List of paintings at the Folger in the Pressly Catalogue: Difference between revisions
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! Pressly number !! Artist !! Title !! Year !! Medium !! Size | |+<big>'''Literary illustrations'''</big> | ||
! Pressly number !! Artist !! Title !! Year !! Medium !! Size !! Hamnet !! LUNA | |||
|- | |- | ||
| 1 || John White Abbot || ''Macbeth recoiling from the apparition of the crowned child'' ('''Macbeth''' IV.1) || 1829 || Oil on panel || 19.7 x 23. 7 cm | | 1 || John White Abbot || ''Macbeth recoiling from the apparition of the crowned child'' ('''Macbeth''' IV.1) || 1829 || Oil on panel || 19.7 x 23. 7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128755/ FPa1] || [http://luna.folger.edu/luna/servlet/s/ls5k7h/ LUNA Digital Image] | ||
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| 2 || John White Abbot || ''Prospero commanding Ariel'' ('''The Tempest''' I.2) || 1829 || Oil on panel || 19.7 x 23. 7 cm | | 2 || John White Abbot || ''Prospero commanding Ariel'' ('''The Tempest''' I.2) || 1829 || Oil on panel || 19.7 x 23. 7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128756 FPa2] || [http://luna.folger.edu/luna/servlet/s/rg5lys/ LUNA Digital Image] | ||
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| 3 || Thomas Barker of Bath || ''Macbeth and the Witches'' ('''Macbeth''' IV.1) || ca. 1830 || Oil on canvas || 117.5 x 94.3 cm | | 3 || Thomas Barker of Bath || ''Macbeth and the Witches'' ('''Macbeth''' IV.1) || ca. 1830 || Oil on canvas || 117.5 x 94.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128757/ FPa5] || [http://luna.folger.edu/luna/servlet/s/6p30dt/ LUNA Digital Image] | ||
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| 4 || Friedrich Brockmann || ''Portia and Nerissa'' ('''The Merchant of Venice''' I.2) || 1849 || Oil on canvas || 109.4 x 90.9 cm | | 4 || Friedrich Brockmann || ''Portia and Nerissa'' ('''The Merchant of Venice''' I.2) || 1849 || Oil on canvas || 109.4 x 90.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128758/ FPa7] || [http://luna.folger.edu/luna/servlet/s/c691nf/ LUNA Digital Image] | ||
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| 5 || John Cawse || ''Falstaff boasting to Prince Hal and Poins'' ('''Henry IV, Part 1''' II.4) || ca. 1820s || Oil on canvas || 34.9 x 44.3 cm | | 5 || John Cawse || ''Falstaff boasting to Prince Hal and Poins'' ('''Henry IV, Part 1''' II.4) || ca. 1820s || Oil on canvas || 34.9 x 44.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128759/ FPa10] || | ||
|- | |- | ||
| 6 || John Cawse || ''Falstaff mocking Bardolph's nose'' ('''Henry IV, Part I''' III.3) || ca. 1820s || Oil on canvas || 33.6 x 42.8 cm | | 6 || John Cawse || ''Falstaff mocking Bardolph's nose'' ('''Henry IV, Part I''' III.3) || ca. 1820s || Oil on canvas || 33.6 x 42.8 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128760/ FPa9] || [http://luna.folger.edu/luna/servlet/s/52h2sl/ LUNA Digital Image] | ||
|- | |- | ||
| 7 || John Cawse || ''Falstaff, Prince Hal, and Mistress Quickly'' ('''Henry IV, Part I''' III.3) || ca. 1820s || Oil on canvas || 63.6 x 76.9 cm | | 7 || John Cawse || ''Falstaff, Prince Hal, and Mistress Quickly'' ('''Henry IV, Part I''' III.3) || ca. 1820s || Oil on canvas || 63.6 x 76.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128761/ FPa15] || | ||
|- | |- | ||
| 8 || John Cawse || ''Falstaff choosing his recruits'' ('''Henry IV, Part 2''' III.2) || 1818 || Oil on canvas || 63.8 x 76.1 cm | | 8 || John Cawse || ''Falstaff choosing his recruits'' ('''Henry IV, Part 2''' III.2) || 1818 || Oil on canvas || 63.8 x 76.1 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128762/ FPa14] || [http://luna.folger.edu/luna/servlet/s/w1f9i5/ LUNA Digital Image] | ||
|- | |- | ||
| 9 || John Cawse || ''Falstaff choosing his recruits'' ('''Henry IV, Part 2''' III.2) || ca. 1820s || Oil on canvas || 53.5 x 71.2 cm | | 9 || John Cawse || ''Falstaff choosing his recruits'' ('''Henry IV, Part 2''' III.2) || ca. 1820s || Oil on canvas || 53.5 x 71.2 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128551/ FPa90] || | ||
|- | |- | ||
| 10 || John Cawse || ''Bardolph and Falstaff putting Wart through the drill'' ('''Henry IV, Part 2''' III.2) || 1827? || Oil on canvas || 59.8 x 84.1 cm | | 10 || John Cawse || ''Bardolph and Falstaff putting Wart through the drill'' ('''Henry IV, Part 2''' III.2) || 1827? || Oil on canvas || 59.8 x 84.1 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128552/ FPa13] || [http://luna.folger.edu/luna/servlet/s/055x44/ LUNA Digital Image] | ||
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| 11 || John Cawse || ''Pistol announcing to Falstaff the death of the king'' ('''Henry IV, Part 2''' V.3) || ca. 1820 || Oil on canvas || 52.2 x 78 cm | | 11 || John Cawse || ''Pistol announcing to Falstaff the death of the king'' ('''Henry IV, Part 2''' V.3) || ca. 1820 || Oil on canvas || 52.2 x 78 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128553/ FPa12] || [http://luna.folger.edu/luna/servlet/s/4aayut/ LUNA Digital Image] | ||
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| 12 || John Cawse || ''Pistol announcing to Falstaff the death of the king'' ('''Henry IV, Part 2''' V.3) || ca. 1820s || Oil on canvas || 73.2 x 76.5 cm | | 12 || John Cawse || ''Pistol announcing to Falstaff the death of the king'' ('''Henry IV, Part 2''' V.3) || ca. 1820s || Oil on canvas || 73.2 x 76.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128554/ FPa11] || [http://luna.folger.edu/luna/servlet/s/ztf4zm/ LUNA Digital Image] | ||
|- | |- | ||
| 13 || John Cawse || ''Autolycus selling his wares'' ('''The Winter's Tale''' IV.4)|| ca. 1830 || Oil on canvas || 63.8 x 76.5 cm | | 13 || John Cawse || ''Autolycus selling his wares'' ('''The Winter's Tale''' IV.4)|| ca. 1830 || Oil on canvas || 63.8 x 76.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128555/ FPa16] || [http://luna.folger.edu/luna/servlet/s/5899qy/ LUNA Digital Image] | ||
|- | |- | ||
| 14 || Alexander Christie || ''Hamlet finding the king at prayer'' ('''Hamlet''' III.3) || 1842 || Oil sketch on canvas || 72.4 x 91.5 cm | | 14 || Alexander Christie || ''Hamlet finding the king at prayer'' ('''Hamlet''' III.3) || 1842 || Oil sketch on canvas || 72.4 x 91.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128556/ FPb17] || | ||
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| 15 || George Clint || ''Falstaff relating his valiant exploits'' ('''Henry IV, Part 1''' II.4) || ca. mid-1830s || Oil on canvas || 88.3 x 119.5 cm | | 15 || George Clint || ''Falstaff relating his valiant exploits'' ('''Henry IV, Part 1''' II.4) || ca. mid-1830s || Oil on canvas || 88.3 x 119.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128557/ FPa68] || [http://luna.folger.edu/luna/servlet/s/57lc1g/ LUNA Digital Image] | ||
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| 16 || Richard Cook || ''Helen and Priam at the Scæn Gate'' (Homer, '''Iliad''', book III) || 1808 || Oil on canvas || 29.3 x 24 cm | | 16 || Richard Cook || ''Helen and Priam at the Scæn Gate'' (Homer, '''Iliad''', book III) || 1808 || Oil on canvas || 29.3 x 24 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128558/ FPa75] || [http://luna.folger.edu/luna/servlet/s/53g6c6/ LUNA Digital Image] | ||
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| 17 || Richard Cook || ''Hector reproving Paris'' (Homer, '''Iliad''', book VI) || 1808 || Oil on canvas || 29.4 x 24.1 cm | | 17 || Richard Cook || ''Hector reproving Paris'' (Homer, '''Iliad''', book VI) || 1808 || Oil on canvas || 29.4 x 24.1 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128559/ FPa74] || [http://luna.folger.edu/luna/servlet/s/5iyz4r/ LUNA Digital Image] | ||
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| 18 || Alfred Dever || ''Sir John Falstaff and Mistress Quickly'' ('''Henry IV, Part 2''' II.1) || ca. 1870 || Oil on canvas || 60 x 50 cm | | 18 || Alfred Dever || ''Sir John Falstaff and Mistress Quickly'' ('''Henry IV, Part 2''' II.1) || ca. 1870 || Oil on canvas || 60 x 50 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128560/ FPa18] || [http://luna.folger.edu/luna/servlet/s/8qt039/ LUNA Digital Image] | ||
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| 19 || George James De Wilde, attributed to || ''The Seven Ages of Man'' ('''As You Like It''' II.7) || 1823 || Oil on canvas || 58.7 x 84.5 cm | | 19 || George James De Wilde, attributed to || ''The Seven Ages of Man'' ('''As You Like It''' II.7) || 1823 || Oil on canvas || 58.7 x 84.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128561/ FPa19] || [http://luna.folger.edu/luna/servlet/s/k18tu6/ LUNA Digital Image] | ||
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| 20 || Thomas Francis Dicksee || ''Anne Page'' ('''The Merry Wives of Windsor''' I.1) || 1862 || Oil on canvas || 35.4 x 27.7 cm | | 20 || Thomas Francis Dicksee || ''Anne Page'' ('''The Merry Wives of Windsor''' I.1) || 1862 || Oil on canvas || 35.4 x 27.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128562/ FPa20] || [http://luna.folger.edu/luna/servlet/s/ebs4fz/ LUNA Digital Image] | ||
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| 21 || Monogrammist T.E. || ''Ophelia'' ('''Hamlet''' IV.7) || Late nineteenth century || Oil on canvas, oval || 67.9 x 55.7 cm | | 21 || Monogrammist T.E. || ''Ophelia'' ('''Hamlet''' IV.7) || Late nineteenth century || Oil on canvas, oval || 67.9 x 55.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128563/ FPa3] || [http://luna.folger.edu/luna/servlet/s/4e5i55/ LUNA Digital Image] | ||
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| 22 || Henry Joseph Fradelle || ''Othello and Desdemona'' ('''Othello''' III.4) || ca. 1827 || Oil on panel || 30.5 x 25.1 cm | | 22 || Henry Joseph Fradelle || ''Othello and Desdemona'' ('''Othello''' III.4) || ca. 1827 || Oil on panel || 30.5 x 25.1 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128564/ FPb21] || [http://luna.folger.edu/luna/servlet/s/g7a53b/ LUNA Digital Image] | ||
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| 23 || William Powell Frith || ''Olivia unveiling'' ('''Twelfth Night''' I.5) || 1874 || Oil on canvas || 31.5 x 26.2 cm | | 23 || William Powell Frith || ''Olivia unveiling'' ('''Twelfth Night''' I.5) || 1874 || Oil on canvas || 31.5 x 26.2 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128565/ FPa21] || [http://luna.folger.edu/luna/servlet/s/50s3xe/ LUNA Digital Image] | ||
