Pressly number |
Artist |
Title |
Year |
Medium |
Size |
Classification |
Hamnet |
LUNA
|
1 |
John White Abbot |
Macbeth recoiling from the apparition of the crowned child (Macbeth IV.1) |
1829 |
Oil on panel |
19.7 x 23. 7 cm |
Literary illustrations |
FPa1 |
LUNA Digital Image
|
2 |
John White Abbot |
Prospero commanding Ariel (The Tempest I.2) |
1829 |
Oil on panel |
19.7 x 23. 7 cm |
Literary illustrations |
FPa2 |
LUNA Digital Image
|
3 |
Thomas Barker of Bath |
Macbeth and the Witches (Macbeth IV.1) |
ca. 1830 |
Oil on canvas |
117.5 x 94.3 cm |
Literary illustrations |
FPa5 |
LUNA Digital Image
|
4 |
Friedrich Brockmann |
Portia and Nerissa (The Merchant of Venice I.2) |
1849 |
Oil on canvas |
109.4 x 90.9 cm |
Literary illustrations |
FPa7 |
LUNA Digital Image
|
5 |
John Cawse |
Falstaff boasting to Prince Hal and Poins (Henry IV, Part 1 II.4) |
ca. 1820s |
Oil on canvas |
34.9 x 44.3 cm |
Literary illustrations |
FPa10 |
|
6 |
John Cawse |
Falstaff mocking Bardolph's nose (Henry IV, Part I III.3) |
ca. 1820s |
Oil on canvas |
33.6 x 42.8 cm |
Literary illustrations |
FPa9 |
LUNA Digital Image
|
7 |
John Cawse |
Falstaff, Prince Hal, and Mistress Quickly (Henry IV, Part I III.3) |
ca. 1820s |
Oil on canvas |
63.6 x 76.9 cm |
Literary illustrations |
FPa15 |
|
8 |
John Cawse |
Falstaff choosing his recruits (Henry IV, Part 2 III.2) |
1818 |
Oil on canvas |
63.8 x 76.1 cm |
Literary illustrations |
FPa14 |
LUNA Digital Image
|
9 |
John Cawse |
Falstaff choosing his recruits (Henry IV, Part 2 III.2) |
ca. 1820s |
Oil on canvas |
53.5 x 71.2 cm |
Literary illustrations |
FPa90 |
|
10 |
John Cawse |
Bardolph and Falstaff putting Wart through the drill (Henry IV, Part 2 III.2) |
1827? |
Oil on canvas |
59.8 x 84.1 cm |
Literary illustrations |
FPa13 |
LUNA Digital Image
|
11 |
John Cawse |
Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) |
ca. 1820 |
Oil on canvas |
52.2 x 78 cm |
Literary illustrations |
FPa12 |
LUNA Digital Image
|
12 |
John Cawse |
Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) |
ca. 1820s |
Oil on canvas |
73.2 x 76.5 cm |
Literary illustrations |
FPa11 |
LUNA Digital Image
|
13 |
John Cawse |
Autolycus selling his wares (The Winter's Tale IV.4) |
ca. 1830 |
Oil on canvas |
63.8 x 76.5 cm |
Literary illustrations |
FPa16 |
LUNA Digital Image
|
14 |
Alexander Christie |
Hamlet finding the king at prayer (Hamlet III.3) |
1842 |
Oil sketch on canvas |
72.4 x 91.5 cm |
Literary illustrations |
FPb17 |
|
15 |
George Clint |
Falstaff relating his valiant exploits (Henry IV, Part 1 II.4) |
ca. mid-1830s |
Oil on canvas |
88.3 x 119.5 cm |
Literary illustrations |
FPa68 |
LUNA Digital Image
|
16 |
Richard Cook |
Helen and Priam at the Scæn Gate (Homer, Iliad, book III) |
1808 |
Oil on canvas |
29.3 x 24 cm |
Literary illustrations |
FPa75 |
LUNA Digital Image
|
17 |
Richard Cook |
Hector reproving Paris (Homer, Iliad, book VI) |
