List of paintings at the Folger in the Pressly Catalogue
The contents of the following tables derive from A catalogue of paintings in the Folger Shakespeare Library : "as imagination bodies forth" by William L. Pressly.[1] Pressly created his catalog to enumerate and illuminate the rich collection of paintings in the art collection at the Folger Shakespeare Library. All paintings and their locations can be found in Hamnet, including those acquired after 1993 and therefore not in Pressly's book.
Literary illustrations
Pressly number | Artist | Title | Year | Medium | Size | Hamnet | LUNA |
---|---|---|---|---|---|---|---|
1 | John White Abbot | Macbeth recoiling from the apparition of the crowned child (Macbeth IV.1) | 1829 | Oil on panel | 19.7 x 23. 7 cm | FPa1 | LUNA Digital Image |
2 | John White Abbot | Prospero commanding Ariel (The Tempest I.2) | 1829 | Oil on panel | 19.7 x 23. 7 cm | FPa2 | LUNA Digital Image |
3 | Thomas Barker of Bath | Macbeth and the Witches (Macbeth IV.1) | ca. 1830 | Oil on canvas | 117.5 x 94.3 cm | FPa5 | LUNA Digital Image |
4 | Friedrich Brockmann | Portia and Nerissa (The Merchant of Venice I.2) | 1849 | Oil on canvas | 109.4 x 90.9 cm | FPa7 | LUNA Digital Image |
5 | John Cawse | Falstaff boasting to Prince Hal and Poins (Henry IV, Part 1 II.4) | ca. 1820s | Oil on canvas | 34.9 x 44.3 cm | FPa10 | |
6 | John Cawse | Falstaff mocking Bardolph's nose (Henry IV, Part I III.3) | ca. 1820s | Oil on canvas | 33.6 x 42.8 cm | FPa9 | LUNA Digital Image |
7 | John Cawse | Falstaff, Prince Hal, and Mistress Quickly (Henry IV, Part I III.3) | ca. 1820s | Oil on canvas | 63.6 x 76.9 cm | FPa15 | |
8 | John Cawse | Falstaff choosing his recruits (Henry IV, Part 2 III.2) | 1818 | Oil on canvas | 63.8 x 76.1 cm | FPa14 | LUNA Digital Image |
9 | John Cawse | Falstaff choosing his recruits (Henry IV, Part 2 III.2) | ca. 1820s | Oil on canvas | 53.5 x 71.2 cm | FPa90 | |
10 | John Cawse | Bardolph and Falstaff putting Wart through the drill (Henry IV, Part 2 III.2) | 1827? | Oil on canvas | 59.8 x 84.1 cm | FPa13 | LUNA Digital Image |
11 | John Cawse | Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) | ca. 1820 | Oil on canvas | 52.2 x 78 cm | FPa12 | LUNA Digital Image |
12 | John Cawse | Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) | ca. 1820s | Oil on canvas | 73.2 x 76.5 cm | FPa11 | LUNA Digital Image |
13 | John Cawse | Autolycus selling his wares (The Winter's Tale IV.4) | ca. 1830 | Oil on canvas | 63.8 x 76.5 cm | FPa16 | LUNA Digital Image |
14 | Alexander Christie | Hamlet finding the king at prayer (Hamlet III.3) | 1842 | Oil sketch on canvas | 72.4 x 91.5 cm | FPb17 | |
15 | George Clint | Falstaff relating his valiant exploits (Henry IV, Part 1 II.4) | ca. mid-1830s | Oil on canvas | 88.3 x 119.5 cm | FPa68 | LUNA Digital Image |
16 | Richard Cook | Helen and Priam at the Scæn Gate (Homer, Iliad, book III) | 1808 | Oil on canvas | 29.3 x 24 cm | FPa75 | LUNA Digital Image |
17 | Richard Cook | Hector reproving Paris (Homer, Iliad, book VI) | 1808 | Oil on canvas | 29.4 x 24.1 cm | FPa74 | LUNA Digital Image |
18 | Alfred Dever | Sir John Falstaff and Mistress Quickly (Henry IV, Part 2 II.1) | ca. 1870 | Oil on canvas | 60 x 50 cm | FPa18 | LUNA Digital Image |
19 | George James De Wilde, attributed to | The Seven Ages of Man (As You Like It II.7) | 1823 | Oil on canvas | 58.7 x 84.5 cm | FPa19 | LUNA Digital Image |
20 | Thomas Francis Dicksee | Anne Page (The Merry Wives of Windsor I.1) | 1862 | Oil on canvas | 35.4 x 27.7 cm | FPa20 | LUNA Digital Image |
21 | Monogrammist T.E. | Ophelia (Hamlet IV.7) | Late nineteenth century | Oil on canvas, oval | 67.9 x 55.7 cm | FPa3 | LUNA Digital Image |
22 | Henry Joseph Fradelle | Othello and Desdemona (Othello III.4) | ca. 1827 | Oil on panel | 30.5 x 25.1 cm | FPb21 | LUNA Digital Image |
23 | William Powell Frith | Olivia unveiling (Twelfth Night I.5) | 1874 | Oil on canvas | 31.5 x 26.2 cm | FPa21 | LUNA Digital Image |