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| 24 || Henry Fuseli || ''Macbeth consulting the vision of the armed head'' ('''Macbeth''' IV.1) || 1793 || Oil on canvas || 167.7 x 134.3 cm | | 24 || Henry Fuseli || ''Macbeth consulting the vision of the armed head'' ('''Macbeth''' IV.1) || 1793 || Oil on canvas || 167.7 x 134.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128566/ FPa27] || [http://luna.folger.edu/luna/servlet/s/s56z6u/ LUNA Digital Image] | ||
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| 25 || Henry Fuseli || ''Puck'' ('''A Midsummer Night's Dream''' II.1) || ca. 1810-20 || Oil on canvas || 92 x 71.5 cm | | 25 || Henry Fuseli || ''Puck'' ('''A Midsummer Night's Dream''' II.1) || ca. 1810-20 || Oil on canvas || 92 x 71.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128567/ FPa24] || [http://luna.folger.edu/luna/servlet/s/shw083/ LUNA Digital Image] | ||
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| 26 || Henry Fuseli || ''The two murderers of the Duke of Clarence'' ('''Richard III''' I.4) || ca. 1780-82 || Oil on canvas || 68.6 x 53.3 cm | | 26 || Henry Fuseli || ''The two murderers of the Duke of Clarence'' ('''Richard III''' I.4) || ca. 1780-82 || Oil on canvas || 68.6 x 53.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128568/ FPa26] || [http://luna.folger.edu/luna/servlet/s/47i78w/ LUNA Digital Image] | ||
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| 27 || Henry Fuseli || ''Romeo stabs Paris at the bier of Juliet'' ('''Romeo and Juliet''' V.3) || ca. 1809 || Oil on canvas || 71.2 x 92 cm | | 27 || Henry Fuseli || ''Romeo stabs Paris at the bier of Juliet'' ('''Romeo and Juliet''' V.3) || ca. 1809 || Oil on canvas || 71.2 x 92 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128569/ FPa25] || [http://luna.folger.edu/luna/servlet/s/n7z2fw/ LUNA Digital Images] | ||
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| 28 || Henry Fuseli || ''Ariel'' ('''The Tempest''' V.1) || ca. 1800-1810 || Oil on canvas || 92.7 x 71.5 cm | | 28 || Henry Fuseli || ''Ariel'' ('''The Tempest''' V.1) || ca. 1800-1810 || Oil on canvas || 92.7 x 71.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128570/ FPa22] || [http://luna.folger.edu/luna/servlet/s/hsk9u5/ LUNA Digital Image] | ||
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| 29 || Henry Fuseli || ''Faery Mab'' (John Milton, '''L'Allegro''') || ca. 1815-20 || Oil on canvas || 70 x 90.8 cm | | 29 || Henry Fuseli || ''Faery Mab'' (John Milton, '''L'Allegro''') || ca. 1815-20 || Oil on canvas || 70 x 90.8 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128571/ FPa23] || [http://luna.folger.edu/luna/servlet/s/t80hhf/ LUNA Digital Image] | ||
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| 30 || George Henry Hall || ''Sir Toby Belch'' ('''Twelfth Night''' II.3) || 1854 || Oil on canvas || 60.5 x 50.4 cm | | 30 || George Henry Hall || ''Sir Toby Belch'' ('''Twelfth Night''' II.3) || 1854 || Oil on canvas || 60.5 x 50.4 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128572/ FPa29] || [http://luna.folger.edu/luna/servlet/s/2023q9/ LUNA Digital Image] | ||
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| 31 || George Henry Hall || ''Malvolio confronting the revelers'' ('''Twelfth Night''' II.3) || 1855 || Oil on canvas || 63.7 x 76.2 cm | | 31 || George Henry Hall || ''Malvolio confronting the revelers'' ('''Twelfth Night''' II.3) || 1855 || Oil on canvas || 63.7 x 76.2 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128573/ FPa28] || [http://luna.folger.edu/luna/servlet/s/7ewi34/ LUNA Digital Image] | ||
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| 32 || William Hamilton || ''Isabella appealing to Angelo'' ('''Measure for Measure''' (II.2) || 1793 || Oil on canvas || 166.3 x 134.6 cm | | 32 || William Hamilton || ''Isabella appealing to Angelo'' ('''Measure for Measure''' (II.2) || 1793 || Oil on canvas || 166.3 x 134.6 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128574/ FPa30] || [http://luna.folger.edu/luna/servlet/s/7j7zhi/ LUNA Digital Image] | ||
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| 33 || William Hamilton || ''The Duke of York discovering his son Aumerle's treachery'' ('''Richard II''' V.2) || Late 1790s || Oil on canvas || 79.7 x 55.3 cm | | 33 || William Hamilton || ''The Duke of York discovering his son Aumerle's treachery'' ('''Richard II''' V.2) || Late 1790s || Oil on canvas || 79.7 x 55.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128575/ FPa34] || [http://luna.folger.edu/luna/servlet/s/j226uu/ LUNA Digital Image] | ||
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| 34 || William Hamilton || ''The carousing of Sit Toby Belch and Sir Andrew Aguecheek'' ('''Twelfth Night''' II.3) || 1792 || Oil on canvas || 78.5 x 56.2 cm | | 34 || William Hamilton || ''The carousing of Sit Toby Belch and Sir Andrew Aguecheek'' ('''Twelfth Night''' II.3) || 1792 || Oil on canvas || 78.5 x 56.2 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128576/ FPa32] || [http://luna.folger.edu/luna/servlet/s/623gk0/ LUNA Digital Image] | ||
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| 35 || William Hamilton || ''Olivia's proposal'' ('''Twelfth Night''' IV.3) || ca. 1796 || Oil on canvas || 77.8 x 55 cm | | 35 || William Hamilton || ''Olivia's proposal'' ('''Twelfth Night''' IV.3) || ca. 1796 || Oil on canvas || 77.8 x 55 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128577/ FPa31] || [http://luna.folger.edu/luna/servlet/s/0ak101/ LUNA Digital Image] | ||
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| 36 || Francis Hayman || ''The play scene from "Hamlet"'' ('''Hamlet''' II.2) || ca. 1745 || Oil on canvas || 34.8 x 29.6 cm | | 36 || Francis Hayman || ''The play scene from "Hamlet"'' ('''Hamlet''' II.2) || ca. 1745 || Oil on canvas || 34.8 x 29.6 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128578/ FPa36] || [http://luna.folger.edu/luna/servlet/s/9zueux/ LUNA Digital Image] | ||
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| 37 || Francis Hayman || ''Falstaff reviewing his recruits'' ('''Henry IV, Part 1''', III.2) || 1760s || Oil on canvas || 101.6 x 122.5 cm | | 37 || Francis Hayman || ''Falstaff reviewing his recruits'' ('''Henry IV, Part 1''', III.2) || 1760s || Oil on canvas || 101.6 x 122.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128579/ FPa35] || | ||
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| 38 || Francis Hayman, after || ''Falstaff's cowardice detected'' ('''Henry IV, Part 1''', II.4) || Mid-eighteenth century || Oil on canvas || 26.4 x 36.5 cm | | 38 || Francis Hayman, after || ''Falstaff's cowardice detected'' ('''Henry IV, Part 1''', II.4) || Mid-eighteenth century || Oil on canvas || 26.4 x 36.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128580/ FPb12] || | ||
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| 39 || William Salter Herrick || ''Hamlet in the Queen's chamber'' ('''Hamlet''' III.4) || ca. 1857 || Oil on canvas || 114.1 x 157.6 cm | | 39 || William Salter Herrick || ''Hamlet in the Queen's chamber'' ('''Hamlet''' III.4) || ca. 1857 || Oil on canvas || 114.1 x 157.6 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128581/ FPa37] || [http://luna.folger.edu/luna/servlet/s/lis5bo/ LUNA Digital Image] | ||
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| 40 || James Clarke Hook || ''Othello's description of Desdemona'' ('''Othello''' IV.1) || ca. 1852 || Oil on panel || 78.6 x 53.3 cm | | 40 || James Clarke Hook || ''Othello's description of Desdemona'' ('''Othello''' IV.1) || ca. 1852 || Oil on panel || 78.6 x 53.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128582/ FPa38] || [http://luna.folger.edu/luna/servlet/s/rp22o5/ LUNA Digital Image] | ||
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| 41 || Arthur Boyd Houghton || ''Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek'' ('''Twelfth Night''' IV.1) || ca. 1854 || Oil on panel || 29.8 x 39.7 cm | | 41 || Arthur Boyd Houghton || ''Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek'' ('''Twelfth Night''' IV.1) || ca. 1854 || Oil on panel || 29.8 x 39.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128583/ FPb63] || [http://luna.folger.edu/luna/servlet/s/0fj7mp/ LUNA Digital Image] | ||
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| 42 || Frank Howard || ''Portia pronouncing sentence'' ('''The Merchant of Venice''' IV.1) || ca. 1830-31 || Oil on canvas || 71.2 x 91.5 cm | | 42 || Frank Howard || ''Portia pronouncing sentence'' ('''The Merchant of Venice''' IV.1) || ca. 1830-31 || Oil on canvas || 71.2 x 91.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128584/ FPb3] || [http://luna.folger.edu/luna/servlet/s/b0k7or/ LUNA Digital Image] | ||
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| 43 || George Jones, attributed to || ''Hamlet in the Queen's closet'' ('''Hamlet''' III.4) || ca. 1830 || Oil on panel || 30.5 x 25 cm | | 43 || George Jones, attributed to || ''Hamlet in the Queen's closet'' ('''Hamlet''' III.4) || ca. 1830 || Oil on panel || 30.5 x 25 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128585/ FPb29] || [http://luna.folger.edu/luna/servlet/s/okp8o4/ LUNA Digital Image] | ||
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| 44 || G. Jones || ''Falstaff and Ford at the Garter Inn'' ('''The Merry Wives of Windsor''' II.2) || 1864 || Oil on panel, irregular || 14.7 x 20.5 cm | | 44 || G. Jones || ''Falstaff and Ford at the Garter Inn'' ('''The Merry Wives of Windsor''' II.2) || 1864 || Oil on panel, irregular || 14.7 x 20.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128586/ FPb30] || | ||
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| 45 || Sir James Dromgole Linton || ''Portia'' ('''The Merchant of Venice''' IV.1) || ca. 1895 || Oil on canvas || 127.3 x 71 cm | | 45 || Sir James Dromgole Linton || ''Portia'' ('''The Merchant of Venice''' IV.1) || ca. 1895 || Oil on canvas || 127.3 x 71 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128587/ FPa39] || [http://luna.folger.edu/luna/servlet/s/8wgvml/ LUNA Digital Image] | ||
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| 46 || Henry Liverseege, after || ''The grave-digger'' ('''Hamlet''' V.1) || ca. 1832 || Oil on canvas || 46.5 x 35.5 cm | | 46 || Henry Liverseege, after || ''The grave-digger'' ('''Hamlet''' V.1) || ca. 1832 || Oil on canvas || 46.5 x 35.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128588/ FPb44] || [http://luna.folger.edu/luna/servlet/s/321m9e/ LUNA Digital Image] | ||