1808 |
Oil on canvas |
29.4 x 24.1 cm |
Literary illustrations |
FPa74 |
LUNA Digital Image
|
18 |
Alfred Dever |
Sir John Falstaff and Mistress Quickly (Henry IV, Part 2 II.1) |
ca. 1870 |
Oil on canvas |
60 x 50 cm |
Literary illustrations |
FPa18 |
LUNA Digital Image
|
19 |
George James De Wilde, attributed to |
The Seven Ages of Man (As You Like It II.7) |
1823 |
Oil on canvas |
58.7 x 84.5 cm |
Literary illustrations |
FPa19 |
LUNA Digital Image
|
20 |
Thomas Francis Dicksee |
Anne Page (The Merry Wives of Windsor I.1) |
1862 |
Oil on canvas |
35.4 x 27.7 cm |
Literary illustrations |
FPa20 |
LUNA Digital Image
|
21 |
Monogrammist T.E. |
Ophelia (Hamlet IV.7) |
Late nineteenth century |
Oil on canvas, oval |
67.9 x 55.7 cm |
Literary illustrations |
FPa3 |
LUNA Digital Image
|
22 |
Henry Joseph Fradelle |
Othello and Desdemona (Othello III.4) |
ca. 1827 |
Oil on panel |
30.5 x 25.1 cm |
Literary illustrations |
FPb21 |
LUNA Digital Image
|
23 |
William Powell Frith |
Olivia unveiling (Twelfth Night I.5) |
1874 |
Oil on canvas |
31.5 x 26.2 cm |
Literary illustrations |
FPa21 |
LUNA Digital Image
|
24 |
Henry Fuseli |
Macbeth consulting the vision of the armed head (Macbeth IV.1) |
1793 |
Oil on canvas |
167.7 x 134.3 cm |
Literary illustrations |
FPa27 |
LUNA Digital Image
|
25 |
Henry Fuseli |
Puck (A Midsummer Night's Dream II.1) |
ca. 1810-20 |
Oil on canvas |
92 x 71.5 cm |
Literary illustrations |
FPa24 |
LUNA Digital Image
|
26 |
Henry Fuseli |
The two murderers of the Duke of Clarence (Richard III I.4) |
ca. 1780-82 |
Oil on canvas |
68.6 x 53.3 cm |
Literary illustrations |
FPa26 |
LUNA Digital Image
|
27 |
Henry Fuseli |
Romeo stabs Paris at the bier of Juliet (Romeo and Juliet V.3) |
ca. 1809 |
Oil on canvas |
71.2 x 92 cm |
Literary illustrations |
FPa25 |
LUNA Digital Images
|
28 |
Henry Fuseli |
Ariel (The Tempest V.1) |
ca. 1800-1810 |
Oil on canvas |
92.7 x 71.5 cm |
Literary illustrations |
FPa22 |
LUNA Digital Image
|
29 |
Henry Fuseli |
Faery Mab (John Milton, L'Allegro) |
ca. 1815-20 |
Oil on canvas |
70 x 90.8 cm |
Literary illustrations |
FPa23 |
LUNA Digital Image
|
30 |
George Henry Hall |
Sir Toby Belch (Twelfth Night II.3) |
1854 |
Oil on canvas |
60.5 x 50.4 cm |
Literary illustrations |
FPa29 |
LUNA Digital Image
|
31 |
George Henry Hall |
Malvolio confronting the revelers (Twelfth Night II.3) |
1855 |
Oil on canvas |
63.7 x 76.2 cm |
Literary illustrations |
FPa28 |
LUNA Digital Image
|
32 |
William Hamilton |
Isabella appealing to Angelo (Measure for Measure (II.2) |
1793 |
Oil on canvas |
166.3 x 134.6 cm |
Literary illustrations |
FPa30 |
LUNA Digital Image
|
33 |
William Hamilton |
The Duke of York discovering his son Aumerle's treachery (Richard II V.2) |
Late 1790s |
Oil on canvas |
79.7 x 55.3 cm |
Literary illustrations |
FPa34 |
LUNA Digital Image
|
34 |
William Hamilton |
