Pressly number |
Artist |
Title |
Year |
Medium |
Size |
Hamnet |
LUNA
|
1 |
John White Abbot |
Macbeth recoiling from the apparition of the crowned child (Macbeth IV.1) |
1829 |
Oil on panel |
19.7 x 23. 7 cm |
FPa1 |
LUNA Digital Image
|
2 |
John White Abbot |
Prospero commanding Ariel (The Tempest I.2) |
1829 |
Oil on panel |
19.7 x 23. 7 cm |
FPa2 |
LUNA Digital Image
|
3 |
Thomas Barker of Bath |
Macbeth and the Witches (Macbeth IV.1) |
ca. 1830 |
Oil on canvas |
117.5 x 94.3 cm |
FPa5 |
LUNA Digital Image
|
4 |
Friedrich Brockmann |
Portia and Nerissa (The Merchant of Venice I.2) |
1849 |
Oil on canvas |
109.4 x 90.9 cm |
FPa7 |
LUNA Digital Image
|
5 |
John Cawse |
Falstaff boasting to Prince Hal and Poins (Henry IV, Part 1 II.4) |
ca. 1820s |
Oil on canvas |
34.9 x 44.3 cm |
FPa10 |
|
6 |
John Cawse |
Falstaff mocking Bardolph's nose (Henry IV, Part I III.3) |
ca. 1820s |
Oil on canvas |
33.6 x 42.8 cm |
FPa9 |
LUNA Digital Image
|
7 |
John Cawse |
Falstaff, Prince Hal, and Mistress Quickly (Henry IV, Part I III.3) |
ca. 1820s |
Oil on canvas |
63.6 x 76.9 cm |
FPa15 |
|
8 |
John Cawse |
Falstaff choosing his recruits (Henry IV, Part 2 III.2) |
1818 |
Oil on canvas |
63.8 x 76.1 cm |
FPa14 |
LUNA Digital Image
|
9 |
John Cawse |
Falstaff choosing his recruits (Henry IV, Part 2 III.2) |
ca. 1820s |
Oil on canvas |
53.5 x 71.2 cm |
FPa90 |
|
10 |
John Cawse |
Bardolph and Falstaff putting Wart through the drill (Henry IV, Part 2 III.2) |
1827? |
Oil on canvas |
59.8 x 84.1 cm |
FPa13 |
LUNA Digital Image
|
11 |
John Cawse |
Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) |
ca. 1820 |
Oil on canvas |
52.2 x 78 cm |
FPa12 |
LUNA Digital Image
|
12 |
John Cawse |
Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) |
ca. 1820s |
Oil on canvas |
73.2 x 76.5 cm |
FPa11 |
LUNA Digital Image
|
13 |
John Cawse |
Autolycus selling his wares (The Winter's Tale IV.4) |
ca. 1830 |
Oil on canvas |
63.8 x 76.5 cm |
FPa16 |
LUNA Digital Image
|
14 |
Alexander Christie |
Hamlet finding the king at prayer (Hamlet III.3) |
1842 |
Oil sketch on canvas |
72.4 x 91.5 cm |
FPb17 |
|
15 |
George Clint |
Falstaff relating his valiant exploits (Henry IV, Part 1 II.4) |
ca. mid-1830s |
Oil on canvas |
88.3 x 119.5 cm |
FPa68 |
LUNA Digital Image
|
16 |
Richard Cook |
Helen and Priam at the Scæn Gate (Homer, Iliad, book III) |
1808 |
Oil on canvas |
29.3 x 24 cm |
FPa75 |
LUNA Digital Image
|
17 |
Richard Cook |
Hector reproving Paris (Homer, Iliad, book VI) |
1808 |
Oil on canvas |
29.4 x 24.1 cm |
FPa74 |
LUNA Digital Image
|
18 |
Alfred Dever |
Sir John Falstaff and Mistress Quickly (Henry IV, Part 2 II.1) |
ca. 1870 |
Oil on canvas |
60 x 50 cm |
FPa18 |
LUNA Digital Image
|
19 |
George James De Wilde, attributed to |
The Seven Ages of Man (As You Like It II.7) |
1823 |
Oil on canvas |
58.7 x 84.5 cm |
FPa19 |
LUNA Digital Image
|
20 |
Thomas Francis Dicksee |
Anne Page (The Merry Wives of Windsor I.1) |
1862 |
Oil on canvas |
35.4 x 27.7 cm |
FPa20 |
LUNA Digital Image
|
21 |
Monogrammist T.E. |
Ophelia (Hamlet IV.7) |
Late nineteenth century |
Oil on canvas, oval |
67.9 x 55.7 cm |
FPa3 |
LUNA Digital Image
|
22 |
Henry Joseph Fradelle |