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| 47 || Henry Liverseege, after || ''Falstaff and Bardolph'' ('''Henry IV, Part 1''' III.3) || After 1833 || Oil on canvas || 40.1 x 30.6 cm | | 47 || Henry Liverseege, after || ''Falstaff and Bardolph'' ('''Henry IV, Part 1''' III.3) || After 1833 || Oil on canvas || 40.1 x 30.6 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128589/ FPa40] || | ||
|- | |- | ||
| 48 || Henry Liverseege, after || ''Falstaff and Bardolph'' ('''Henry IV, Part 1''' III.3) || After 1833 || Oil on canvas || 30.5 x 25.4 cm | | 48 || Henry Liverseege, after || ''Falstaff and Bardolph'' ('''Henry IV, Part 1''' III.3) || After 1833 || Oil on canvas || 30.5 x 25.4 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128590/ FPb31] || [http://luna.folger.edu/luna/servlet/s/1e4c72/ LUNA Digital Image] | ||
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| 49 || Rev. Matthew William Peters || ''The death of Juliet'' ('''Romeo and Juliet''' V.3) || 1793 || Oil on canvas || 167.2 x 134.1 cm | | 49 || Rev. Matthew William Peters || ''The death of Juliet'' ('''Romeo and Juliet''' V.3) || 1793 || Oil on canvas || 167.2 x 134.1 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128591/ FPa43] || [http://luna.folger.edu/luna/servlet/s/akjq23/ LUNA Digital Image] | ||
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| 50 || Rev. Matthew William Peters, after || ''Falstaff hiding in the buckbasket'' ('''The Merry Wives of Windsor''' III.3) || Early nineteenth century || Oil on canvas || 58.1 x 43.2 cm | | 50 || Rev. Matthew William Peters, after || ''Falstaff hiding in the buckbasket'' ('''The Merry Wives of Windsor''' III.3) || Early nineteenth century || Oil on canvas || 58.1 x 43.2 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128592/ FPb36] || [http://luna.folger.edu/luna/servlet/s/ybjaw3/ LUNA Digital Image] | ||
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| 51 || Sir Joshua Reynolds, studio of || ''The death of Cardinal Beaufort'' ('''Henry VI Part 2''' III.3) || ca. 1790? || Oil on board || 42.5 x 32.5 cm | | 51 || Sir Joshua Reynolds, studio of || ''The death of Cardinal Beaufort'' ('''Henry VI Part 2''' III.3) || ca. 1790? || Oil on board || 42.5 x 32.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128593/ FPb40] || [http://luna.folger.edu/luna/servlet/s/02g2dv/ LUNA Digital Image] | ||
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| 52 || John Francis Rigaud || ''Constantia revealing herself to her father'' (Chaucer, '''The Man of Law's Tale''') || ca. 1788 || Oil on canvas || 35.9 x 45.8 cm | | 52 || John Francis Rigaud || ''Constantia revealing herself to her father'' (Chaucer, '''The Man of Law's Tale''') || ca. 1788 || Oil on canvas || 35.9 x 45.8 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128594/ FPa46] || | ||
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| 53 || George Romney || ''Macbeth and the witches'' ('''Macbeth''' IV.1) || 1785 || Oil on canvas || 74.9 x 63.3 cm | | 53 || George Romney || ''Macbeth and the witches'' ('''Macbeth''' IV.1) || 1785 || Oil on canvas || 74.9 x 63.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128595/ FPb41] || [http://luna.folger.edu/luna/servlet/s/m2x975/ LUNA Digital Image] | ||
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| 54 || George Romney || Study for ''Titania, Puck, and the Changeling'' ('''A Midsummer Night's Dream''' II.1) || 1793 || Oil on cardboard mounted on canvas || 27.3 x 35.7 cm | | 54 || George Romney || Study for ''Titania, Puck, and the Changeling'' ('''A Midsummer Night's Dream''' II.1) || 1793 || Oil on cardboard mounted on canvas || 27.3 x 35.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128596/ FPa48] || [http://luna.folger.edu/luna/servlet/s/cciw5o/ LUNA Digital Image] | ||
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| 55 || William Salter || ''Othello's Lamentation'' ('''Othello''' V.2) || ca. 1857 || Oil on canvas || 115.5 x 143.4 cm | | 55 || William Salter || ''Othello's Lamentation'' ('''Othello''' V.2) || ca. 1857 || Oil on canvas || 115.5 x 143.4 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128597/ FPa50] || [http://luna.folger.edu/luna/servlet/s/pi5n15/ LUNA Digital Image] | ||
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| 56 || Michael William Sharp || ''Petruchio and the tailor'' ('''The Taming of the Shrew''' IV.3) || 1835 || Oil on canvas || 67.7 x 57.5 cm | | 56 || Michael William Sharp || ''Petruchio and the tailor'' ('''The Taming of the Shrew''' IV.3) || 1835 || Oil on canvas || 67.7 x 57.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128598/ FPa51] || [http://luna.folger.edu/luna/servlet/s/6h119t/ LUNA Digital Image] | ||
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| 57 || Robert Smirke || ''Falstaff Rebuked'' ('''Henry IV, Part 2''' V.5) || ca. 1795 || Oil on canvas || 79.4 x 55.5 cm | | 57 || Robert Smirke || ''Falstaff Rebuked'' ('''Henry IV, Part 2''' V.5) || ca. 1795 || Oil on canvas || 79.4 x 55.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128599/ FPa54] || [http://luna.folger.edu/luna/servlet/s/a55h77/ LUNA Digital Image] | ||
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| 58 || Robert Smirke || ''The awakening of King Lear'' ('''King Lear''' IV.7) || ca. 1792 || Oil on canvas || 78.7 x 53.2 cm | | 58 || Robert Smirke || ''The awakening of King Lear'' ('''King Lear''' IV.7) || ca. 1792 || Oil on canvas || 78.7 x 53.2 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128600/ FPa53] || [http://luna.folger.edu/luna/servlet/s/qpvp1o/ LUNA Digital Image] | ||
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| 59 || Robert Smirke || ''Stephano confronting the monster'' ('''The Tempest''' II.2) || ca. 1798 || Oil on canvas || 78.0 x 56. 9 cm | | 59 || Robert Smirke || ''Stephano confronting the monster'' ('''The Tempest''' II.2) || ca. 1798 || Oil on canvas || 78.0 x 56. 9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128601/ FPa55] || | ||
|- | |- | ||
| 60 || Robert Smirke || ''Falstaff instructing Bardolph'' ('''Henry IV, Part 1''' IV.2), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.9 x 11.7 cm | | 60 || Robert Smirke || ''Falstaff instructing Bardolph'' ('''Henry IV, Part 1''' IV.2), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.9 x 11.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128602/ FPa60] || | ||
|- | |- | ||
| 61 || Robert Smirke || ''Falstaff struggling with Hotspur's body'' ('''Henry IV, Part 1''' V.4), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.7 x 11.7 cm | | 61 || Robert Smirke || ''Falstaff struggling with Hotspur's body'' ('''Henry IV, Part 1''' V.4), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.7 x 11.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128603/ FPa61] || | ||
|- | |- | ||
| 62 || Robert Smirke || ''Anne Page's invitation to slender'' ('''The Merry Wives of Windsor''' I.1), from a series of twelve panels || ca. 1820-25|| Oil on panel, pencil underdrawing and border || 14.9 x 11.9 cm | | 62 || Robert Smirke || ''Anne Page's invitation to slender'' ('''The Merry Wives of Windsor''' I.1), from a series of twelve panels || ca. 1820-25|| Oil on panel, pencil underdrawing and border || 14.9 x 11.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128604/ FPa58] || | ||
|- | |- | ||
| 63 || Robert Smirke || ''Falstaff hiding in the buckbasket'' ('''The Merry Wives of Windsor''' III.3), from a series of twelve panels || ca. 1820-25|| Oil on panel, pencil underdrawing and border || 14.9 x 11.5 cm | | 63 || Robert Smirke || ''Falstaff hiding in the buckbasket'' ('''The Merry Wives of Windsor''' III.3), from a series of twelve panels || ca. 1820-25|| Oil on panel, pencil underdrawing and border || 14.9 x 11.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128605/ FPa59] || | ||
|- | |- | ||
| 64 || Robert Smirke || ''Lysander declaring his passion to Helena'' ('''A Midsummer Night's Dream''' II.2), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.8 x 10.6 cm | | 64 || Robert Smirke || ''Lysander declaring his passion to Helena'' ('''A Midsummer Night's Dream''' II.2), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.8 x 10.6 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128606/ FPa63] || [http://luna.folger.edu/luna/servlet/s/y404b8/ LUNA Digital Image] | ||
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| 65 || Robert Smirke || ''Puck's report to Oberon'' ('''A Midsummer Night's Dream''' III.2), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.9 x 11.7 cm | | 65 || Robert Smirke || ''Puck's report to Oberon'' ('''A Midsummer Night's Dream''' III.2), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.9 x 11.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128607/ FPa64] || | ||
|- | |- | ||
| 66 || Robert Smirke || ''Bottom in the forest'' ('''A Midsummer Night's Dream''' IV.1), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.9 x 10.9 cm | | 66 || Robert Smirke || ''Bottom in the forest'' ('''A Midsummer Night's Dream''' IV.1), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.9 x 10.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128608/ FPa62] || | ||
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| 67 || Robert Smirke || ''Katherina's first meeting with Petruchio'' ('''The Taming of the Shrew''' II.1), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.8 x 12.4 cm | | 67 || Robert Smirke || ''Katherina's first meeting with Petruchio'' ('''The Taming of the Shrew''' II.1), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.8 x 12.4 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128609/ FPa66] || | ||
|- | |- | ||
| 68 || Robert Smirke || ''Katherina's chastisement of Bianca and the Widow'' ('''The Taming of the Shrew''' V.2), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.9 x 11.7 cm | | 68 || Robert Smirke || ''Katherina's chastisement of Bianca and the Widow'' ('''The Taming of the Shrew''' V.2), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.9 x 11.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128610/ FPa67] || | ||
|- | |- | ||
| 69 || Robert Smirke || ''Prospero summoning Ariel'' ('''The Tempest''' I.2), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.8 x 11.6 cm | | 69 || Robert Smirke || ''Prospero summoning Ariel'' ('''The Tempest''' I.2), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.8 x 11.6 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128611/ FPa65] || | ||
|- | |- | ||
| 70 || Robert Smirke || ''Ferdinand proclaiming his love to Miranda'' ('''The Tempest''' III.1), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.6 x 10.9 cm | | 70 || Robert Smirke || ''Ferdinand proclaiming his love to Miranda'' ('''The Tempest''' III.1), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.6 x 10.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128612/ FPa56] || | ||