The carousing of Sit Toby Belch and Sir Andrew Aguecheek (Twelfth Night II.3) |
1792 |
Oil on canvas |
78.5 x 56.2 cm |
Literary illustrations |
FPa32 |
LUNA Digital Image
|
35 |
William Hamilton |
Olivia's proposal (Twelfth Night IV.3) |
ca. 1796 |
Oil on canvas |
77.8 x 55 cm |
Literary illustrations |
FPa31 |
LUNA Digital Image
|
36 |
Francis Hayman |
The play scene from "Hamlet" (Hamlet II.2) |
ca. 1745 |
Oil on canvas |
34.8 x 29.6 cm |
Literary illustrations |
FPa36 |
LUNA Digital Image
|
37 |
Francis Hayman |
Falstaff reviewing his recruits (Henry IV, Part 1, III.2) |
1760s |
Oil on canvas |
101.6 x 122.5 cm |
Literary illustrations |
FPa35 |
|
38 |
Francis Hayman, after |
Falstaff's cowardice detected (Henry IV, Part 1, II.4) |
Mid-eighteenth century |
Oil on canvas |
26.4 x 36.5 cm |
Literary illustrations |
FPb12 |
|
39 |
William Salter Herrick |
Hamlet in the Queen's chamber (Hamlet III.4) |
ca. 1857 |
Oil on canvas |
114.1 x 157.6 cm |
Literary illustrations |
FPa37 |
LUNA Digital Image
|
40 |
James Clarke Hook |
Othello's description of Desdemona (Othello IV.1) |
ca. 1852 |
Oil on panel |
78.6 x 53.3 cm |
Literary illustrations |
FPa38 |
LUNA Digital Image
|
41 |
Arthur Boyd Houghton |
Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek (Twelfth Night IV.1) |
ca. 1854 |
Oil on panel |
29.8 x 39.7 cm |
Literary illustrations |
FPb63 |
LUNA Digital Image
|
42 |
Frank Howard |
Portia pronouncing sentence (The Merchant of Venice IV.1) |
ca. 1830-31 |
Oil on canvas |
71.2 x 91.5 cm |
Literary illustrations |
FPb3 |
LUNA Digital Image
|
43 |
George Jones, attributed to |
Hamlet in the Queen's closet (Hamlet III.4) |
ca. 1830 |
Oil on panel |
30.5 x 25 cm |
Literary illustrations |
FPb29 |
LUNA Digital Image
|
44 |
G. Jones |
Falstaff and Ford at the Garter Inn (The Merry Wives of Windsor II.2) |
1864 |
Oil on panel, irregular |
14.7 x 20.5 cm |
Literary illustrations |
FPb30 |
|
45 |
Sir James Dromgole Linton |
Portia (The Merchant of Venice IV.1) |
ca. 1895 |
Oil on canvas |
127.3 x 71 cm |
Literary illustrations |
FPa39 |
LUNA Digital Image
|
46 |
Henry Liverseege, after |
The grave-digger (Hamlet V.1) |
ca. 1832 |
Oil on canvas |
46.5 x 35.5 cm |
Literary illustrations |
FPb44 |
LUNA Digital Image
|
47 |
Henry Liverseege, after |
Falstaff and Bardolph (Henry IV, Part 1 III.3) |
After 1833 |
Oil on canvas |
40.1 x 30.6 cm |
Literary illustrations |
FPa40 |
|
48 |
Henry Liverseege, after |
Falstaff and Bardolph (Henry IV, Part 1 III.3) |
After 1833 |
Oil on canvas |
30.5 x 25.4 cm |
Literary illustrations |
FPb31 |
LUNA Digital Image
|
49 |
Rev. Matthew William Peters |
The death of Juliet (Romeo and Juliet V.3) |
1793 |
Oil on canvas |
167.2 x 134.1 cm |
Literary illustrations |
FPa43 |
LUNA Digital Image
|
50 |
Rev. Matthew William Peters, after |
Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3) |
Early nineteenth century |
Oil on canvas |
58.1 x 43.2 cm |
Literary illustrations |