Othello and Desdemona (Othello III.4) |
ca. 1827 |
Oil on panel |
30.5 x 25.1 cm |
FPb21 |
LUNA Digital Image
|
23 |
William Powell Frith |
Olivia unveiling (Twelfth Night I.5) |
1874 |
Oil on canvas |
31.5 x 26.2 cm |
FPa21 |
LUNA Digital Image
|
24 |
Henry Fuseli |
Macbeth consulting the vision of the armed head (Macbeth IV.1) |
1793 |
Oil on canvas |
167.7 x 134.3 cm |
FPa27 |
LUNA Digital Image
|
25 |
Henry Fuseli |
Puck (A Midsummer Night's Dream II.1) |
ca. 1810-20 |
Oil on canvas |
92 x 71.5 cm |
FPa24 |
LUNA Digital Image
|
26 |
Henry Fuseli |
The two murderers of the Duke of Clarence (Richard III I.4) |
ca. 1780-82 |
Oil on canvas |
68.6 x 53.3 cm |
FPa26 |
LUNA Digital Image
|
27 |
Henry Fuseli |
Romeo stabs Paris at the bier of Juliet (Romeo and Juliet V.3) |
ca. 1809 |
Oil on canvas |
71.2 x 92 cm |
FPa25 |
LUNA Digital Images
|
28 |
Henry Fuseli |
Ariel (The Tempest V.1) |
ca. 1800-1810 |
Oil on canvas |
92.7 x 71.5 cm |
FPa22 |
LUNA Digital Image
|
29 |
Henry Fuseli |
Faery Mab (John Milton, L'Allegro) |
ca. 1815-20 |
Oil on canvas |
70 x 90.8 cm |
FPa23 |
LUNA Digital Image
|
30 |
George Henry Hall |
Sir Toby Belch (Twelfth Night II.3) |
1854 |
Oil on canvas |
60.5 x 50.4 cm |
FPa29 |
LUNA Digital Image
|
31 |
George Henry Hall |
Malvolio confronting the revelers (Twelfth Night II.3) |
1855 |
Oil on canvas |
63.7 x 76.2 cm |
FPa28 |
LUNA Digital Image
|
32 |
William Hamilton |
Isabella appealing to Angelo (Measure for Measure (II.2) |
1793 |
Oil on canvas |
166.3 x 134.6 cm |
FPa30 |
LUNA Digital Image
|
33 |
William Hamilton |
The Duke of York discovering his son Aumerle's treachery (Richard II V.2) |
Late 1790s |
Oil on canvas |
79.7 x 55.3 cm |
FPa34 |
LUNA Digital Image
|
34 |
William Hamilton |
The carousing of Sit Toby Belch and Sir Andrew Aguecheek (Twelfth Night II.3) |
1792 |
Oil on canvas |
78.5 x 56.2 cm |
FPa32 |
LUNA Digital Image
|
35 |
William Hamilton |
Olivia's proposal (Twelfth Night IV.3) |
ca. 1796 |
Oil on canvas |
77.8 x 55 cm |
FPa31 |
LUNA Digital Image
|
36 |
Francis Hayman |
The play scene from "Hamlet" (Hamlet II.2) |
ca. 1745 |
Oil on canvas |
34.8 x 29.6 cm |
FPa36 |
LUNA Digital Image
|
37 |
Francis Hayman |
Falstaff reviewing his recruits (Henry IV, Part 1, III.2) |
1760s |
Oil on canvas |
101.6 x 122.5 cm |
FPa35 |
|
38 |
Francis Hayman, after |
Falstaff's cowardice detected (Henry IV, Part 1, II.4) |
Mid-eighteenth century |
Oil on canvas |
26.4 x 36.5 cm |
FPb12 |
|
39 |
William Salter Herrick |
Hamlet in the Queen's chamber (Hamlet III.4) |
ca. 1857 |
Oil on canvas |
114.1 x 157.6 cm |
FPa37 |
LUNA Digital Image
|
40 |
James Clarke Hook |
Othello's description of Desdemona (Othello IV.1) |
ca. 1852 |
Oil on panel |
78.6 x 53.3 cm |
FPa38 |
LUNA Digital Image
|
41 |
Arthur Boyd Houghton |
Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek (Twelfth Night IV.1) |
ca. 1854 |
Oil on panel |
29.8 x 39.7 cm |
FPb63 |
LUNA Digital Image
|
42 |
Frank Howard |
Portia pronouncing sentence (The Merchant of Venice IV.1) |
ca. 1830-31 |
Oil on canvas |
71.2 x 91.5 cm |
FPb3 |
LUNA Digital Image
|
43 |
George Jones, attributed to |
Hamlet in the Queen's closet (Hamlet III.4) |
ca. 1830 |
Oil on panel |
30.5 x 25 cm |