|- | |- | ||
| 71 || Robert Smirke || ''Stephano demanding Trinculo's gown'' ('''The Tempest''' IV.1), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.6 x 10.9 cm | | 71 || Robert Smirke || ''Stephano demanding Trinculo's gown'' ('''The Tempest''' IV.1), from a series of twelve panels || ca. 1820-25 || Oil on panel, pencil underdrawing and border || 14.6 x 10.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128613/ FPa57] || | ||
|- | |- | ||
| 72 || Robert Smirke, after || ''Anne Page inviting Slender to dinner'' ('''The Merry Wives of Windsor''' I.1) || Early nineteenth century || Oil on canvas || 58.9 x 45.7 cm | | 72 || Robert Smirke, after || ''Anne Page inviting Slender to dinner'' ('''The Merry Wives of Windsor''' I.1) || Early nineteenth century || Oil on canvas || 58.9 x 45.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128614/ FPb43] || [http://luna.folger.edu/luna/servlet/s/q800c1/ LUNA Digital Image] | ||
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| 73 || Carl Ferdinand Sohn, after || ''Romeo and Juliet'' ('''Romeo and Juilet''' III.5) || After 1836 || Oil on tin || 26.3 x 20.6 cm | | 73 || Carl Ferdinand Sohn, after || ''Romeo and Juliet'' ('''Romeo and Juilet''' III.5) || After 1836 || Oil on tin || 26.3 x 20.6 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128615/ FPb28] || [http://luna.folger.edu/luna/servlet/s/7wi6jf/ LUNA Digital Image] | ||
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| 74 || Frank Stone || Study for ''Bassanio receiving the letter announcing Antonio's losses and peril'' ('''The Merchant of Venice''' III.2) || ca. 1850-51 || Oil on panel || 17.3 x 22.7 cm | | 74 || Frank Stone || Study for ''Bassanio receiving the letter announcing Antonio's losses and peril'' ('''The Merchant of Venice''' III.2) || ca. 1850-51 || Oil on panel || 17.3 x 22.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128616/ FPa76] || | ||
|- | |- | ||
| 75 || Thomas Stothard || ''Falstaff describing the fight at Gadshill'' ('''Henry IV, Part 1''' II.4) || ca. 1827 || Oil on panel || 21.6 x 14.6 cm | | 75 || Thomas Stothard || ''Falstaff describing the fight at Gadshill'' ('''Henry IV, Part 1''' II.4) || ca. 1827 || Oil on panel || 21.6 x 14.6 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128617/ FPa71] || [http://luna.folger.edu/luna/servlet/s/6je9od/ LUNA Digital Image] | ||
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| 76 || Thomas Stothard || ''Falstaff and Doll Tearsheet'' ('''Henry IV, Part 2''' II.4) || ca. 1827 || Oil on panel || 21.2 x 15.3 cm | | 76 || Thomas Stothard || ''Falstaff and Doll Tearsheet'' ('''Henry IV, Part 2''' II.4) || ca. 1827 || Oil on panel || 21.2 x 15.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128618/ FPa72] || [http://luna.folger.edu/luna/servlet/s/ztzh55/ LUNA Digital Image] | ||
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| 77 || Thomas Stothard || ''Marina singing before Pericles'' ('''Pericles''' V.1) || ca. 1825 || Oil on canvas || 58.5 x 43.4 cm | | 77 || Thomas Stothard || ''Marina singing before Pericles'' ('''Pericles''' V.1) || ca. 1825 || Oil on canvas || 58.5 x 43.4 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128619/ FPa73] || [http://luna.folger.edu/luna/servlet/s/e6nky0/ LUNA Digital Image] | ||
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| 78 || Thomas Stothard || ''The Vintage'' || ca. 1833-34 || Oil on canvas || 78.9 x 59.1 cm | | 78 || Thomas Stothard || ''The Vintage'' || ca. 1833-34 || Oil on canvas || 78.9 x 59.1 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128620/ FPa69] || | ||
|- | |- | ||
| 79 || Thomas Stothard, manner of || ''The performance of the Nine Worthies'' ('''Love's Labor's Lost''' V.2) || Eighteenth or nineteenth century || Oil on panel || 36.1 x 67.7 cm | | 79 || Thomas Stothard, manner of || ''The performance of the Nine Worthies'' ('''Love's Labor's Lost''' V.2) || Eighteenth or nineteenth century || Oil on panel || 36.1 x 67.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128621/ FPb46] || [http://luna.folger.edu/luna/servlet/s/2hv242/ LUNA Digital Image] | ||
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| 80 || Thomas Stothard, manner of || ''Olivia greeting Cesario in the garden'' ('''Twelfth Night''' III.1) || Eighteenth or nineteenth century || Oil on panel || 41.7 x 50.3 cm | | 80 || Thomas Stothard, manner of || ''Olivia greeting Cesario in the garden'' ('''Twelfth Night''' III.1) || Eighteenth or nineteenth century || Oil on panel || 41.7 x 50.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128622/ FPb64] || [http://luna.folger.edu/luna/servlet/s/y474i8/ LUNA Digital Image] | ||
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| 81 || Thomas Sully || ''Macbeth in the witches' cave'' ('''Macbeth''' IV.1) || 1840 || Oil on canvas || 73.5 x 60.9 cm | | 81 || Thomas Sully || ''Macbeth in the witches' cave'' ('''Macbeth''' IV.1) || 1840 || Oil on canvas || 73.5 x 60.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128623/ FPa77] || [http://luna.folger.edu/luna/servlet/s/fy40lg/ LUNA Digital Image] | ||
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| 82 || Thomas Sully || ''Portia and Shylock'' ('''The Merchant of Venice''' IV.1) || 1835 || Oil on canvas || 96.5 x 73.6 cm | | 82 || Thomas Sully || ''Portia and Shylock'' ('''The Merchant of Venice''' IV.1) || 1835 || Oil on canvas || 96.5 x 73.6 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128624/ FPa78] || [http://luna.folger.edu/luna/servlet/s/0qw9p6/ LUNA Digital Image] | ||
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| 83 || Frederick Weekes || ''Falstaff and Bardolph'' ('''Henry IV, Part 1''' III.3) || ca. 1855-57 || Oil on canvas || 47.7 x 38.4 cm | | 83 || Frederick Weekes || ''Falstaff and Bardolph'' ('''Henry IV, Part 1''' III.3) || ca. 1855-57 || Oil on canvas || 47.7 x 38.4 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128625/ FPb50] || | ||
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| 84 || Benjamin West || ''King Lear and Cordelia'' ('''King Lear''' IV.7) || 1793 || Oil on canvas || 48.1 x 59.9 cm | | 84 || Benjamin West || ''King Lear and Cordelia'' ('''King Lear''' IV.7) || 1793 || Oil on canvas || 48.1 x 59.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128626/ FPa82] || [http://luna.folger.edu/luna/servlet/s/6z2ztx/ LUNA Digital Image] | ||
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| 85 || Richard Westall || ''Wolsey disgraced'' ('''Henry VIII''' III.2) || 1795 || Oil on canvas || 80.6 x 54.4 cm | | 85 || Richard Westall || ''Wolsey disgraced'' ('''Henry VIII''' III.2) || 1795 || Oil on canvas || 80.6 x 54.4 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128627/ FPa84] || [http://luna.folger.edu/luna/servlet/s/5a004b/ LUNA Digital Image] | ||
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| 86 || Richard Westall || ''Shylock rebuffing Antonio'' ('''The Merchant of Venice''' III.3) || 1795 || Oil on canvas || 81.5 x 53.5 cm | | 86 || Richard Westall || ''Shylock rebuffing Antonio'' ('''The Merchant of Venice''' III.3) || 1795 || Oil on canvas || 81.5 x 53.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128628/ FPa83] || [http://luna.folger.edu/luna/servlet/s/euh0pj/ LUNA Digital Image] | ||
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| 87 || Francis Wheatley || ''Helena and Count Bertram before the King of France'' ('''All's Well That Ends Well''' II.3) || 1793 || Oil on canvas || 78.5 x 55.3 cm | | 87 || Francis Wheatley || ''Helena and Count Bertram before the King of France'' ('''All's Well That Ends Well''' II.3) || 1793 || Oil on canvas || 78.5 x 55.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128629/ FPa85] || [http://luna.folger.edu/luna/servlet/s/0zs38s/ LUNA Digital Image] | ||
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| 88 || Francis Wheatley, after || ''Jaqeunetta approaching Sir Nathaniel with Berowne's letter'' ('''Love's Labor's Lost''' IV.2) || Early nineteenth century || Oil on canvas || 76.2 x 63.2 cm | | 88 || Francis Wheatley, after || ''Jaqeunetta approaching Sir Nathaniel with Berowne's letter'' ('''Love's Labor's Lost''' IV.2) || Early nineteenth century || Oil on canvas || 76.2 x 63.2 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128630/ FPb52] || [http://luna.folger.edu/luna/servlet/s/v3916b/ LUNA Digital Image] | ||
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| 89 || John Masey Wright || ''Mistress Ford and Falstaff'' ('''The Merry Wives of Windsor''' III.3) || ca. 1810s? || Oil on canvas || 30.5 x 39 cm | | 89 || John Masey Wright || ''Mistress Ford and Falstaff'' ('''The Merry Wives of Windsor''' III.3) || ca. 1810s? || Oil on canvas || 30.5 x 39 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128631/ FPa4] || [http://luna.folger.edu/luna/servlet/s/k485p8/ LUNA Digital Image] | ||
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| 90 || John Masey Wright || ''Juliet and the Nurse'' ('''Romeo and Juliet''' II.5) || ca. 1810s? || Oil on canvas || 30.8 x 38.3 cm | | 90 || John Masey Wright || ''Juliet and the Nurse'' ('''Romeo and Juliet''' II.5) || ca. 1810s? || Oil on canvas || 30.8 x 38.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128632/ FPb13] || [http://luna.folger.edu/luna/servlet/s/l7186j/ LUNA Digital Image] | ||
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| 91 || John Masey Wright || ''Mercutio bidding farewell to Juliet's Nurse'' ('''Romeo and Juliet''' II.4) || ca. 1820s || Oil on canvas || 45.7 x 35.7 cm | | 91 || John Masey Wright || ''Mercutio bidding farewell to Juliet's Nurse'' ('''Romeo and Juliet''' II.4) || ca. 1820s || Oil on canvas || 45.7 x 35.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128633/ FPa70] || [http://luna.folger.edu/luna/servlet/s/ku944e/ LUNA Digital Image] | ||
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| 92 || John Masey Wright, attributed to || ''Petruchio and the Haberdasher'' ('''The Taming of the Shrew''' IV.3) || ca. 1830s? || Oil on canvas || 44.5 x 38.3 cm | | 92 || John Masey Wright, attributed to || ''Petruchio and the Haberdasher'' ('''The Taming of the Shrew''' IV.3) || ca. 1830s? || Oil on canvas || 44.5 x 38.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128634/ FPa87] || | ||
|- | |- | ||
| 93 || John Masey Wright, attributed to || ''Petruchio and the tailor'' ('''The Taming of the Shrew''' IV.3) || ca. 1830s? || Oil on canvas || 44.5 x 38.3 cm | | 93 || John Masey Wright, attributed to || ''Petruchio and the tailor'' ('''The Taming of the Shrew''' IV.3) || ca. 1830s? || Oil on canvas || 44.5 x 38.3 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128635/ FPa86] || | ||