24 | Henry Fuseli | Macbeth consulting the vision of the armed head (Macbeth IV.1) | 1793 | Oil on canvas | 167.7 x 134.3 cm | FPa27 | LUNA Digital Image |
25 | Henry Fuseli | Puck (A Midsummer Night's Dream II.1) | ca. 1810-20 | Oil on canvas | 92 x 71.5 cm | FPa24 | LUNA Digital Image |
26 | Henry Fuseli | The two murderers of the Duke of Clarence (Richard III I.4) | ca. 1780-82 | Oil on canvas | 68.6 x 53.3 cm | FPa26 | LUNA Digital Image |
27 | Henry Fuseli | Romeo stabs Paris at the bier of Juliet (Romeo and Juliet V.3) | ca. 1809 | Oil on canvas | 71.2 x 92 cm | FPa25 | LUNA Digital Image |
28 | Henry Fuseli | Ariel (The Tempest V.1) | ca. 1800-1810 | Oil on canvas | 92.7 x 71.5 cm | FPa22 | LUNA Digital Image |
29 | Henry Fuseli | Faery Mab (John Milton, L'Allegro) | ca. 1815-20 | Oil on canvas | 70 x 90.8 cm | FPa23 | LUNA Digital Image |
30 | George Henry Hall | Sir Toby Belch (Twelfth Night II.3) | 1854 | Oil on canvas | 60.5 x 50.4 cm | FPa29 | LUNA Digital Image |
31 | George Henry Hall | Malvolio confronting the revelers (Twelfth Night II.3) | 1855 | Oil on canvas | 63.7 x 76.2 cm | FPa28 | LUNA Digital Image |
32 | William Hamilton | Isabella appealing to Angelo (Measure for Measure (II.2) | 1793 | Oil on canvas | 166.3 x 134.6 cm | FPa30 | LUNA Digital Image |
33 | William Hamilton | The Duke of York discovering his son Aumerle's treachery (Richard II V.2) | Late 1790s | Oil on canvas | 79.7 x 55.3 cm | FPa34 | LUNA Digital Image |
34 | William Hamilton | The carousing of Sit Toby Belch and Sir Andrew Aguecheek (Twelfth Night II.3) | 1792 | Oil on canvas | 78.5 x 56.2 cm | FPa32 | LUNA Digital Image |
35 | William Hamilton | Olivia's proposal (Twelfth Night IV.3) | ca. 1796 | Oil on canvas | 77.8 x 55 cm | FPa31 | LUNA Digital Image |
36 | Francis Hayman | The play scene from "Hamlet" (Hamlet II.2) | ca. 1745 | Oil on canvas | 34.8 x 29.6 cm | FPa36 | LUNA Digital Image |
37 | Francis Hayman | Falstaff reviewing his recruits (Henry IV, Part 1, III.2) | 1760s | Oil on canvas | 101.6 x 122.5 cm | FPa35 | |
38 | Francis Hayman, after | Falstaff's cowardice detected (Henry IV, Part 1, II.4) | Mid-eighteenth century | Oil on canvas | 26.4 x 36.5 cm | FPb12 | |
39 | William Salter Herrick | Hamlet in the Queen's chamber (Hamlet III.4) | ca. 1857 | Oil on canvas | 114.1 x 157.6 cm | FPa37 | LUNA Digital Image |
40 | James Clarke Hook | Othello's description of Desdemona (Othello IV.1) | ca. 1852 | Oil on panel | 78.6 x 53.3 cm | FPa38 | LUNA Digital Image |
41 | Arthur Boyd Houghton | Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek (Twelfth Night IV.1) | ca. 1854 | Oil on panel | 29.8 x 39.7 cm | FPb63 | LUNA Digital Image |
42 | Frank Howard | Portia pronouncing sentence (The Merchant of Venice IV.1) | ca. 1830-31 | Oil on canvas | 71.2 x 91.5 cm | FPb3 | LUNA Digital Image |
43 | George Jones, attributed to | Hamlet in the Queen's closet (Hamlet III.4) | ca. 1830 | Oil on panel | 30.5 x 25 cm | FPb29 | LUNA Digital Image |
44 | G. Jones | Falstaff and Ford at the Garter Inn (The Merry Wives of Windsor II.2) | 1864 | Oil on panel, irregular | 14.7 x 20.5 cm | FPb30 | |
45 | Sir James Dromgole Linton | Portia (The Merchant of Venice IV.1) | ca. 1895 | Oil on canvas | 127.3 x 71 cm | FPa39 | LUNA Digital Image |
46 | Henry Liverseege, after | The grave-digger (Hamlet V.1) | ca. 1832 | Oil on canvas | 46.5 x 35.5 cm | FPb44 | LUNA Digital Image |
47 | Henry Liverseege, after | Falstaff and Bardolph (Henry IV, Part 1 III.3) | After 1833 | Oil on canvas | 40.1 x 30.6 cm | FPa40 | |
48 | Henry Liverseege, after | Falstaff and Bardolph (Henry IV, Part 1 III.3) | After 1833 | Oil on canvas | 30.5 x 25.4 cm | FPb31 | LUNA Digital Image |
49 | Rev. Matthew William Peters | The death of Juliet (Romeo and Juliet V.3) | 1793 | Oil on canvas | 167.2 x 134.1 cm | FPa43 | LUNA Digital Image |
50 | Rev. Matthew William Peters, after | Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3) | Early nineteenth century | Oil on canvas | 58.1 x 43.2 cm | FPb36 | LUNA Digital Image |