FPb36 |
LUNA Digital Image
|
51 |
Sir Joshua Reynolds, studio of |
The death of Cardinal Beaufort (Henry VI Part 2 III.3) |
ca. 1790? |
Oil on board |
42.5 x 32.5 cm |
Literary illustrations |
FPb40 |
LUNA Digital Image
|
52 |
John Francis Rigaud |
Constantia revealing herself to her father (Chaucer, The Man of Law's Tale) |
ca. 1788 |
Oil on canvas |
35.9 x 45.8 cm |
Literary illustrations |
FPa46 |
|
53 |
George Romney |
Macbeth and the witches (Macbeth IV.1) |
1785 |
Oil on canvas |
74.9 x 63.3 cm |
Literary illustrations |
FPb41 |
LUNA Digital Image
|
54 |
George Romney |
Study for Titania, Puck, and the Changeling (A Midsummer Night's Dream II.1) |
1793 |
Oil on cardboard mounted on canvas |
27.3 x 35.7 cm |
Literary illustrations |
FPa48 |
LUNA Digital Image
|
55 |
William Salter |
Othello's Lamentation (Othello V.2) |
ca. 1857 |
Oil on canvas |
115.5 x 143.4 cm |
Literary illustrations |
FPa50 |
LUNA Digital Image
|
56 |
Michael William Sharp |
Petruchio and the tailor (The Taming of the Shrew IV.3) |
1835 |
Oil on canvas |
67.7 x 57.5 cm |
Literary illustrations |
FPa51 |
LUNA Digital Image
|
57 |
Robert Smirke |
Falstaff Rebuked (Henry IV, Part 2 V.5) |
ca. 1795 |
Oil on canvas |
79.4 x 55.5 cm |
Literary illustrations |
FPa54 |
LUNA Digital Image
|
58 |
Robert Smirke |
The awakening of King Lear (King Lear IV.7) |
ca. 1792 |
Oil on canvas |
78.7 x 53.2 cm |
Literary illustrations |
FPa53 |
LUNA Digital Image
|
59 |
Robert Smirke |
Stephano confronting the monster (The Tempest II.2) |
ca. 1798 |
Oil on canvas |
78.0 x 56. 9 cm |
Literary illustrations |
FPa55 |
|
60 |
Robert Smirke |
Falstaff instructing Bardolph (Henry IV, Part 1 IV.2), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 11.7 cm |
Literary illustrations |
FPa60 |
|
61 |
Robert Smirke |
Falstaff struggling with Hotspur's body (Henry IV, Part 1 V.4), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.7 x 11.7 cm |
Literary illustrations |
FPa61 |
|
62 |
Robert Smirke |
Anne Page's invitation to slender (The Merry Wives of Windsor I.1), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 11.9 cm |
Literary illustrations |
FPa58 |
|
63 |
Robert Smirke |
Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 11.5 cm |
Literary illustrations |
FPa59 |
|
64 |
Robert Smirke |
Lysander declaring his passion to Helena (A Midsummer Night's Dream II.2), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.8 x 10.6 cm |
Literary illustrations |
FPa63 |
LUNA Digital Image
|
65 |
Robert Smirke |
Puck's report to Oberon (A Midsummer Night's Dream III.2), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 11.7 cm |
Literary illustrations |
FPa64 |
|
66 |
Robert Smirke |
Bottom in the forest (A Midsummer Night's Dream IV.1), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 10.9 cm |
Literary illustrations |
FPa62 |
|
67 |
Robert Smirke |