FPb29 |
LUNA Digital Image
|
44 |
G. Jones |
Falstaff and Ford at the Garter Inn (The Merry Wives of Windsor II.2) |
1864 |
Oil on panel, irregular |
14.7 x 20.5 cm |
FPb30 |
|
45 |
Sir James Dromgole Linton |
Portia (The Merchant of Venice IV.1) |
ca. 1895 |
Oil on canvas |
127.3 x 71 cm |
FPa39 |
LUNA Digital Image
|
46 |
Henry Liverseege, after |
The grave-digger (Hamlet V.1) |
ca. 1832 |
Oil on canvas |
46.5 x 35.5 cm |
FPb44 |
LUNA Digital Image
|
47 |
Henry Liverseege, after |
Falstaff and Bardolph (Henry IV, Part 1 III.3) |
After 1833 |
Oil on canvas |
40.1 x 30.6 cm |
FPa40 |
|
48 |
Henry Liverseege, after |
Falstaff and Bardolph (Henry IV, Part 1 III.3) |
After 1833 |
Oil on canvas |
30.5 x 25.4 cm |
FPb31 |
LUNA Digital Image
|
49 |
Rev. Matthew William Peters |
The death of Juliet (Romeo and Juliet V.3) |
1793 |
Oil on canvas |
167.2 x 134.1 cm |
FPa43 |
LUNA Digital Image
|
50 |
Rev. Matthew William Peters, after |
Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3) |
Early nineteenth century |
Oil on canvas |
58.1 x 43.2 cm |
FPb36 |
LUNA Digital Image
|
51 |
Sir Joshua Reynolds, studio of |
The death of Cardinal Beaufort (Henry VI Part 2 III.3) |
ca. 1790? |
Oil on board |
42.5 x 32.5 cm |
FPb40 |
LUNA Digital Image
|
52 |
John Francis Rigaud |
Constantia revealing herself to her father (Chaucer, The Man of Law's Tale) |
ca. 1788 |
Oil on canvas |
35.9 x 45.8 cm |
FPa46 |
|
53 |
George Romney |
Macbeth and the witches (Macbeth IV.1) |
1785 |
Oil on canvas |
74.9 x 63.3 cm |
FPb41 |
LUNA Digital Image
|
54 |
George Romney |
Study for Titania, Puck, and the Changeling (A Midsummer Night's Dream II.1) |
1793 |
Oil on cardboard mounted on canvas |
27.3 x 35.7 cm |
FPa48 |
LUNA Digital Image
|
55 |
William Salter |
Othello's Lamentation (Othello V.2) |
ca. 1857 |
Oil on canvas |
115.5 x 143.4 cm |
FPa50 |
LUNA Digital Image
|
56 |
Michael William Sharp |
Petruchio and the tailor (The Taming of the Shrew IV.3) |
1835 |
Oil on canvas |
67.7 x 57.5 cm |
FPa51 |
LUNA Digital Image
|
57 |
Robert Smirke |
Falstaff Rebuked (Henry IV, Part 2 V.5) |
ca. 1795 |
Oil on canvas |
79.4 x 55.5 cm |
FPa54 |
LUNA Digital Image
|
58 |
Robert Smirke |
The awakening of King Lear (King Lear IV.7) |
ca. 1792 |
Oil on canvas |
78.7 x 53.2 cm |
FPa53 |
LUNA Digital Image
|
59 |
Robert Smirke |
Stephano confronting the monster (The Tempest II.2) |
ca. 1798 |
Oil on canvas |
78.0 x 56. 9 cm |
FPa55 |
|
60 |
Robert Smirke |
Falstaff instructing Bardolph (Henry IV, Part 1 IV.2), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 11.7 cm |
FPa60 |
|
61 |
Robert Smirke |
Falstaff struggling with Hotspur's body (Henry IV, Part 1 V.4), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.7 x 11.7 cm |
FPa61 |
|
62 |
Robert Smirke |
Anne Page's invitation to slender (The Merry Wives of Windsor I.1), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 11.9 cm |
FPa58 |
|
63 |
Robert Smirke |
Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 11.5 cm |
FPa59 |
|
64 |
Robert Smirke |
Lysander declaring his passion to Helena (A Midsummer Night's Dream II.2), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.8 x 10.6 cm |
FPa63 |
LUNA Digital Image
|
65 |