51 | Sir Joshua Reynolds, studio of | The death of Cardinal Beaufort (Henry VI Part 2 III.3) | ca. 1790? | Oil on board | 42.5 x 32.5 cm | FPb40 | LUNA Digital Image |
52 | John Francis Rigaud | Constantia revealing herself to her father (Chaucer, The Man of Law's Tale) | ca. 1788 | Oil on canvas | 35.9 x 45.8 cm | FPa46 | |
53 | George Romney | Macbeth and the witches (Macbeth IV.1) | 1785 | Oil on canvas | 74.9 x 63.3 cm | FPb41 | LUNA Digital Image |
54 | George Romney | Study for Titania, Puck, and the Changeling (A Midsummer Night's Dream II.1) | 1793 | Oil on cardboard mounted on canvas | 27.3 x 35.7 cm | FPa48 | LUNA Digital Image |
55 | William Salter | Othello's Lamentation (Othello V.2) | ca. 1857 | Oil on canvas | 115.5 x 143.4 cm | FPa50 | LUNA Digital Image |
56 | Michael William Sharp | Petruchio and the tailor (The Taming of the Shrew IV.3) | 1835 | Oil on canvas | 67.7 x 57.5 cm | FPa51 | LUNA Digital Image |
57 | Robert Smirke | Falstaff Rebuked (Henry IV, Part 2 V.5) | ca. 1795 | Oil on canvas | 79.4 x 55.5 cm | FPa54 | LUNA Digital Image |
58 | Robert Smirke | The awakening of King Lear (King Lear IV.7) | ca. 1792 | Oil on canvas | 78.7 x 53.2 cm | FPa53 | LUNA Digital Image |
59 | Robert Smirke | Stephano confronting the monster (The Tempest II.2) | ca. 1798 | Oil on canvas | 78.0 x 56. 9 cm | FPa55 | |
60 | Robert Smirke | Falstaff instructing Bardolph (Henry IV, Part 1 IV.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | FPa60 | |
61 | Robert Smirke | Falstaff struggling with Hotspur's body (Henry IV, Part 1 V.4), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.7 x 11.7 cm | FPa61 | |
62 | Robert Smirke | Anne Page's invitation to slender (The Merry Wives of Windsor I.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.9 cm | FPa58 | |
63 | Robert Smirke | Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.5 cm | FPa59 | |
64 | Robert Smirke | Lysander declaring his passion to Helena (A Midsummer Night's Dream II.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 10.6 cm | FPa63 | LUNA Digital Image |
65 | Robert Smirke | Puck's report to Oberon (A Midsummer Night's Dream III.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | FPa64 | |
66 | Robert Smirke | Bottom in the forest (A Midsummer Night's Dream IV.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 10.9 cm | FPa62 | |
67 | Robert Smirke | Katherina's first meeting with Petruchio (The Taming of the Shrew II.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 12.4 cm | FPa66 | |
68 | Robert Smirke | Katherina's chastisement of Bianca and the Widow (The Taming of the Shrew V.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | FPa67 | |
69 | Robert Smirke | Prospero summoning Ariel (The Tempest I.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 11.6 cm | FPa65 | |
70 | Robert Smirke | Ferdinand proclaiming his love to Miranda (The Tempest III.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.6 x 10.9 cm | FPa56 | |
71 | Robert Smirke | Stephano demanding Trinculo's gown (The Tempest IV.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.6 x 10.9 cm | FPa57 | |
72 | Robert Smirke, after | Anne Page inviting Slender to dinner (The Merry Wives of Windsor I.1) | Early nineteenth century | Oil on canvas | 58.9 x 45.7 cm | FPb43 | LUNA Digital Image |
73 | Carl Ferdinand Sohn, after | Romeo and Juliet (Romeo and Juilet III.5) | After 1836 | Oil on tin | 26.3 x 20.6 cm | FPb28 | LUNA Digital Image |
74 | Frank Stone | Study for Bassanio receiving the letter announcing Antonio's losses and peril (The Merchant of Venice III.2) | ca. 1850-51 | Oil on panel | 17.3 x 22.7 cm | FPa76 | |
75 | Thomas Stothard | Falstaff describing the fight at Gadshill (Henry IV, Part 1 II.4) | ca. 1827 | Oil on panel | 21.6 x 14.6 cm | FPa71 | LUNA Digital Image |
