publishing Company, [19th century?]. Call number: [http://hamnet.folger.edu/cgi-bin/Pw ...nter (1836–1917) to create printed editions based on their productions. By publishing acting editions of the plays, Booth and Daly attempted to align themselves

...later part of the 17th century. She had a cooking school in addition to a publishing empire, and like Robert May (and Shakespeare!), her books featured an autho ...Kitchen: What the Tudors Ate & Drank''. Stroud, Gloucestershire: Amberley Publishing, 2015. 

...09 he was elected Vice-President of the Society of Authorship, Reading and Publishing (SHARP). Since 1996, he has edited HoBo (a website dedicated to the ‘hist

...ociate Professor of History at Barnard College, Columbia University. After publishing ''Casualties of Credit: The English Financial Revolution, 1620-1720'' (2011

...'Ye Songe of Macbethe'' in Sam Cowell's ''Comic Songs''. London: The Music-Publishing Company, 19th century. Call number: Black Box Music VIII; displayed [http:/

...h projects as they relate to the growth of observation as an epistemic and publishing genre in early modern Europe. Special topics may include: the history of co

...ociate Professor of History at Barnard College, Columbia University. After publishing ''Casualties of Credit: The English Financial Revolution, 1620–1720'' (20

...omeo and Juliet / || New York, New York : Rock Point, a division of Quarto Publishing Group USA Inc., [2015] || 2015-2015 || 7/26/2016 || http://hamnet.folger.ed ...|| Poet's corner : Shakespeare calendar. || New York : International Art Publishing, [1906] || 1906 || 8/16/2016 || http://hamnet.folger.edu/cgi-bin/Pwebrecon.