Katherina's first meeting with Petruchio (The Taming of the Shrew II.1), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.8 x 12.4 cm |
Literary illustrations |
FPa66 |
|
68 |
Robert Smirke |
Katherina's chastisement of Bianca and the Widow (The Taming of the Shrew V.2), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.9 x 11.7 cm |
Literary illustrations |
FPa67 |
|
69 |
Robert Smirke |
Prospero summoning Ariel (The Tempest I.2), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.8 x 11.6 cm |
Literary illustrations |
FPa65 |
|
70 |
Robert Smirke |
Ferdinand proclaiming his love to Miranda (The Tempest III.1), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.6 x 10.9 cm |
Literary illustrations |
FPa56 |
|
71 |
Robert Smirke |
Stephano demanding Trinculo's gown (The Tempest IV.1), from a series of twelve panels |
ca. 1820-25 |
Oil on panel, pencil underdrawing and border |
14.6 x 10.9 cm |
Literary illustrations |
FPa57 |
|
72 |
Robert Smirke, after |
Anne Page inviting Slender to dinner (The Merry Wives of Windsor I.1) |
Early nineteenth century |
Oil on canvas |
58.9 x 45.7 cm |
Literary illustrations |
FPb43 |
LUNA Digital Image
|
73 |
Carl Ferdinand Sohn, after |
Romeo and Juliet (Romeo and Juilet III.5) |
After 1836 |
Oil on tin |
26.3 x 20.6 cm |
Literary illustrations |
FPb28 |
LUNA Digital Image
|
74 |
Frank Stone |
Study for Bassanio receiving the letter announcing Antonio's losses and peril (The Merchant of Venice III.2) |
ca. 1850-51 |
Oil on panel |
17.3 x 22.7 cm |
Literary illustrations |
FPa76 |
|
75 |
Thomas Stothard |
Falstaff describing the fight at Gadshill (Henry IV, Part 1 II.4) |
ca. 1827 |
Oil on panel |
21.6 x 14.6 cm |
Literary illustrations |
FPa71 |
LUNA Digital Image
|
76 |
Thomas Stothard |
Falstaff and Doll Tearsheet (Henry IV, Part 2 II.4) |
ca. 1827 |
Oil on panel |
21.2 x 15.3 cm |
Literary illustrations |
FPa72 |
LUNA Digital Image
|
77 |
Thomas Stothard |
Marina singing before Pericles (Pericles V.1) |
ca. 1825 |
Oil on canvas |
58.5 x 43.4 cm |
Literary illustrations |
FPa73 |
LUNA Digital Image
|
78 |
Thomas Stothard |
The Vintage |
ca. 1833-34 |
Oil on canvas |
78.9 x 59.1 cm |
Literary illustrations |
FPa69 |
|
79 |
Thomas Stothard, manner of |
The performance of the Nine Worthies (Love's Labor's Lost V.2) |
Eighteenth or nineteenth century |
Oil on panel |
36.1 x 67.7 cm |
Literary illustrations |
FPb46 |
LUNA Digital Image
|
80 |
Thomas Stothard, manner of |
Olivia greeting Cesario in the garden (Twelfth Night III.1) |
Eighteenth or nineteenth century |
Oil on panel |
41.7 x 50.3 cm |
Literary illustrations |
FPb64 |
LUNA Digital Image
|
81 |
Thomas Sully |
Macbeth in the witches' cave (Macbeth IV.1) |
1840 |
Oil on canvas |
73.5 x 60.9 cm |
Literary illustrations |
FPa77 |
LUNA Digital Image
|
82 |
Thomas Sully |
Portia and Shylock (The Merchant of Venice IV.1) |
1835 |
Oil on canvas |
96.5 x 73.6 cm |
Literary illustrations |
FPa78 |