76 | Thomas Stothard | Falstaff and Doll Tearsheet (Henry IV, Part 2 II.4) | ca. 1827 | Oil on panel | 21.2 x 15.3 cm | FPa72 | LUNA Digital Image |
77 | Thomas Stothard | Marina singing before Pericles (Pericles V.1) | ca. 1825 | Oil on canvas | 58.5 x 43.4 cm | FPa73 | LUNA Digital Image |
78 | Thomas Stothard | The Vintage | ca. 1833-34 | Oil on canvas | 78.9 x 59.1 cm | FPa69 | |
79 | Thomas Stothard, manner of | The performance of the Nine Worthies (Love's Labor's Lost V.2) | Eighteenth or nineteenth century | Oil on panel | 36.1 x 67.7 cm | FPb46 | LUNA Digital Image |
80 | Thomas Stothard, manner of | Olivia greeting Cesario in the garden (Twelfth Night III.1) | Eighteenth or nineteenth century | Oil on panel | 41.7 x 50.3 cm | FPb64 | LUNA Digital Image |
81 | Thomas Sully | Macbeth in the witches' cave (Macbeth IV.1) | 1840 | Oil on canvas | 73.5 x 60.9 cm | FPa77 | LUNA Digital Image |
82 | Thomas Sully | Portia and Shylock (The Merchant of Venice IV.1) | 1835 | Oil on canvas | 96.5 x 73.6 cm | FPa78 | LUNA Digital Image |
83 | Frederick Weekes | Falstaff and Bardolph (Henry IV, Part 1 III.3) | ca. 1855-57 | Oil on canvas | 47.7 x 38.4 cm | FPb50 | |
84 | Benjamin West | King Lear and Cordelia (King Lear IV.7) | 1793 | Oil on canvas | 48.1 x 59.9 cm | FPa82 | LUNA Digital Image |
85 | Richard Westall | Wolsey disgraced (Henry VIII III.2) | 1795 | Oil on canvas | 80.6 x 54.4 cm | FPa84 | LUNA Digital Image |
86 | Richard Westall | Shylock rebuffing Antonio (The Merchant of Venice III.3) | 1795 | Oil on canvas | 81.5 x 53.5 cm | FPa83 | LUNA Digital Image |
87 | Francis Wheatley | Helena and Count Bertram before the King of France (All's Well That Ends Well II.3) | 1793 | Oil on canvas | 78.5 x 55.3 cm | FPa85 | LUNA Digital Image |
88 | Francis Wheatley, after | Jaqeunetta approaching Sir Nathaniel with Berowne's letter (Love's Labor's Lost IV.2) | Early nineteenth century | Oil on canvas | 76.2 x 63.2 cm | FPb52 | LUNA Digital Image |
89 | John Masey Wright | Mistress Ford and Falstaff (The Merry Wives of Windsor III.3) | ca. 1810s? | Oil on canvas | 30.5 x 39 cm | FPa4 | LUNA Digital Image |
90 | John Masey Wright | Juliet and the Nurse (Romeo and Juliet II.5) | ca. 1810s? | Oil on canvas | 30.8 x 38.3 cm | FPb13 | LUNA Digital Image |
91 | John Masey Wright | Mercutio bidding farewell to Juliet's Nurse (Romeo and Juliet II.4) | ca. 1820s | Oil on canvas | 45.7 x 35.7 cm | FPa70 | LUNA Digital Image |
92 | John Masey Wright, attributed to | Petruchio and the Haberdasher (The Taming of the Shrew IV.3) | ca. 1830s? | Oil on canvas | 44.5 x 38.3 cm | FPa87 | |
93 | John Masey Wright, attributed to | Petruchio and the tailor (The Taming of the Shrew IV.3) | ca. 1830s? | Oil on canvas | 44.5 x 38.3 cm | FPa86 | |
94 | Lee Woodward Ziegler | Antony approaching Cleopatra, Meïamoun lying dead at her feet (Théophile Gautier, Une nuit de Cléopâtre) | ca. 1900 | Oil on canvas | 40.9 x 57.5 cm | ART Box Z45 no. 1 | LUNA Digital Image |
95 | Francesco Zuccarelli | Macbeth meeting the witches (Macbeth I.3) | 1760 | Oil on panel | 81.7 x 142.5 cm | FPa89 | LUNA Digital Image |
96 | Anonymous | Celia and Rosalind departing from Orlando (As You Like It I.2) | ca. 1840s | Oil on tin | 20.2 x 16.9 cm | FPb15 | LUNA Digital Image |
97 | Anonymous | Romeo and Juliet (Romeo and Juliet III.5) | ca. 1840s | Oil on tin | 20.2 x 16.8 cm | FPb14 | LUNA Digital Image |
98 | Anonymous | Falstaff at the Boar's Head Tavern (Henry IV, Part 1 II.4) | ca. 1840 | Oil on canvas | 43.5 x 60.7 cm | FPa81 | LUNA Digital Image |
99 | Anonymous | Falstaff impersonating the King (Henry IV, Part 1 II.4) | ca. 1840s | Oil on canvas | 26 x 30.2 cm | FPa45 | LUNA Digital Image |
100 | Anonymous | Falstaff and Bardolph (Henry IV, Part 1 III.3) | Early nineteenth century | Oil on canvas on panel | 38.5 x 30.9 cm | FPb53 | LUNA Digital Image |
101 | Anonymous | King Lear (King Lear IV.6) | 1874 | Oil canvas mounted on board | 76.2 x 63.5 cm | FPb48 | LUNA Digital Image |