|- | |- | ||
| 94 || Lee Woodward Ziegler || ''Antony approaching Cleopatra, Meïamoun lying dead at her feet'' (Théophile Gautier, '''Une nuit de Cléopâtre''') || ca. 1900 || Oil on canvas || 40.9 x 57.5 cm | | 94 || Lee Woodward Ziegler || ''Antony approaching Cleopatra, Meïamoun lying dead at her feet'' (Théophile Gautier, '''Une nuit de Cléopâtre''') || ca. 1900 || Oil on canvas || 40.9 x 57.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128636/ ART Box Z45 no. 1] || [http://luna.folger.edu/luna/servlet/s/3g4s46/ LUNA Digital Image] | ||
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| 95 || Francesco Zuccarelli || ''Macbeth meeting the witches'' ('''Macbeth''' I.3) || 1760 || Oil on panel || 81.7 x 142.5 cm | | 95 || Francesco Zuccarelli || ''Macbeth meeting the witches'' ('''Macbeth''' I.3) || 1760 || Oil on panel || 81.7 x 142.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128637/ FPa89] || [http://luna.folger.edu/luna/servlet/s/3ou837/ LUNA Digital Image] | ||
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| 96 || Anonymous || ''Celia and Rosalind departing from Orlando'' ('''As You Like It''' I.2) || ca. 1840s || Oil on tin || 20.2 x 16.9 cm | | 96 || Anonymous || ''Celia and Rosalind departing from Orlando'' ('''As You Like It''' I.2) || ca. 1840s || Oil on tin || 20.2 x 16.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128638/ FPb15] || [http://luna.folger.edu/luna/servlet/s/50qtmh/ LUNA Digital Image] | ||
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| 97 || Anonymous || ''Romeo and Juliet'' ('''Romeo and Juliet''' III.5) || ca. 1840s || Oil on tin || 20.2 x 16.8 cm | | 97 || Anonymous || ''Romeo and Juliet'' ('''Romeo and Juliet''' III.5) || ca. 1840s || Oil on tin || 20.2 x 16.8 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128639/ FPb14] || [http://luna.folger.edu/luna/servlet/s/j51404/ LUNA Digital Image] | ||
|- | |- | ||
| 98 || Anonymous || ''Falstaff at the Boar's Head Tavern'' ('''Henry IV, Part 1''' II.4) || ca. 1840 || Oil on canvas || 43.5 x 60.7 cm | | 98 || Anonymous || ''Falstaff at the Boar's Head Tavern'' ('''Henry IV, Part 1''' II.4) || ca. 1840 || Oil on canvas || 43.5 x 60.7 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128640/ FPa81] || [http://luna.folger.edu/luna/servlet/s/021bxr/ LUNA Digital Image] | ||
|- | |- | ||
| 99 || Anonymous || ''Falstaff impersonating the King'' ('''Henry IV, Part 1''' II.4) || ca. 1840s || Oil on canvas || 26 x 30.2 cm | | 99 || Anonymous || ''Falstaff impersonating the King'' ('''Henry IV, Part 1''' II.4) || ca. 1840s || Oil on canvas || 26 x 30.2 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128641/ FPa45] || [http://luna.folger.edu/luna/servlet/s/93ex79/ LUNA Digital Image] | ||
|- | |- | ||
| 100 || Anonymous || ''Falstaff and Bardolph'' ('''Henry IV, Part 1''' III.3) || Early nineteenth century || Oil on canvas on panel || 38.5 x 30.9 cm | | 100 || Anonymous || ''Falstaff and Bardolph'' ('''Henry IV, Part 1''' III.3) || Early nineteenth century || Oil on canvas on panel || 38.5 x 30.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128642/ FPb53] || [http://luna.folger.edu/luna/servlet/s/dkv6rx/ LUNA Digital Image] | ||
|- | |- | ||
| 101 || Anonymous || ''King Lear'' ('''King Lear''' IV.6) || 1874 || Oil canvas mounted on board || 76.2 x 63.5 cm | | 101 || Anonymous || ''King Lear'' ('''King Lear''' IV.6) || 1874 || Oil canvas mounted on board || 76.2 x 63.5 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128643/ FPb48] || [http://luna.folger.edu/luna/servlet/s/c6yc90/ LUNA Digital Image] | ||
|- | |- | ||
| 102 || Anonymous || ''Shylock'' ('''The Merchant of Venice''' IV.1) || Early nineteenth century || Oil on canvas || 38.2 x 31.8 cm | | 102 || Anonymous || ''Shylock'' ('''The Merchant of Venice''' IV.1) || Early nineteenth century || Oil on canvas || 38.2 x 31.8 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128644/ FPb45] || [http://luna.folger.edu/luna/servlet/s/oa1i04/ LUNA Digital Image] | ||
|- | |- | ||
| 103 || Anonymous || ''Titania caressing the drowsy Bottom'' ('''A Midsummer Night's Dream''' IV.1) || Early nineteenth century || Oil on canvas || 43.3 x 35.8 cm | | 103 || Anonymous || ''Titania caressing the drowsy Bottom'' ('''A Midsummer Night's Dream''' IV.1) || Early nineteenth century || Oil on canvas || 43.3 x 35.8 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128645/ FPa8] || [http://luna.folger.edu/luna/servlet/s/q7y99v/ LUNA Digital Image] | ||
|- | |- | ||
| 104 || Anonymous || ''Ariel leading Caliban by a chain (?)'' ('''The Tempest''' II.2 (?)) || Nineteenth century || Oil on panel || 21.2 x 27 cm | | 104 || Anonymous || ''Ariel leading Caliban by a chain (?)'' ('''The Tempest''' II.2 (?)) || Nineteenth century || Oil on panel || 21.2 x 27 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128646/ FPa6] || | ||
|- | |- | ||
| 105 || Anonymous || ''Unknown subject (Constance's cry)'' || Late eighteenth or early nineteenth century || Oil on canvas || 100.4 x 73.9 cm | | 105 || Anonymous || ''Unknown subject (Constance's cry)'' || Late eighteenth or early nineteenth century || Oil on canvas || 100.4 x 73.9 cm || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128647/ FPb1] || | ||
| | |} | ||
| 106 || Nathaniel Dance || ''David Garrick'' || 1774 || Oil on canvas || 76.2 x 63.8 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128648/ FPa17] || [http://luna.folger.edu/luna/servlet/s/d8d7ga/ LUNA Digiatl Image] | | 106 || Nathaniel Dance || ''David Garrick'' || 1774 || Oil on canvas || 76.2 x 63.8 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128648/ FPa17] || [http://luna.folger.edu/luna/servlet/s/d8d7ga/ LUNA Digiatl Image] | ||
|- | |- | ||
| Line 393: | Line 395: | ||
|- | |- | ||
| 194 || Isaac Oliver || ''William Herbert, Third Earl of Pembroke'' || 1611 || Watercolor with bodycolor on vellum, oval || 5.3 x 4.3 cm || Miniatures (Early Modern) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128736/ FPm10] || [http://luna.folger.edu/luna/servlet/s/3j98q3/ LUNA Digital Image] | | 194 || Isaac Oliver || ''William Herbert, Third Earl of Pembroke'' || 1611 || Watercolor with bodycolor on vellum, oval || 5.3 x 4.3 cm || Miniatures (Early Modern) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128736/ FPm10] || [http://luna.folger.edu/luna/servlet/s/3j98q3/ LUNA Digital Image] | ||
|- | |||
| 195 || Peter Oliver || ''Henry Frederick, Prince of Wales'' || Early 1610s || Watercolor with bodycolor, gold-trimmed garnet, on vellum, oval || 5.1 x 4 cm || Miniatures (Early Modern) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128737/ FPm13] || [http://luna.folger.edu/luna/servlet/s/4t5mv9/ LUNA Digital Image] | |||
|- | |||
| 196 || Johnathan Richardson || ''John Dryden'' || ca.1730s || Pencil on vellum, oval || 8.2 x 6.6 cm || Miniatures (Early Modern) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128738/ FPm14] || [http://luna.folger.edu/luna/servlet/s/vdmnwo/ LUNA Digital Image] | |||
|- | |||
| 197 || Anonymous || ''Ben Jonson'' || Late eighteenth or early nineteenth century || Watercolor and bodycolor on ivory, oval || 3.7 x 3.1 cm || Miniatures (Early Modern) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128739/ FPm15] || | |||
|- | |||
| 198 || Anonymous || ''King James I'' || ca. 1620? || Watercolor withbodycolor on vellum, oval || 4 x 3.4 cm || Miniatures (Early Modern) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128740/ FPm11] || [http://luna.folger.edu/luna/servlet/s/cqn0m3/ LUNA Digital Image] | |||
|- | |||
| 199 || Anonymous || ''Anne of Denmark'' || ca. 1620? || Watercolor with bodycolor on vellum, oval || 4 x 3.4 cm || Miniatures (Early Modern) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128741/ FPm12] || [http://luna.folger.edu/luna/servlet/s/t0vn3v/ LUNA Digital Image] | |||
|- | |||
| 200 || J.T. Clark, after || ''The immortal Shakespeare was born in this house'' || After 1849 || Oil on panel || 30 x 40.2 cm || Shakespeareana || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128742/ FPa80] || [http://luna.folger.edu/luna/servlet/s/nib03n/ LUNA Digital Image] | |||
|- | |||
| 201 || Thomas Nast || Study for ''The Immortal Light of Genius'' || 1895 || Oil on paper glue-lined to canvas || 36.8 x 49.4 cm || Shakespeareana || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128743/ FPa42] || [http://luna.folger.edu/luna/servlet/s/m1725a/ LUNA Digital Image] | |||
Revision as of 15:37, 16 July 2014
| Pressly number | Artist | Title | Year | Medium | Size | Hamnet | LUNA |
|---|---|---|---|---|---|---|---|
| 1 | John White Abbot | Macbeth recoiling from the apparition of the crowned child (Macbeth IV.1) | 1829 | Oil on panel | 19.7 x 23. 7 cm | FPa1 | LUNA Digital Image |
| 2 | John White Abbot | Prospero commanding Ariel (The Tempest I.2) | 1829 | Oil on panel | 19.7 x 23. 7 cm | FPa2 | LUNA Digital Image |
| 3 | Thomas Barker of Bath | Macbeth and the Witches (Macbeth IV.1) | ca. 1830 | Oil on canvas | 117.5 x 94.3 cm | FPa5 | LUNA Digital Image |
| 4 | Friedrich Brockmann | Portia and Nerissa (The Merchant of Venice I.2) | 1849 | Oil on canvas | 109.4 x 90.9 cm | FPa7 | LUNA Digital Image |
| 5 | John Cawse | Falstaff boasting to Prince Hal and Poins (Henry IV, Part 1 II.4) | ca. 1820s | Oil on canvas | 34.9 x 44.3 cm | FPa10 | |
| 6 | John Cawse | Falstaff mocking Bardolph's nose (Henry IV, Part I III.3) | ca. 1820s | Oil on canvas | 33.6 x 42.8 cm | FPa9 | LUNA Digital Image |
| 7 | John Cawse | Falstaff, Prince Hal, and Mistress Quickly (Henry IV, Part I III.3) | ca. 1820s | Oil on canvas | 63.6 x 76.9 cm | FPa15 | |
| 8 | John Cawse | Falstaff choosing his recruits (Henry IV, Part 2 III.2) | 1818 | Oil on canvas | 63.8 x 76.1 cm | FPa14 | LUNA Digital Image |
| 9 | John Cawse | Falstaff choosing his recruits (Henry IV, Part 2 III.2) | ca. 1820s | Oil on canvas | 53.5 x 71.2 cm | FPa90 | |
| 10 | John Cawse | Bardolph and Falstaff putting Wart through the drill (Henry IV, Part 2 III.2) | 1827? | Oil on canvas | 59.8 x 84.1 cm | FPa13 | LUNA Digital Image |
| 11 | John Cawse | Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) | ca. 1820 | Oil on canvas | 52.2 x 78 cm | FPa12 | LUNA Digital Image |
| 12 | John Cawse | Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) | ca. 1820s | Oil on canvas | 73.2 x 76.5 cm | FPa11 | LUNA Digital Image |