LUNA Digital Image
|
83 |
Frederick Weekes |
Falstaff and Bardolph (Henry IV, Part 1 III.3) |
ca. 1855-57 |
Oil on canvas |
47.7 x 38.4 cm |
Literary illustrations |
FPb50 |
|
84 |
Benjamin West |
King Lear and Cordelia (King Lear IV.7) |
1793 |
Oil on canvas |
48.1 x 59.9 cm |
Literary illustrations |
FPa82 |
LUNA Digital Image
|
85 |
Richard Westall |
Wolsey disgraced (Henry VIII III.2) |
1795 |
Oil on canvas |
80.6 x 54.4 cm |
Literary illustrations |
FPa84 |
LUNA Digital Image
|
86 |
Richard Westall |
Shylock rebuffing Antonio (The Merchant of Venice III.3) |
1795 |
Oil on canvas |
81.5 x 53.5 cm |
Literary illustrations |
FPa83 |
LUNA Digital Image
|
87 |
Francis Wheatley |
Helena and Count Bertram before the King of France (All's Well That Ends Well II.3) |
1793 |
Oil on canvas |
78.5 x 55.3 cm |
Literary illustrations |
FPa85 |
LUNA Digital Image
|
88 |
Francis Wheatley, after |
Jaqeunetta approaching Sir Nathaniel with Berowne's letter (Love's Labor's Lost IV.2) |
Early nineteenth century |
Oil on canvas |
76.2 x 63.2 cm |
Literary illustrations |
FPb52 |
LUNA Digital Image
|
89 |
John Masey Wright |
Mistress Ford and Falstaff (The Merry Wives of Windsor III.3) |
ca. 1810s? |
Oil on canvas |
30.5 x 39 cm |
Literary illustrations |
FPa4 |
LUNA Digital Image
|
90 |
John Masey Wright |
Juliet and the Nurse (Romeo and Juliet II.5) |
ca. 1810s? |
Oil on canvas |
30.8 x 38.3 cm |
Literary illustrations |
FPb13 |
LUNA Digital Image
|
91 |
John Masey Wright |
Mercutio bidding farewell to Juliet's Nurse (Romeo and Juliet II.4) |
ca. 1820s |
Oil on canvas |
45.7 x 35.7 cm |
Literary illustrations |
FPa70 |
LUNA Digital Image
|
92 |
John Masey Wright, attributed to |
Petruchio and the Haberdasher (The Taming of the Shrew IV.3) |
ca. 1830s? |
Oil on canvas |
44.5 x 38.3 cm |
Literary illustrations |
FPa87 |
|
93 |
John Masey Wright, attributed to |
Petruchio and the tailor (The Taming of the Shrew IV.3) |
ca. 1830s? |
Oil on canvas |
44.5 x 38.3 cm |
Literary illustrations |
FPa86 |
|
94 |
Lee Woodward Ziegler |
Antony approaching Cleopatra, Meïamoun lying dead at her feet (Théophile Gautier, Une nuit de Cléopâtre) |
ca. 1900 |
Oil on canvas |
40.9 x 57.5 cm |
Literary illustrations |
ART Box Z45 no. 1 |
LUNA Digital Image
|
95 |
Francesco Zuccarelli |
Macbeth meeting the witches (Macbeth I.3) |
1760 |
Oil on panel |
81.7 x 142.5 cm |
Literary illustrations |
FPa89 |
LUNA Digital Image
|
96 |
Anonymous |
Celia and Rosalind departing from Orlando (As You Like It I.2) |
ca. 1840s |
Oil on tin |
20.2 x 16.9 cm |
Literary illustrations |
FPb15 |
LUNA Digital Image
|
97 |
Anonymous |
Romeo and Juliet (Romeo and Juliet III.5) |
ca. 1840s |
Oil on tin |
20.2 x 16.8 cm |
Literary illustrations |
FPb14 |
LUNA Digital Image
|
98 |
Anonymous |
Falstaff at the Boar's Head Tavern (Henry IV, Part 1 II.4) |
ca. 1840 |
Oil on canvas |
43.5 x 60.7 cm |
Literary illustrations |
FPa81 |