102 | Anonymous | Shylock (The Merchant of Venice IV.1) | Early nineteenth century | Oil on canvas | 38.2 x 31.8 cm | FPb45 | LUNA Digital Image |
103 | Anonymous | Titania caressing the drowsy Bottom (A Midsummer Night's Dream IV.1) | Early nineteenth century | Oil on canvas | 43.3 x 35.8 cm | FPa8 | LUNA Digital Image |
104 | Anonymous | Ariel leading Caliban by a chain (?) (The Tempest II.2 (?)) | Nineteenth century | Oil on panel | 21.2 x 27 cm | FPa6 | |
105 | Anonymous | Unknown subject (Constance's cry) | Late eighteenth or early nineteenth century | Oil on canvas | 100.4 x 73.9 cm | FPb1 |
Theatrical portraiture
Pressly number | Artist | Title | Year | Medium | Size | Hamnet | LUNA |
---|---|---|---|---|---|---|---|
106 | Nathaniel Dance | David Garrick | 1774 | Oil on canvas | 76.2 x 63.8 cm | FPa17 | LUNA Digital Image |
107 | Nathaniel Dance, after | David Garrick as Richard III (Richard III V.4) | After 1772 | Oil on canvas | 125 x 85 cm | FPb18 | LUNA Digital Image |
108 | George Dawe | Study for Miss O'Neill as Juliet (Romeo and Juliet II.2) | ca. 1816 | Oil on canvas | 63.6 x 46 cm | FPb19 | LUNA Digital Image |
109 | Thomas Gainsborough, after | David Garrick leaning on a bust of Shakespeare | After 1769 | Oil on canvas | 114.3 x 75.9 cm | FPb27 | LUNA Digital Image |
110 | Thomas Gainsborough, after | Sarah Siddons | After 1785 | Oil on canvas | 76.1 x 63.2 cm | FPb22 | LUNA Digital Image |
111 | James Green, after | George Frederick Cooke as Iago (Othello III.3) | After 1801 | Oil on canvas | 77.8 x 63.7 cm | FPb23 | |
112 | William Hamilton | John Philip Kemble as Richard III (Richard III V.3) | ca. 1787 | Oil on canvas | 55.5 x 46.5 cm | FPb24 | LUNA Digital Image |
113 | Gabriel Harrison | Edwin Forrest as King Lear (King Lear IV.6) | 1872 | Oil on paper pasted on board | 50.2 x 38.7 cm | ART Box H319 no. 2 | |
114 | Sir Thomas Lawrence, after | John Philip Kemble as Coriolanus (Coriolanus IV.5) | Early 1800s | Oil on cardboard | 27 x 22 cm | FPb25 | |
115 | Sir Thomas Lawrence, after | John Philip Kemble as Hamlet (Hamlet V.1) | Early 1800s | Oil on canvas | 76.2 x 49.3 cm | FPb26 | LUNA Digital Image |
116 | Thomas Lawrence, manner of | Macready (?) in the character of a king | ca. 1820s | Oil on canvas | 76.2 x 63.4 cm | FPb34 | |
117 | John Lewis, after | Margaret 'Peg' Woffington | ca. 1753 | Oil on canvas | 76.4 x 63.5 cm | FPb10 | |
118 | James McArdell, attributed to | James Quin as Falstaff (Henry IV, Part I II.4) | ca. 1750 | Oil on canvas | 53.5 x 39.5 cm | FPa41 | LUNA Digital Image |
119 | John Neagle, after | William C. Macready as Macbeth | After 1827 | Oil on canvas | 76 x 63.4 cm | FPb2 | |
120 | Robert Edge Pine | David Garrick | ca. 1780 | Oil on canvas, oval | 75.5 x 62.6 cm | FPa44 | LUNA Digital Image |
121 | Sir Joshua Reynolds, studio of | David Garrick | ca. 1776-79 | Oil on canvas | 75 x 61.5 cm | FPb37 | LUNA Digital Image |
122 | Sir Joshua Reynolds, after | David Garrick | Early nineteenth century | Oil on canvas | 30.5 x 25.5 cm | FPb38 | |
123 | Alfred Rolfe | Macbeth's murder of Duncan (Macbeth II.2) | ca. 1888 | Oil on canvas | 131.7 x 181.5 cm | FPa47 | LUNA Digital Image |
124 | George Romney | John Henderson as Macbeth (Macbeth I.3) | ca. 1787 | Oil on engraving mounted on canvas | 42.5 x 52 cm | FPb42 | LUNA Digital Image |
125 | Thomas Sully | Charlotte Cushman | 1843 | Oil on canvas | 51.4 x 44 cm | FPb47 | LUNA Digital Image |
126 | Wilhelm Trautschold | Charlotte Cushman | ca. 1847 | Oil on canvas | 46.3 x 35.5 cm | FPb49 | |
127 | Richard Westall, attributed to | Volumnia pleading with Coriolanus (Coriolanus V.3) | ca. 1800 | Oil on canvas | 76.5 x 64.3 cm | FPa33 | LUNA Digital Image |
128 | Benjamin Wilson | William Powell as Hamlet encountering the Ghost (Hamlet I.4) | ca. 1768-69 | Oil no canvas | 126.4 x 116 cm | FPa88 | LUNA Digital Image |
129 | Anonymous | Eliza Walstein (?) as Rosalind (As You Like It III.5) | After ca. 1815 | Oil on panel | 11.5 x 7.8 cm | FPb6 | |