| 13 | John Cawse | Autolycus selling his wares (The Winter's Tale IV.4) | ca. 1830 | Oil on canvas | 63.8 x 76.5 cm | FPa16 | LUNA Digital Image |
| 14 | Alexander Christie | Hamlet finding the king at prayer (Hamlet III.3) | 1842 | Oil sketch on canvas | 72.4 x 91.5 cm | FPb17 | |
| 15 | George Clint | Falstaff relating his valiant exploits (Henry IV, Part 1 II.4) | ca. mid-1830s | Oil on canvas | 88.3 x 119.5 cm | FPa68 | LUNA Digital Image |
| 16 | Richard Cook | Helen and Priam at the Scæn Gate (Homer, Iliad, book III) | 1808 | Oil on canvas | 29.3 x 24 cm | FPa75 | LUNA Digital Image |
| 17 | Richard Cook | Hector reproving Paris (Homer, Iliad, book VI) | 1808 | Oil on canvas | 29.4 x 24.1 cm | FPa74 | LUNA Digital Image |
| 18 | Alfred Dever | Sir John Falstaff and Mistress Quickly (Henry IV, Part 2 II.1) | ca. 1870 | Oil on canvas | 60 x 50 cm | FPa18 | LUNA Digital Image |
| 19 | George James De Wilde, attributed to | The Seven Ages of Man (As You Like It II.7) | 1823 | Oil on canvas | 58.7 x 84.5 cm | FPa19 | LUNA Digital Image |
| 20 | Thomas Francis Dicksee | Anne Page (The Merry Wives of Windsor I.1) | 1862 | Oil on canvas | 35.4 x 27.7 cm | FPa20 | LUNA Digital Image |
| 21 | Monogrammist T.E. | Ophelia (Hamlet IV.7) | Late nineteenth century | Oil on canvas, oval | 67.9 x 55.7 cm | FPa3 | LUNA Digital Image |
| 22 | Henry Joseph Fradelle | Othello and Desdemona (Othello III.4) | ca. 1827 | Oil on panel | 30.5 x 25.1 cm | FPb21 | LUNA Digital Image |
| 23 | William Powell Frith | Olivia unveiling (Twelfth Night I.5) | 1874 | Oil on canvas | 31.5 x 26.2 cm | FPa21 | LUNA Digital Image |
| 24 | Henry Fuseli | Macbeth consulting the vision of the armed head (Macbeth IV.1) | 1793 | Oil on canvas | 167.7 x 134.3 cm | FPa27 | LUNA Digital Image |
| 25 | Henry Fuseli | Puck (A Midsummer Night's Dream II.1) | ca. 1810-20 | Oil on canvas | 92 x 71.5 cm | FPa24 | LUNA Digital Image |
| 26 | Henry Fuseli | The two murderers of the Duke of Clarence (Richard III I.4) | ca. 1780-82 | Oil on canvas | 68.6 x 53.3 cm | FPa26 | LUNA Digital Image |
| 27 | Henry Fuseli | Romeo stabs Paris at the bier of Juliet (Romeo and Juliet V.3) | ca. 1809 | Oil on canvas | 71.2 x 92 cm | FPa25 | LUNA Digital Images |
| 28 | Henry Fuseli | Ariel (The Tempest V.1) | ca. 1800-1810 | Oil on canvas | 92.7 x 71.5 cm | FPa22 | LUNA Digital Image |
| 29 | Henry Fuseli | Faery Mab (John Milton, L'Allegro) | ca. 1815-20 | Oil on canvas | 70 x 90.8 cm | FPa23 | LUNA Digital Image |
| 30 | George Henry Hall | Sir Toby Belch (Twelfth Night II.3) | 1854 | Oil on canvas | 60.5 x 50.4 cm | FPa29 | LUNA Digital Image |
| 31 | George Henry Hall | Malvolio confronting the revelers (Twelfth Night II.3) | 1855 | Oil on canvas | 63.7 x 76.2 cm | FPa28 | LUNA Digital Image |
| 32 | William Hamilton | Isabella appealing to Angelo (Measure for Measure (II.2) | 1793 | Oil on canvas | 166.3 x 134.6 cm | FPa30 | LUNA Digital Image |
| 33 | William Hamilton | The Duke of York discovering his son Aumerle's treachery (Richard II V.2) | Late 1790s | Oil on canvas | 79.7 x 55.3 cm | FPa34 | LUNA Digital Image |
| 34 | William Hamilton | The carousing of Sit Toby Belch and Sir Andrew Aguecheek (Twelfth Night II.3) | 1792 | Oil on canvas | 78.5 x 56.2 cm | FPa32 | LUNA Digital Image |
| 35 | William Hamilton | Olivia's proposal (Twelfth Night IV.3) | ca. 1796 | Oil on canvas | 77.8 x 55 cm | FPa31 | LUNA Digital Image |
| 36 | Francis Hayman | The play scene from "Hamlet" (Hamlet II.2) | ca. 1745 | Oil on canvas | 34.8 x 29.6 cm | FPa36 | LUNA Digital Image |
| 37 | Francis Hayman | Falstaff reviewing his recruits (Henry IV, Part 1, III.2) | 1760s | Oil on canvas | 101.6 x 122.5 cm | FPa35 | |
| 38 | Francis Hayman, after | Falstaff's cowardice detected (Henry IV, Part 1, II.4) | Mid-eighteenth century | Oil on canvas | 26.4 x 36.5 cm | FPb12 | |
| 39 | William Salter Herrick | Hamlet in the Queen's chamber (Hamlet III.4) | ca. 1857 | Oil on canvas | 114.1 x 157.6 cm | FPa37 | LUNA Digital Image |
| 40 | James Clarke Hook | Othello's description of Desdemona (Othello IV.1) | ca. 1852 | Oil on panel | 78.6 x 53.3 cm | FPa38 | LUNA Digital Image |
| 41 | Arthur Boyd Houghton | Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek (Twelfth Night IV.1) | ca. 1854 | Oil on panel | 29.8 x 39.7 cm | FPb63 | LUNA Digital Image |
| 42 | Frank Howard | Portia pronouncing sentence (The Merchant of Venice IV.1) | ca. 1830-31 | Oil on canvas | 71.2 x 91.5 cm | FPb3 | LUNA Digital Image |
| 43 | George Jones, attributed to | Hamlet in the Queen's closet (Hamlet III.4) | ca. 1830 | Oil on panel | 30.5 x 25 cm | FPb29 | LUNA Digital Image |
| 44 | G. Jones | Falstaff and Ford at the Garter Inn (The Merry Wives of Windsor II.2) | 1864 | Oil on panel, irregular | 14.7 x 20.5 cm | FPb30 | |
| 45 | Sir James Dromgole Linton | Portia (The Merchant of Venice IV.1) | ca. 1895 | Oil on canvas | 127.3 x 71 cm | FPa39 | LUNA Digital Image |
| 46 | Henry Liverseege, after | The grave-digger (Hamlet V.1) | ca. 1832 | Oil on canvas | 46.5 x 35.5 cm | FPb44 | LUNA Digital Image |
| 47 | Henry Liverseege, after | Falstaff and Bardolph (Henry IV, Part 1 III.3) | After 1833 | Oil on canvas | 40.1 x 30.6 cm | FPa40 | |
| 48 | Henry Liverseege, after | Falstaff and Bardolph (Henry IV, Part 1 III.3) | After 1833 | Oil on canvas | 30.5 x 25.4 cm | FPb31 | LUNA Digital Image |
| 49 | Rev. Matthew William Peters | The death of Juliet (Romeo and Juliet V.3) | 1793 | Oil on canvas | 167.2 x 134.1 cm | FPa43 | LUNA Digital Image |
| 50 | Rev. Matthew William Peters, after | Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3) | Early nineteenth century | Oil on canvas | 58.1 x 43.2 cm | FPb36 | LUNA Digital Image |
| 51 | Sir Joshua Reynolds, studio of | The death of Cardinal Beaufort (Henry VI Part 2 III.3) | ca. 1790? | Oil on board | 42.5 x 32.5 cm | FPb40 | LUNA Digital Image |
| 52 | John Francis Rigaud | Constantia revealing herself to her father (Chaucer, The Man of Law's Tale) | ca. 1788 | Oil on canvas | 35.9 x 45.8 cm | FPa46 | |
| 53 | George Romney | Macbeth and the witches (Macbeth IV.1) | 1785 | Oil on canvas | 74.9 x 63.3 cm | FPb41 | LUNA Digital Image |
| 54 | George Romney | Study for Titania, Puck, and the Changeling (A Midsummer Night's Dream II.1) | 1793 | Oil on cardboard mounted on canvas | 27.3 x 35.7 cm | FPa48 | LUNA Digital Image |
| 55 | William Salter | Othello's Lamentation (Othello V.2) | ca. 1857 | Oil on canvas | 115.5 x 143.4 cm | FPa50 | LUNA Digital Image |
| 56 | Michael William Sharp | Petruchio and the tailor (The Taming of the Shrew IV.3) | 1835 | Oil on canvas | 67.7 x 57.5 cm | FPa51 | LUNA Digital Image |
| 57 | Robert Smirke | Falstaff Rebuked (Henry IV, Part 2 V.5) | ca. 1795 | Oil on canvas | 79.4 x 55.5 cm | FPa54 | LUNA Digital Image |
| 58 | Robert Smirke | The awakening of King Lear (King Lear IV.7) | ca. 1792 | Oil on canvas | 78.7 x 53.2 cm | FPa53 | LUNA Digital Image |
| 59 | Robert Smirke | Stephano confronting the monster (The Tempest II.2) | ca. 1798 | Oil on canvas | 78.0 x 56. 9 cm | FPa55 | |
| 60 | Robert Smirke | Falstaff instructing Bardolph (Henry IV, Part 1 IV.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | FPa60 | |
| 61 | Robert Smirke | Falstaff struggling with Hotspur's body (Henry IV, Part 1 V.4), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.7 x 11.7 cm | FPa61 | |
| 62 | Robert Smirke | Anne Page's invitation to slender (The Merry Wives of Windsor I.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.9 cm | FPa58 | |
| 63 | Robert Smirke | Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.5 cm | FPa59 | |
| 64 | Robert Smirke | Lysander declaring his passion to Helena (A Midsummer Night's Dream II.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 10.6 cm | FPa63 | LUNA Digital Image |
| 65 | Robert Smirke | Puck's report to Oberon (A Midsummer Night's Dream III.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | FPa64 | |
| 66 | Robert Smirke | Bottom in the forest (A Midsummer Night's Dream IV.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 10.9 cm | FPa62 | |
| 67 | Robert Smirke | Katherina's first meeting with Petruchio (The Taming of the Shrew II.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 12.4 cm | FPa66 | |
| 68 | Robert Smirke | Katherina's chastisement of Bianca and the Widow (The Taming of the Shrew V.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | FPa67 | |
| 69 | Robert Smirke | Prospero summoning Ariel (The Tempest I.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 11.6 cm | FPa65 | |
| 70 | Robert Smirke | Ferdinand proclaiming his love to Miranda (The Tempest III.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.6 x 10.9 cm | FPa56 | |
| 71 | Robert Smirke | Stephano demanding Trinculo's gown (The Tempest IV.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.6 x 10.9 cm | FPa57 | |
| 72 | Robert Smirke, after | Anne Page inviting Slender to dinner (The Merry Wives of Windsor I.1) | Early nineteenth century | Oil on canvas | 58.9 x 45.7 cm | FPb43 | LUNA Digital Image |
| 73 | Carl Ferdinand Sohn, after | Romeo and Juliet (Romeo and Juilet III.5) | After 1836 | Oil on tin | 26.3 x 20.6 cm | FPb28 | LUNA Digital Image |
| 74 | Frank Stone | Study for Bassanio receiving the letter announcing Antonio's losses and peril (The Merchant of Venice III.2) | ca. 1850-51 | Oil on panel | 17.3 x 22.7 cm | FPa76 | |
| 75 | Thomas Stothard | Falstaff describing the fight at Gadshill (Henry IV, Part 1 II.4) | ca. 1827 | Oil on panel | 21.6 x 14.6 cm | FPa71 | LUNA Digital Image |
| 76 | Thomas Stothard | Falstaff and Doll Tearsheet (Henry IV, Part 2 II.4) | ca. 1827 | Oil on panel | 21.2 x 15.3 cm | FPa72 | LUNA Digital Image |
| 77 | Thomas Stothard | Marina singing before Pericles (Pericles V.1) | ca. 1825 | Oil on canvas | 58.5 x 43.4 cm | FPa73 | LUNA Digital Image |
| 78 | Thomas Stothard | The Vintage | ca. 1833-34 | Oil on canvas | 78.9 x 59.1 cm | FPa69 | |
| 79 | Thomas Stothard, manner of | The performance of the Nine Worthies (Love's Labor's Lost V.2) | Eighteenth or nineteenth century | Oil on panel | 36.1 x 67.7 cm | FPb46 | LUNA Digital Image |
| 80 | Thomas Stothard, manner of | Olivia greeting Cesario in the garden (Twelfth Night III.1) | Eighteenth or nineteenth century | Oil on panel | 41.7 x 50.3 cm | FPb64 | LUNA Digital Image |
| 81 | Thomas Sully | Macbeth in the witches' cave (Macbeth IV.1) | 1840 | Oil on canvas | 73.5 x 60.9 cm | FPa77 | LUNA Digital Image |
| 82 | Thomas Sully | Portia and Shylock (The Merchant of Venice IV.1) | 1835 | Oil on canvas | 96.5 x 73.6 cm | FPa78 | LUNA Digital Image |