Robert Smirke |
Puck's report to Oberon (A Midsummer Night's Dream III.2), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 11.7 cm |
FPa64 |
|
66 |
Robert Smirke |
Bottom in the forest (A Midsummer Night's Dream IV.1), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 10.9 cm |
FPa62 |
|
67 |
Robert Smirke |
Katherina's first meeting with Petruchio (The Taming of the Shrew II.1), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.8 x 12.4 cm |
FPa66 |
|
68 |
Robert Smirke |
Katherina's chastisement of Bianca and the Widow (The Taming of the Shrew V.2), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 11.7 cm |
FPa67 |
|
69 |
Robert Smirke |
Prospero summoning Ariel (The Tempest I.2), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.8 x 11.6 cm |
FPa65 |
|
70 |
Robert Smirke |
Ferdinand proclaiming his love to Miranda (The Tempest III.1), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.6 x 10.9 cm |
FPa56 |
|
71 |
Robert Smirke |
Stephano demanding Trinculo's gown (The Tempest IV.1), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.6 x 10.9 cm |
FPa57 |
|
72 |
Robert Smirke, after |
Anne Page inviting Slender to dinner (The Merry Wives of Windsor I.1) |
Early nineteenth century |
Oil on canvas |
58.9 x 45.7 cm |
FPb43 |
LUNA Digital Image
|
73 |
Carl Ferdinand Sohn, after |
Romeo and Juliet (Romeo and Juilet III.5) |
After 1836 |
Oil on tin |
26.3 x 20.6 cm |
FPb28 |
LUNA Digital Image
|
74 |
Frank Stone |
Study for Bassanio receiving the letter announcing Antonio's losses and peril (The Merchant of Venice III.2) |
ca. 1850-51 |
Oil on panel |
17.3 x 22.7 cm |
FPa76 |
|
75 |
Thomas Stothard |
Falstaff describing the fight at Gadshill (Henry IV, Part 1 II.4) |
ca. 1827 |
Oil on panel |
21.6 x 14.6 cm |
FPa71 |
LUNA Digital Image
|
76 |
Thomas Stothard |
Falstaff and Doll Tearsheet (Henry IV, Part 2 II.4) |
ca. 1827 |
Oil on panel |
21.2 x 15.3 cm |
FPa72 |
LUNA Digital Image
|
77 |
Thomas Stothard |
Marina singing before Pericles (Pericles V.1) |
ca. 1825 |
Oil on canvas |
58.5 x 43.4 cm |
FPa73 |
LUNA Digital Image
|
78 |
Thomas Stothard |
The Vintage |
ca. 1833-34 |
Oil on canvas |
78.9 x 59.1 cm |
FPa69 |
|
79 |
Thomas Stothard, manner of |
The performance of the Nine Worthies (Love's Labor's Lost V.2) |
Eighteenth or nineteenth century |
Oil on panel |
36.1 x 67.7 cm |
FPb46 |
LUNA Digital Image
|
80 |
Thomas Stothard, manner of |
Olivia greeting Cesario in the garden (Twelfth Night III.1) |
Eighteenth or nineteenth century |
Oil on panel |
41.7 x 50.3 cm |
FPb64 |
LUNA Digital Image
|
81 |
Thomas Sully |
Macbeth in the witches' cave (Macbeth IV.1) |
1840 |
Oil on canvas |
73.5 x 60.9 cm |
FPa77 |
LUNA Digital Image
|
82 |
Thomas Sully |
Portia and Shylock (The Merchant of Venice IV.1) |
1835 |
Oil on canvas |
96.5 x 73.6 cm |
FPa78 |
LUNA Digital Image
|
83 |
Frederick Weekes |
Falstaff and Bardolph (Henry IV, Part 1 III.3) |
ca. 1855-57 |
Oil on canvas |
47.7 x 38.4 cm |
FPb50 |
|
84 |
Benjamin West |
King Lear and Cordelia (King Lear IV.7) |
1793 |
Oil on canvas |
48.1 x 59.9 cm |
FPa82 |
LUNA Digital Image
|
85 |
Richard Westall |
Wolsey disgraced (Henry VIII III.2) |
1795 |
Oil on canvas |
80.6 x 54.4 cm |