130 | Anonymous, American school? | Sarah Siddons as Queen Katharine (Henry VIII II.4) | After 1817 | Oil on canvas | 81 x 55.1 cm | FPb5 | |
131 | Anonymous | Isabella Glyn as Lady Macbeth (Macbeth I.5) | After 1850 | Oil on canvas | 90.7 x 73.5 cm | FPb4 | |
132 | Anonymous | Sarah Siddons as Lady Macbeth (Macbeth II.2) | ca. 1790-1810 | Oil on canvas | 73.6 x 60.9 cm | FPa52 | LUNA Digital Image |
133 | Anonymous | Actor in the character of Othello | Late nineteenth century | Oil on paper mounted on cardboard | 34.7 x 23.8 cm | FPb7 | |
134 | Anonymous | Edmund Kean as Sir Giles Overreach (Philip Massinger, A New Way to Pay Old Debts) | ca. 1816 | Oil on panle | 38.4 x 28.4 cm | FPb20 | |
135 | Sir Joshua Reynolds, attributed to | Unknown man | Oil on canvas | 63.8 x 53 cm | FPb39 | ||
136 | Anonymous | Unknown boy | Early nineteenth century | Oil on canvas | 50.3 x 41 cm | FPb35 | |
137 | Anonymous | 'Unknown man [David Garrick?] | ca. 1760s | Oil on canvas | 76.6 x 64.4 cm | FPb11 | LUNA Digital Image |
Miniatures (theatrical)
Pressly number | Artist | Title | Year | Medium | Size | Hamnet | LUNA |
---|---|---|---|---|---|---|---|
138 | James Ferguson | Margaret Woffington | Mid-eighteenth cenutry | Pencil and india ink on vellum, oval | 5.5 x 4.4 cm | FPm16 | |
139 | John Howes, after Cipriani | David Garrick unveiling a herm of Shakespeare and the Ephesian Diana | 1777 | Enamel, circular | 11.7 cm in diameter | FPm17 | LUNA Digital Image |
140 | Joseph Inchbald, attributed to | Elizabeth Inchbald | ca. 1722-79 | Watercolor on ivory, circular, irregular | 4.2 x 4.1 cm | ART Box I37 no.1 | LUNA Digital Image |
141 | Joseph Inchbald, attributed to | Robert Inchbald | ca. 1770s | Watercolor on ivory, oval image on rectangular piece of ivory with clipped corners | 4.6 x 3.8 cm | ART Box I37 no.2 | LUNA Digital Image |
142 | Rosalie Sully | Charlotte Cushman | 1844 | Watercolor with tempera on ivory, oval | 5.2 x 3.9 cm | FPm21 | LUNA Digital Image |
143 | Rosalie Sully | Frances Anne Kemble | 1844 | Watercolor on ivory, oval | 4 x 3.2 cm | FPm24 | LUNA Digital Image |
144 | Thomas Sully, attributed to | Susan Cushman | ca. 1843-44 | Watercolor with bodycolor on ivory, oval | 4.7 x 3.7 cm | FPm20 | LUNA Digital Image |
145 | William Henry Watkins | Charlotte Cushman | 1847 | Watercolor on bodycolor on ivory, oval | 8.1 x 6.5 cm | FPm23 | LUNA Digital Image |
146 | Mrs. Young | Charlotte Cushman's eye | Nineteenth century | Watercolor with bodycolor on ivory, oval | 2.3 x 1.8 cm | FPm22 | LUNA Digital Image |
Portraits of Shakespeare
Pressly number | Artist | Title | Year | Medium | Size | Hamnet | LUNA |
---|---|---|---|---|---|---|---|
147 | Anonymous | The Beadle portrait of Shakespeare | Early nineteenth century | Oil on canvas | 76.2 x 58.4 cm | FPs12 | |
148 | Anonymous | The Burbage portrait of Shakespeare | Early nineteenth cenutry | Oil on panel | 59.0 x 35.8 cm | FPs2 | |
149 | Anonymous | The Buttery portrait of Shakespeare | Nineteenth century | Oil on panel | 33 x 24.7 cm | FPs3 | LUNA Digital Image |
150 | Anonymous | The Felton portrait of Shakespeare | ca. 1792? | Tempera and oil (?) on panel | 27.8 x 20.8 cm | FPs13 | LUNA Digital Image |
151 | Anonymous | Portrait of Shakespeare | Nineteenth century | Oil on panel | 29.3 x 24.1 cm | FPs11 | LUNA Digital Image |
Stratford Bust Shakespeare | |||||||
152 | Thomas Phillips | The Stratford memorial bust | ca. 1816 | Oil on panel | 66.2 x 46.4 cm | FPs25 | LUNA Digital Image |
153 | Anonymous | The Dexter portrait of Shakespeare | Nineteenth century | Oil on panel | 38.4 x 29.1 cm | FPs10 | LUNA Digital Image |
Chandos Shakespeare | |||||||
154 | Anonymous | The Shakspere portrait of Shakespeare | Early eighteenth century | Oil on canvas | 75 x 63 cm | FPs22 | LUNA Digital Image |
155 | Anonymous | The Gunther portrait of Shakespeare | Eighteenth century | Oil on canvas (oval canvas attached to a rectangular one) | 76.2 x 64. 8 cm | FPs7 | |