| 83 | Frederick Weekes | Falstaff and Bardolph (Henry IV, Part 1 III.3) | ca. 1855-57 | Oil on canvas | 47.7 x 38.4 cm | FPb50 | |
| 84 | Benjamin West | King Lear and Cordelia (King Lear IV.7) | 1793 | Oil on canvas | 48.1 x 59.9 cm | FPa82 | LUNA Digital Image |
| 85 | Richard Westall | Wolsey disgraced (Henry VIII III.2) | 1795 | Oil on canvas | 80.6 x 54.4 cm | FPa84 | LUNA Digital Image |
| 86 | Richard Westall | Shylock rebuffing Antonio (The Merchant of Venice III.3) | 1795 | Oil on canvas | 81.5 x 53.5 cm | FPa83 | LUNA Digital Image |
| 87 | Francis Wheatley | Helena and Count Bertram before the King of France (All's Well That Ends Well II.3) | 1793 | Oil on canvas | 78.5 x 55.3 cm | FPa85 | LUNA Digital Image |
| 88 | Francis Wheatley, after | Jaqeunetta approaching Sir Nathaniel with Berowne's letter (Love's Labor's Lost IV.2) | Early nineteenth century | Oil on canvas | 76.2 x 63.2 cm | FPb52 | LUNA Digital Image |
| 89 | John Masey Wright | Mistress Ford and Falstaff (The Merry Wives of Windsor III.3) | ca. 1810s? | Oil on canvas | 30.5 x 39 cm | FPa4 | LUNA Digital Image |
| 90 | John Masey Wright | Juliet and the Nurse (Romeo and Juliet II.5) | ca. 1810s? | Oil on canvas | 30.8 x 38.3 cm | FPb13 | LUNA Digital Image |
| 91 | John Masey Wright | Mercutio bidding farewell to Juliet's Nurse (Romeo and Juliet II.4) | ca. 1820s | Oil on canvas | 45.7 x 35.7 cm | FPa70 | LUNA Digital Image |
| 92 | John Masey Wright, attributed to | Petruchio and the Haberdasher (The Taming of the Shrew IV.3) | ca. 1830s? | Oil on canvas | 44.5 x 38.3 cm | FPa87 | |
| 93 | John Masey Wright, attributed to | Petruchio and the tailor (The Taming of the Shrew IV.3) | ca. 1830s? | Oil on canvas | 44.5 x 38.3 cm | FPa86 | |
| 94 | Lee Woodward Ziegler | Antony approaching Cleopatra, Meïamoun lying dead at her feet (Théophile Gautier, Une nuit de Cléopâtre) | ca. 1900 | Oil on canvas | 40.9 x 57.5 cm | ART Box Z45 no. 1 | LUNA Digital Image |
| 95 | Francesco Zuccarelli | Macbeth meeting the witches (Macbeth I.3) | 1760 | Oil on panel | 81.7 x 142.5 cm | FPa89 | LUNA Digital Image |
| 96 | Anonymous | Celia and Rosalind departing from Orlando (As You Like It I.2) | ca. 1840s | Oil on tin | 20.2 x 16.9 cm | FPb15 | LUNA Digital Image |
| 97 | Anonymous | Romeo and Juliet (Romeo and Juliet III.5) | ca. 1840s | Oil on tin | 20.2 x 16.8 cm | FPb14 | LUNA Digital Image |
| 98 | Anonymous | Falstaff at the Boar's Head Tavern (Henry IV, Part 1 II.4) | ca. 1840 | Oil on canvas | 43.5 x 60.7 cm | FPa81 | LUNA Digital Image |
| 99 | Anonymous | Falstaff impersonating the King (Henry IV, Part 1 II.4) | ca. 1840s | Oil on canvas | 26 x 30.2 cm | FPa45 | LUNA Digital Image |
| 100 | Anonymous | Falstaff and Bardolph (Henry IV, Part 1 III.3) | Early nineteenth century | Oil on canvas on panel | 38.5 x 30.9 cm | FPb53 | LUNA Digital Image |
| 101 | Anonymous | King Lear (King Lear IV.6) | 1874 | Oil canvas mounted on board | 76.2 x 63.5 cm | FPb48 | LUNA Digital Image |
| 102 | Anonymous | Shylock (The Merchant of Venice IV.1) | Early nineteenth century | Oil on canvas | 38.2 x 31.8 cm | FPb45 | LUNA Digital Image |
| 103 | Anonymous | Titania caressing the drowsy Bottom (A Midsummer Night's Dream IV.1) | Early nineteenth century | Oil on canvas | 43.3 x 35.8 cm | FPa8 | LUNA Digital Image |
| 104 | Anonymous | Ariel leading Caliban by a chain (?) (The Tempest II.2 (?)) | Nineteenth century | Oil on panel | 21.2 x 27 cm | FPa6 | |
| 105 | Anonymous | Unknown subject (Constance's cry) | Late eighteenth or early nineteenth century | Oil on canvas | 100.4 x 73.9 cm | FPb1 |
| 106 || Nathaniel Dance || David Garrick || 1774 || Oil on canvas || 76.2 x 63.8 cm || Theatrical portraiture || FPa17 || LUNA Digiatl Image |- | 107 || Nathaniel Dance, after || David Garrick as Richard III (Richard III V.4) || After 1772 || Oil on canvas || 125 x 85 cm || Theatrical portraiture || FPb18 || LUNA Digital Image |- | 108 || George Dawe || Study for Miss O'Neill as Juliet (Romeo and Juliet II.2) || ca. 1816 || Oil on canvas || 63.6 x 46 cm || Theatrical portraiture || FPb19 || LUNA Digital Image |- | 109 || Thomas Gainsborough, after || David Garrick leaning on a bust of Shakespeare || After 1769 || Oil on canvas || 114.3 x 75.9 cm || Theatrical portraiture || FPb27 || LUNA Digital Image |- | 110 || Thomas Gainsborough, after || Sarah Siddons || After 1785 || Oil on canvas || 76.1 x 63.2 cm || Theatrical portraiture || FPb22 || LUNA Digital Image |- | 111 || James Green, after || George Frederick Cooke as Iago (Othello III.3) || After 1801 || Oil on canvas || 77.8 x 63.7 cm || Theatrical portraiture || FPb23 || |- | 112 || William Hamilton || John Philip Kemble as Richard III (Richard III V.3) || ca. 1787 || Oil on canvas || 55.5 x 46.5 cm || Theatrical portraiture || FPb24 || LUNA Digital Image |- | 113 || Gabriel Harrison || Edwin Forrest as King Lear (King Lear IV.6) || 1872 || Oil on paper pasted on board || 50.2 x 38.7 cm || Theatrical portraiture || ART Box H319 no. 2 || |- | 114 || Sir Thomas Lawrence, after || John Philip Kemble as Coriolanus (Coriolanus IV.5) || Early 1800s || Oil on cardboard || 27 x 22 cm || Theatrical portraiture || FPb25 || |- | 115 || Sir Thomas Lawrence, after || John Philip Kemble as Hamlet (Hamlet V.1) || Early 1800s || Oil on canvas || 76.2 x 49.3 cm || Theatrical portraiture || FPb26 || LUNA Digital Image |- | 116 || Thomas Lawrence, manner of || Macready (?) in the character of a king || ca. 1820s || Oil on canvas || 76.2 x 63.4 cm || Theatrical portraiture || FPb34 || |- | 117 || John Lewis, after || Margaret 'Peg' Woffington || ca. 1753 || Oil on canvas || 76.4 x 63.5 cm || Theatrical portraiture || FPb10 || |- | 118 || James McArdell, attributed to || James Quin as Falstaff (Henry IV, Part I II.4) || ca. 1750 || Oil on canvas || 53.5 x 39.5 cm || Theatrical portraiture || FPa41 || LUNA Digital Image |- | 119 || John Neagle, after || William C. Macready as Macbeth || After 1827 || Oil on canvas || 76 x 63.4 cm || Theatrical portraiture || FPb2 || |- | 120 || Robert Edge Pine || David Garrick || ca. 1780 || Oil on canvas, oval || 75.5 x 62.6 cm || Theatrical portraiture || FPa44 || LUNA Digital Image |- | 121 || Sir Joshua Reynolds, studio of || David Garrick || ca. 1776-79 || Oil on canvas || 75 x 61.5 cm || Theatrical portraiture || FPb37 || LUNA Digital Image |- | 122 || Sir Joshua Reynolds, after || David Garrick || Early nineteenth century || Oil on canvas || 30.5 x 25.5 cm || Theatrical portraiture || FPb38 || |- | 123 || Alfred Rolfe || Macbeth's murder of Duncan (Macbeth II.2) || ca. 1888 || Oil on canvas || 131.7 x 181.5 cm || Theatrical portraiture || FPa47 || LUNA Digital Image |- | 124 || George Romney || John Henderson as Macbeth (Macbeth I.3) || ca. 1787 || Oil on engraving mounted on canvas || 42.5 x 52 cm || Theatrical portraiture || FPb42 || LUNA Digital Image |- | 125 || Thomas Sully || Charlotte Cushman || 1843 || Oil on canvas || 51.4 x 44 cm || Theatrical portraiture || FPb47 || LUNA Digital Image |- | 126 || Wilhelm Trautschold || Charlotte Cushman || ca. 1847 || Oil on canvas || 46.3 x 35.5 cm || Theatrical portraiture || FPb49 || |- | 127 || Richard Westall, attributed to || Volumnia pleading with Coriolanus (Coriolanus V.3) || ca. 1800 || Oil on canvas || 76.5 x 64.3 cm || Theatrical portraiture || FPa33 || LUNA Digital Image |- | 128 || Benjamin Wilson || William Powell as Hamlet encountering the Ghost (Hamlet I.4) || ca. 1768-69 || Oil no canvas || 126.4 x 116 cm || Theatrical portraiture || FPa88 || LUNA Digital Image |- | 129 || Anonymous || Eliza Walstein (?) as Rosalind (As You Like It III.5) || After ca. 1815 || Oil on panel || 11.5 x 7.8 cm || Theatrical portraiture|| FPb6 || |- | 130 || Anonymous, American school? || Sarah Siddons as Queen Katharine (Henry VIII II.4) || After 1817 || Oil on canvas || 81 x 55.1 cm || Theatrical portraiture || FPb5 || |- | 131 || Anonymous || Isabella Glyn as Lady Macbeth (Macbeth I.5) || After 1850 || Oil on canvas || 90.7 x 73.5 cm || Theatrical portraiture || FPb4 || |- | 132 || Anonymous || Sarah Siddons as Lady Macbeth (Macbeth II.2) || ca. 1790-1810 || Oil on canvas || 73.6 x 60.9 cm || Theatrical portraiture || FPa52 || LUNA Digital Image |- | 133 || Anonymous || Actor in the character of Othello || Late nineteenth century || Oil on paper mounted on cardboard || 34.7 x 23.8 cm || Theatrical portraiture || FPb7 || |- | 134 || Anonymous || Edmund Kean as Sir Giles Overreach (Philip Massinger, A New Way to Pay Old Debts) || ca. 1816 || Oil on panle || 38.4 x 28.4 cm || Theatrical portraiture || FPb20 || |- | 135 || Sir Joshua Reynolds, attributed to || Unknown man || || Oil on canvas || 63.8 x 53 cm || Theatrical portraiture || FPb39 || |- | 136 || Anonymous || Unknown boy || Early nineteenth century || Oil on canvas || 50.3 x 41 cm || Theatrical portraiture || FPb35 || |- | 137 || Anonymous || 'Unknown man [David Garrick?] || ca. 1760s || Oil on canvas || 76.6 x 64.4 cm || Theatrical portraiture || FPb11 || LUNA Digital Image |- | 138 || James Ferguson || Margaret Woffington || Mid-eighteenth cenutry || Pencil and india ink on vellum, oval || 5.5 x 4.4 cm || Miniatures (theatrical) || FPm16 || |- | 139 || John Howes, after Cipriani || David Garrick unveiling a herm of Shakespeare and the Ephesian Diana || 1777 || Enamel, circular || 11.7 cm in diameter || Miniatures (theatrical) || FPm17 || LUNA Digital Image |- | 140 || Joseph Inchbald, attributed to || Elizabeth Inchbald || ca. 1722-79 || Watercolor on ivory, circular, irregular || 4.2 x 4.1 cm || Miniatures (theatrical) || ART Box I37 no.1 || LUNA Digital Image |- | 141 || Joseph Inchbald, attributed to || Robert Inchbald || ca. 1770s || Watercolor on ivory, oval image on rectangular piece of ivory with clipped corners || 4.6 x 3.8 cm || Miniatures (theatrical) || ART Box I37 no.2 || LUNA Digital Image |- | 142 || Rosalie Sully || Charlotte Cushman || 1844 || Watercolor with tempera on ivory, oval || 5.2 x 3.9 cm || Miniatures (theatrical) || FPm21 || LUNA Digital Image |- | 143 || Rosalie Sully || Frances Anne Kemble || 1844 || Watercolor on ivory, oval || 4 x 3.2 cm || Miniatures (theatrical) || FPm24 || LUNA Digital Image |- | 144 || Thomas Sully, attributed to || Susan Cushman || ca. 1843-44 || Watercolor with bodycolor on ivory, oval || 4.7 x 3.7 cm || Miniatures (theatrical) || FPm20 || LUNA Digital Image |- | 145 || William Henry Watkins || Charlotte Cushman || 1847 || Watercolor on bodycolor on ivory, oval || 8.1 x 6.5 cm || Miniatures (theatrical) || FPm23 || LUNA Digital Image |- | 146 || Mrs. Young || Charlotte