FPa84 |
LUNA Digital Image
|
86 |
Richard Westall |
Shylock rebuffing Antonio (The Merchant of Venice III.3) |
1795 |
Oil on canvas |
81.5 x 53.5 cm |
FPa83 |
LUNA Digital Image
|
87 |
Francis Wheatley |
Helena and Count Bertram before the King of France (All's Well That Ends Well II.3) |
1793 |
Oil on canvas |
78.5 x 55.3 cm |
FPa85 |
LUNA Digital Image
|
88 |
Francis Wheatley, after |
Jaqeunetta approaching Sir Nathaniel with Berowne's letter (Love's Labor's Lost IV.2) |
Early nineteenth century |
Oil on canvas |
76.2 x 63.2 cm |
FPb52 |
LUNA Digital Image
|
89 |
John Masey Wright |
Mistress Ford and Falstaff (The Merry Wives of Windsor III.3) |
ca. 1810s? |
Oil on canvas |
30.5 x 39 cm |
FPa4 |
LUNA Digital Image
|
90 |
John Masey Wright |
Juliet and the Nurse (Romeo and Juliet II.5) |
ca. 1810s? |
Oil on canvas |
30.8 x 38.3 cm |
FPb13 |
LUNA Digital Image
|
91 |
John Masey Wright |
Mercutio bidding farewell to Juliet's Nurse (Romeo and Juliet II.4) |
ca. 1820s |
Oil on canvas |
45.7 x 35.7 cm |
FPa70 |
LUNA Digital Image
|
92 |
John Masey Wright, attributed to |
Petruchio and the Haberdasher (The Taming of the Shrew IV.3) |
ca. 1830s? |
Oil on canvas |
44.5 x 38.3 cm |
FPa87 |
|
93 |
John Masey Wright, attributed to |
Petruchio and the tailor (The Taming of the Shrew IV.3) |
ca. 1830s? |
Oil on canvas |
44.5 x 38.3 cm |
FPa86 |
|
94 |
Lee Woodward Ziegler |
Antony approaching Cleopatra, Meïamoun lying dead at her feet (Théophile Gautier, Une nuit de Cléopâtre) |
ca. 1900 |
Oil on canvas |
40.9 x 57.5 cm |
ART Box Z45 no. 1 |
LUNA Digital Image
|
95 |
Francesco Zuccarelli |
Macbeth meeting the witches (Macbeth I.3) |
1760 |
Oil on panel |
81.7 x 142.5 cm |
FPa89 |
LUNA Digital Image
|
96 |
Anonymous |
Celia and Rosalind departing from Orlando (As You Like It I.2) |
ca. 1840s |
Oil on tin |
20.2 x 16.9 cm |
FPb15 |
LUNA Digital Image
|
97 |
Anonymous |
Romeo and Juliet (Romeo and Juliet III.5) |
ca. 1840s |
Oil on tin |
20.2 x 16.8 cm |
FPb14 |
LUNA Digital Image
|
98 |
Anonymous |
Falstaff at the Boar's Head Tavern (Henry IV, Part 1 II.4) |
ca. 1840 |
Oil on canvas |
43.5 x 60.7 cm |
FPa81 |
LUNA Digital Image
|
99 |
Anonymous |
Falstaff impersonating the King (Henry IV, Part 1 II.4) |
ca. 1840s |
Oil on canvas |
26 x 30.2 cm |
FPa45 |
LUNA Digital Image
|
100 |
Anonymous |
Falstaff and Bardolph (Henry IV, Part 1 III.3) |
Early nineteenth century |
Oil on canvas on panel |
38.5 x 30.9 cm |
FPb53 |
LUNA Digital Image
|
101 |
Anonymous |
King Lear (King Lear IV.6) |
1874 |
Oil canvas mounted on board |
76.2 x 63.5 cm |
FPb48 |
LUNA Digital Image
|
102 |
Anonymous |
Shylock (The Merchant of Venice IV.1) |
Early nineteenth century |
Oil on canvas |
38.2 x 31.8 cm |
FPb45 |
LUNA Digital Image
|
103 |
Anonymous |
Titania caressing the drowsy Bottom (A Midsummer Night's Dream IV.1) |
Early nineteenth century |
Oil on canvas |
43.3 x 35.8 cm |
FPa8 |
LUNA Digital Image
|
104 |
Anonymous |
Ariel leading Caliban by a chain (?) (The Tempest II.2 (?)) |
Nineteenth century |
Oil on panel |
21.2 x 27 cm |
FPa6 |
|
105 |
Anonymous |
Unknown subject (Constance's cry) |
Late eighteenth or early nineteenth century |
Oil on canvas |
100.4 x 73.9 cm |
FPb1 |
|