156 | Anonymous | The Lumley portrait of Shakespeare | Eighteenth century | Oil on canvas | 45 x 36 cm | FPs23 | LUNA Digital Image |
157 | Anonymous | Shakespeare signboard | Late seventeenth or early eighteenth century | Oil on mahogany panel, oval | 94.2 x 79.3 cm | FPs9 | LUNA Digital Image |
158 | Anonymous | Portrait of Shakespeare | Early nineteenth century | Oil on canvas | 76.6 x 55.7 cm | FPs30 | LUNA Digital Image |
159 | Anonymous | Portrait of Shakespeare | Probably early nineteenth century | Oil on panel, framed in a mahogany or rosewood case with two doors | 33 x 28.8 cm | FPs5 | |
Janssen Shakespeare | |||||||
160 | Anonymous | Sir Thomas Overbury (?) | Early 1610s, altered before 1770 | Oil on panel | 55.9 x 43.4 cm | FPs17 | LUNA Digital Image |
161 | Anonymous | The Staunton portrait of Shakespeare | ca. 1770s | Oil on canvas | 76.3 x 63.5 cm | FPs18 | LUNA Digital Image |
162 | Anonymous | Portrait of Shakespeare | Probably early nineteenth century | Oil on panel | 17.7 x 13.3 cm | FPs21 | |
163 | Anonymous | Portrait of Shakespeare | Nineteenth century | Oil on panel | 30.4 x 25.3 cm | FPs19 | LUNA Digital Image |
164 | Anonymous | Portrait of Shakespeare | Nineteenth century | Oil on paper mounted on an oak panel | 13.1 x 11.3 cm | FPs20 | |
Ashbourne Shakespeare | |||||||
165 | Anonymous | The Ashbourne portrait of Shakespeare/Sir Hugh Hamersley | 1612, with nineteenth-century alterations | Oil on canvas | 119.4 x 94.6 cm | FPs1 | LUNA Digital Image |
Zuccaro Shakespeare | |||||||
166 | Anonymous | Unknown man (formerly identified as Shakespeare; sometimes referred to as the Bath Portrait or the Archer Portrait of Shakespeare) | ca. 1615-20 | Oil on panel | FPs29 | LUNA Digital Image | |
Vroom Shakespeare | |||||||
167 | Anonymous | Unknown man (formerly identified as Shakespeare) | Seventeenth century with later overpainting | Oil on panel | 61.6 x 46.6 cm | FPs16 | LUNA Digital Image |
Soest Shakespeare | |||||||
168 | Anonymous | The Cosway portrait of Shakespeare | Probably late eighteenth century | Oil on circular panel | 19.1 cm in diameter | FPs4 | |
169 | Anonymous | Version of the Zoust portrait of Shakespeare | Probably early nineteenth century | Oil on copper | 20.6 x 18 cm | FPs28 | |
170 | Thomas Sully | Portrait of Shakespeare | 1864 | Oil on canvas | 51.1 x 43.3 cm | FPa79 | LUNA Digital Image |
171 | William Page | Portrait of Shakespeare | 1873 | Oil on canvas | 68.6 x 53.3 cm | FPs24 | LUNA Digital Image |
172a | George Henry Hall | Shakespeare composing while looking outward | 1894 | Oil on canvas | 25.4 x 20.4 cm | FPs14 | LUNA Digital Image |
172b | George Henry Hall | Shakespeare composing while looking up to his right | 1894 | Oil on canvas | 25.3 x 20.3 cm | FPs14 | LUNA Digital Image |
172c | George Henry Hall | Shakespeare composing while looking up to his left | 1894 | Oil on canvas | 25.3 x 20.3 cm | FPs14 | LUNA Digital Image |
173 | Anonymous | The Palmer portrait of Shakespeare | Late nineteenth century | Oil on panel | 34.4 x 24.7 cm | FPs6 | LUNA Digital Image |
174 | William Sartain | Portrait of Shakespeare | 1907 | Oil on canvas | 60.9 x 51 cm | FPs27 | LUNA Digital Image |
175 | Umberto Romano | Shakespeare recites Shakespeare | ca. 1960s | Oil on canvas | 127.3 x 101.9 cm | FPs26 | LUNA Digital Image |
176 | George Romney | The infant Shakespeare attended by nature and the passions | ca. 1791-92 | Oil on canvas | 143.5 x 203 cm | FPa49 | LUNA Digital Image |
177 | Anonymous | Apotheosis of Shakespeare | Early nineteenth century | Oil on paper on canvas | 55.3 x 40.9 cm | FPs15 |
Miniatures (Shakespeare)
Pressly number | Artist | Title | Year | Medium | Size | Hamnet | LUNA |
---|---|---|---|---|---|---|---|
Droeshout Shakespeare | |||||||
178 | Dante Gabriel Rossetti | Portrait of Shakespeare | ca. 1865 | Watercolor with gouache on ivory, oval | 6.1 x 4.7 cm | FPm1 | LUNA Digital Image |