Cushman's eye || Nineteenth century || Watercolor with bodycolor on ivory, oval || 2.3 x 1.8 cm || Miniatures (theatrical) || FPm22 || LUNA Digital Image |- | 147 || Anonymous || The Beadle portrait of Shakespeare || Early nineteenth century || Oil on canvas || 76.2 x 58.4 cm || Portraits of Shakespeare || FPs12 || |- | 148 || Anonymous || The Burbage portrait of Shakespeare || Early nineteenth cenutry || Oil on panel || 59.0 x 35.8 cm || Portraits of Shakespeare || FPs2 || |- | 149 || Anonymous || The Buttery portrait of Shakespeare || Nineteenth century || Oil on panel || 33 x 24.7 cm || Portraits of Shakespeare || FPs3 || LUNA Digital Image |- | 150 || Anonymous || The Felton portrait of Shakespeare || ca. 1792? || Tempera and oil (?) on panel || 27.8 x 20.8 cm || Portraits of Shakespeare || FPs13 || LUNA Digital Image |- | 151 || Anonymous || Portrait of Shakespeare || Nineteenth century || Oil on panel || 29.3 x 24.1 cm || Portraits of Shakespeare || FPs11 || LUNA Digital Image |- | 152 || Thomas Phillips || The Stratford memorial bust || ca. 1816 || Oil on panel || 66.2 x 46.4 cm || Portraits of Shakespeare || FPs25 || LUNA Digital Image |- | 153 || Anonymous || The Dexter portrait of Shakespeare || Nineteenth century || Oil on panel || 38.4 x 29.1 cm || Portraits of Shakespeare || FPs10 || LUNA Digital Image |- | 154 || Anonymous || The Shakspere portrait of Shakespeare || Early eighteenth century || Oil on canvas || 75 x 63 cm || Portraits of Shakespeare || FPs22 || LUNA Digital Image |- | 155 || Anonymous || The Gunther portrait of Shakespeare || Eighteenth century || Oil on canvas (oval canvas attached to a rectangular one) || 76.2 x 64. 8 cm || Portraits of Shakespeare || FPs7 || |- | 156 || Anonymous || The Lumley portrait of Shakespeare || Eighteenth century || Oil on canvas || 45 x 36 cm || Portraits of Shakespeare || FPs23 || LUNA Digital Image |- | 157 || Anonymous || Shakespeare signboard || Late seventeenth or early eighteenth century || Oil on mahogany panel, oval || 94.2 x 79.3 cm || Portraits of Shakespeare || FPs9 || LUNA Digital Image |- | 158 || Anonymous || Portrait of Shakespeare || Early nineteenth century || Oil on canvas || 76.6 x 55.7 cm || Portraits of Shakespeare || FPs30 || LUNA Digital Image |- | 159 || Anonymous || Portrait of Shakespeare || Probably early nineteenth century || Oil on panel, framed in a mahogany or rosewood case with two doors || 33 x 28.8 cm || Portraits of Shakespeare || FPs5 || |- | 160 || Anonymous || Sir Thomas Overbury (?) || Early 1610s, altered before 1770 || Oil on panel || 55.9 x 43.4 cm || Portraits of Shakespeare || FPs17 || LUNA Digital Image |- | 161 || Anonymous || The Staunton portrait of Shakespeare || ca. 1770s || Oil on canvas || 76.3 x 63.5 cm || Portraits of Shakespeare || FPs18 || LUNA Digital Image |- | 162 || Anonymous || Portrait of Shakespeare || Probably early nineteenth century || Oil on panel || 17.7 x 13.3 cm || Portraits of Shakespeare || FPs21 || |- | 163 || Anonymous || Portrait of Shakespeare || Nineteenth century || Oil on panel || 30.4 x 25.3 cm || Portraits of Shakespeare || FPs19 || LUNA Digital Image |- | 164 || Anonymous || Portrait of Shakespeare || Nineteenth century || Oil on paper mounted on an oak panel || 13.1 x 11.3 cm || Portraits of Shakespeare || FPs20 || |- | 165 || Anonymous || The Ashbourne portrait of Shakespeare/Sir Hugh Hamersley || 1612, with nineteenth-century alterations || Oil on canvas || 119.4 x 94.6 cm || Portraits of Shakespeare || FPs1 || LUNA Digital Image |- | 166 || Anonymous || Unknown man (formerly identified as Shakespeare; sometimes referred to as the Bath Portrait or the Archer Portrait of Shakespeare) || ca. 1615-20 || Oil on panel || || Portraits of Shakespeare || FPs29 || LUNA Digital Image |- | 167 || Anonymous || Unknown man (formerly identified as Shakespeare) || Seventeenth century with later overpainting || Oil on panel || 61.6 x 46.6 cm || Portraits of Shakespeare || FPs16 || LUNA Digital Image |- | 168 || Anonymous || The Cosway portrait of Shakespeare || Probably late eighteenth century || Oil on circular panel || 19.1 cm in diameter || Portraits of Shakespeare || FPs4 || |- | 169 || Anonymous || Version of the Zoust portrait of Shakespeare || Probably early nineteenth century || Oil on copper || 20.6 x 18 cm || Portraits of Shakespeare || FPs28 || |- | 170 || Thomas Sully || Portrait of Shakespeare || 1864 || Oil on canvas || 51.1 x 43.3 cm || Portraits of Shakespeare || FPa79 || LUNA Digital Image |- | 171 || William Page || Portrait of Shakespeare || 1873 || Oil on canvas || 68.6 x 53.3 cm || Portraits of Shakespeare || FPs24 || LUNA Digital Image |- | 172a || George Henry Hall || Shakespeare composing while looking outward || 1894 || Oil on canvas || 25.4 x 20.4 cm || Portraits of Shakespeare || FPs14 || LUNA Digital Image |- | 172b || George Henry Hall || Shakespeare composing while looking up to his right || 1894 || Oil on canvas || 25.3 x 20.3 cm || Portraits of Shakespeare || FPs14 || LUNA Digital Image |- | 172c || George Henry Hall || Shakespeare composing while looking up to his left || 1894 || Oil on canvas || 25.3 x 20.3 cm || Portraits of Shakespeare || FPs14 || LUNA Digital Image |- | 173 || Anonymous || The Palmer portrait of Shakespeare || Late nineteenth century || Oil on panel || 34.4 x 24.7 cm || Portraits of Shakespeare || FPs6 || LUNA Digital Image |- | 174 || William Sartain || Portrait of Shakespeare || 1907 || Oil on canvas || 60.9 x 51 cm || Portraits of Shakespeare || FPs27 || LUNA Digital Image] |- | 175 || Umberto Romano || Shakespeare recites Shakespeare || ca. 1960s || Oil on canvas || 127.3 x 101.9 cm || Portraits of Shakespeare || FPs26 || LUNA Digital Image |- | 176 || George Romney || The infant Shakespeare attended by nature and the passions || ca. 1791-92 || Oil on canvas || 143.5 x 203 cm || Portraits of Shakespeare || FPa49 || LUNA Digital Image |- | 177 || Anonymous || Apotheosis of Shakespeare || Early nineteenth century || Oil on paper on canvas || 55.3 x 40.9 cm || Portraits of Shakespeare || FPs15 || |- | 178 || Dante Gabriel Rossetti || Portrait of Shakespeare || ca. 1865 || Watercolor with gouache on ivory, oval || 6.1 x 4.7 cm || Miniatures (Shakespeare) || FPm1 || LUNA Digital Image |- | 179 || Anonymous || Portrait of Shakespeare || Probably nineteenth century || Watercolor with touches of gouache on ivory || 8.7 x 6.6 cm || Miniatures (Shakespeare) || FPm2 || LUNA Digital Image |- | 180 || Anonymous || Portrait of Shakespeare || Probably nineteenth century || Watercolor with touches of gouache on ivory || 8.2 x 6.4 cm || Miniatures (Shakespeare) || FPm3 || LUNA Digital Image |- | 181 || Anonymous || Portrait of Shakespeare || 1769? || Enamel on copper, oval || 4.2 x 3.4 cm || Miniatures (Shakespeare) || FPm5 || LUNA Digital Image |- | 182 || Anonymous || Portrait of Shakespeare || 1769? || Enamel on copper, oval || 6.3 x 5 cm || Miniatures (Shakespeare) || FPm6 || LUNA Digital Image |- | 183 || Anonymous || The Clopton-Wingfield portrait of Shakespeare || Eighteenth or nineteenth century || Watercolor on ivory || 13.3 x 9.8 cm || Miniatures (Shakespeare) || FPm4 || LUNA Digital Image |- | 184 || Anonymous || Portrait of Shakespeare || Probably nineteenth century || Enamel, irregular oval || 5.8 x 4.7 cm || Miniatures (Shakespeare) || FPm7 || LUNA Digital Image |- | 185 || Anonymous || Portrait of Shakespeare || After 1721 || Watercolor with white gouache in ruff on ivory, oval || 9.6 x 7.4 cm || Miniatures (Shakespeare) || FPm8 || LUNA Digital Image |- | 186 || John De Critz, the Elder, after || Queen Elizabeth I || After 1620 || Oil on panel || 11 x 8.7 cm || Portraits of Shakespeare's contemporaries || FPb66 || LUNA Digital Image |- | 187 || George Gower || The Plimpton "Sieve" portrait of Queen Elizabeth I || 1579 || Oil on panel || 104.4 x 76.2 cm || Portraits of Shakespeare's contemporaries || ART 246171 || LUNA Digital Image |- | 188 || Michiel Jansz van Miereveld, after || Elizabeth, the Queen of Bohemia || After 1623 || Oil on panel || 30.8 x 25.9 cm || Portraits of Shakespeare's contemporaries || FPb54 || LUNA Digital Image |- | 189 || Daniel Mytens, after || Henry Wriothesley, third Earl of Southampton || After 1620 || Oil on canvas || 114.3 x 91.5 cm || Portraits of Shakespeare's contemporaries || FPb55 || LUNA Digital Image |- | 190 || Paul van Somer, after? || Elizabeth Wriothesley, Countess of Southamptno || After 1620 || Oil on canvas || 114.4 x 91.5 cm || Portraits of Shakespeare's contemporaries || FPb56 || LUNA Digital Image |- | 191 || Peter Oliver, after || Ben Jonson || Mid-eighteenth century || Oil on canvas || 21.2 x 16.2 cm || Portraits of Shakespeare's contemporaries || FPb8 || |- | 192 || Anonymous || Unknown man (formerly identified as Ben Jonson) || Seventeenth century with later overpainting || Oil on panel || 57.2 x 44 cm || Portraits of Shakespeare's contemporaries || FPb33 || LUNA Digital Image |- | 193 || Nicholas Hilliard || Lettice Knollys, Countess of Leicester || ca. 1590-95 || Watercolor on vellum, oval || 4.5 x 3.8 cm || Miniatures (Early Modern) || FPm9 || LUNA Digital Image |- | 194 || Isaac Oliver || William Herbert, Third Earl of Pembroke || 1611 || Watercolor with bodycolor on vellum, oval || 5.3 x 4.3 cm || Miniatures (Early Modern) || FPm10 || LUNA Digital Image |- | 195 || Peter Oliver || Henry Frederick, Prince of Wales || Early 1610s || Watercolor with bodycolor, gold-trimmed garnet, on vellum, oval || 5.1 x 4 cm || Miniatures (Early Modern) || FPm13 || LUNA Digital Image |- | 196 || Johnathan Richardson || John Dryden || ca.1730s || Pencil on vellum, oval || 8.2 x 6.6 cm || Miniatures (Early Modern) || FPm14 || LUNA Digital Image |- | 197 || Anonymous || Ben Jonson || Late eighteenth or early nineteenth century || Watercolor and bodycolor on ivory, oval || 3.7 x 3.1 cm || Miniatures (Early Modern) || FPm15 || |- | 198 || Anonymous || King James I || ca. 1620? || Watercolor withbodycolor on vellum, oval || 4 x 3.4 cm || Miniatures (Early Modern) || FPm11 || LUNA Digital Image |- | 199 || Anonymous || Anne of Denmark || ca. 1620? || Watercolor with bodycolor on vellum, oval || 4 x 3.4 cm || Miniatures (Early Modern) || FPm12 || LUNA Digital Image |- | 200 || J.T. Clark, after || The immortal Shakespeare was born in this house || After 1849 || Oil on panel || 30 x 40.2 cm || Shakespeareana || FPa80 || LUNA Digital Image |- | 201 || Thomas Nast || Study for The Immortal Light of Genius || 1895 || Oil on paper glue-lined to canvas || 36.8 x 49.4 cm || Shakespeareana || FPa42 || LUNA Digital Image