179 | Anonymous | Portrait of Shakespeare | Probably nineteenth century | Watercolor with touches of gouache on ivory | 8.7 x 6.6 cm | FPm2 | LUNA Digital Image |
180 | Anonymous | Portrait of Shakespeare | Probably nineteenth century | Watercolor with touches of gouache on ivory | 8.2 x 6.4 cm | FPm3 | LUNA Digital Image |
181 | Anonymous | Portrait of Shakespeare | 1769? | Enamel on copper, oval | 4.2 x 3.4 cm | FPm5 | LUNA Digital Image |
182 | Anonymous | Portrait of Shakespeare | 1769? | Enamel on copper, oval | 6.3 x 5 cm | FPm6 | LUNA Digital Image |
Chandos-Chesterfield Shakespeare | |||||||
183 | Anonymous | The Clopton-Wingfield portrait of Shakespeare | Eighteenth or nineteenth century | Watercolor on ivory | 13.3 x 9.8 cm | FPm4 | LUNA Digital Image |
Janssen Shakespeare | |||||||
184 | Anonymous | Portrait of Shakespeare | Probably nineteenth century | Enamel, irregular oval | 5.8 x 4.7 cm | FPm7 | LUNA Digital Image |
Welbeck Abbey Shakespeare | |||||||
185 | Anonymous | Portrait of Shakespeare | After 1721 | Watercolor with white gouache in ruff on ivory, oval | 9.6 x 7.4 cm | FPm8 | LUNA Digital Image |
Portraits of Shakespeare's contemporaries
Pressly number | Artist | Title | Year | Medium | Size | Hamnet | LUNA |
---|---|---|---|---|---|---|---|
186 | John De Critz, the Elder, after | Queen Elizabeth I | After 1620 | Oil on panel | 11 x 8.7 cm | FPb66 | LUNA Digital Image |
187 | George Gower | The Plimpton "Sieve" portrait of Queen Elizabeth I | 1579 | Oil on panel | 104.4 x 76.2 cm | ART 246171 | LUNA Digital Image |
188 | Michiel Jansz van Miereveld, after | Elizabeth, the Queen of Bohemia | After 1623 | Oil on panel | 30.8 x 25.9 cm | FPb54 | LUNA Digital Image |
189 | Daniel Mytens, after | Henry Wriothesley, third Earl of Southampton | After 1620 | Oil on canvas | 114.3 x 91.5 cm | FPb55 | LUNA Digital Image |
190 | Paul van Somer, after? | Elizabeth Wriothesley, Countess of Southampton | After 1620 | Oil on canvas | 114.4 x 91.5 cm | FPb56 | LUNA Digital Image |
191 | Peter Oliver, after | Ben Jonson | Mid-eighteenth century | Oil on canvas | 21.2 x 16.2 cm | FPb8 | |
192 | Anonymous | Unknown man (formerly identified as Ben Jonson) | Seventeenth century with later overpainting | Oil on panel | 57.2 x 44 cm | FPb33 | LUNA Digital Image |
Miniatures (Early Modern)
Pressly number | Artist | Title | Year | Medium | Size | Hamnet | LUNA |
---|---|---|---|---|---|---|---|
193 | Nicholas Hilliard | Lettice Knollys, Countess of Leicester | ca. 1590-95 | Watercolor on vellum, oval | 4.5 x 3.8 cm | FPm9 | LUNA Digital Image |
194 | Isaac Oliver | William Herbert, Third Earl of Pembroke | 1611 | Watercolor with bodycolor on vellum, oval | 5.3 x 4.3 cm | FPm10 | LUNA Digital Image |
195 | Peter Oliver | Henry Frederick, Prince of Wales | Early 1610s | Watercolor with bodycolor, gold-trimmed garnet, on vellum, oval | 5.1 x 4 cm | FPm13 | LUNA Digital Image |
196 | Johnathan Richardson | John Dryden | ca.1730s | Pencil on vellum, oval | 8.2 x 6.6 cm | FPm14 | LUNA Digital Image |
197 | Anonymous | Ben Jonson | Late eighteenth or early nineteenth century | Watercolor and bodycolor on ivory, oval | 3.7 x 3.1 cm | FPm15 | |
198 | Anonymous | King James I | ca. 1620? | Watercolor withbodycolor on vellum, oval | 4 x 3.4 cm | FPm11 | LUNA Digital Image |
199 | Anonymous | Anne of Denmark | ca. 1620? | Watercolor with bodycolor on vellum, oval | 4 x 3.4 cm | FPm12 | LUNA Digital Image |
Shakespeareana
Pressly number | Artist | Title | Year | Medium | Size | Hamnet | LUNA |
---|---|---|---|---|---|---|---|
200 | J.T. Clark, after | The immortal Shakespeare was born in this house | After 1849 | Oil on panel | 30 x 40.2 cm | FPa80 | LUNA Digital Image |
201 | Thomas Nast | Study for The Immortal Light of Genius | 1895 | Oil on paper glue-lined to canvas | 36.8 x 49.4 cm | FPa42 | LUNA Digital Image |
Notes
- ↑ Pressly, William L. A catalogue of paintings in the Folger Shakespeare Library : "as imagination bodies forth", New Haven: Yale University Press, 1993.