LUNA Digital Image
|
99 |
Anonymous |
Falstaff impersonating the King (Henry IV, Part 1 II.4) |
ca. 1840s |
Oil on canvas |
26 x 30.2 cm |
Literary illustrations |
FPa45 |
LUNA Digital Image
|
100 |
Anonymous |
Falstaff and Bardolph (Henry IV, Part 1 III.3) |
Early nineteenth century |
Oil on canvas on panel |
38.5 x 30.9 cm |
Literary illustrations |
FPb53 |
LUNA Digital Image
|
101 |
Anonymous |
King Lear (King Lear IV.6) |
1874 |
Oil canvas mounted on board |
76.2 x 63.5 cm |
Literary illustrations |
FPb48 |
LUNA Digital Image
|
102 |
Anonymous |
Shylock (The Merchant of Venice IV.1) |
Early nineteenth century |
Oil on canvas |
38.2 x 31.8 cm |
Literary illustrations |
FPb45 |
LUNA Digital Image
|
103 |
Anonymous |
Titania caressing the drowsy Bottom (A Midsummer Night's Dream IV.1) |
Early nineteenth century |
Oil on canvas |
43.3 x 35.8 cm |
Literary illustrations |
FPa8 |
LUNA Digital Image
|
104 |
Anonymous |
Ariel leading Caliban by a chain (?) (The Tempest II.2 (?)) |
Nineteenth century |
Oil on panel |
21.2 x 27 cm |
Literary illustrations |
FPa6 |
|
105 |
Anonymous |
Unknown subject (Constance's cry) |
Late eighteenth or early nineteenth century |
Oil on canvas |
100.4 x 73.9 cm |
Literary illustrations |
FPb1 |
|
106 |
Nathaniel Dance |
David Garrick |
1774 |
Oil on canvas |
76.2 x 63.8 cm |
Theatrical portraiture |
FPa17 |
LUNA Digiatl Image
|
107 |
Nathaniel Dance, after |
David Garrick as Richard III (Richard III V.4) |
After 1772 |
Oil on canvas |
125 x 85 cm |
Theatrical portraiture |
FPb18 |
LUNA Digital Image
|
108 |
George Dawe |
Study for Miss O'Neill as Juliet (Romeo and Juliet II.2) |
ca. 1816 |
Oil on canvas |
63.6 x 46 cm |
Theatrical portraiture |
FPb19 |
LUNA Digital Image
|
109 |
Thomas Gainsborough, after |
David Garrick leaning on a bust of Shakespeare |
After 1769 |
Oil on canvas |
114.3 x 75.9 cm |
Theatrical portraiture |
FPb27 |
LUNA Digital Image
|
110 |
Thomas Gainsborough, after |
Sarah Siddons |
After 1785 |
Oil on canvas |
76.1 x 63.2 cm |
Theatrical portraiture |
FPb22 |
LUNA Digital Image
|
111 |
James Green, after |
George Frederick Cooke as Iago (Othello III.3) |
After 1801 |
Oil on canvas |
77.8 x 63.7 cm |
Theatrical portraiture |
FPb23 |
|
112 |
William Hamilton |
John Philip Kemble as Richard III (Richard III V.3) |
ca. 1787 |
Oil on canvas |
55.5 x 46.5 cm |
Theatrical portraiture |
FPb24 |
LUNA Digital Image
|
113 |
Gabriel Harrison |
Edwin Forrest as King Lear (King Lear IV.6) |
1872 |
Oil on paper pasted on board |
50.2 x 38.7 cm |
Theatrical portraiture |
ART Box H319 no. 2 |
|
114 |
Sir Thomas Lawrence, after |
John Philip Kemble as Coriolanus (Coriolanus IV.5) |
Early 1800s |
Oil on cardboard |
27 x 22 cm |
Theatrical portraiture |
FPb25 |
|
115 |
Sir Thomas Lawrence, after |
John Philip Kemble as Hamlet (Hamlet V.1) |
Early 1800s |
Oil on canvas |
76.2 x 49.3 cm |
Theatrical portraiture |
FPb26 |
LUNA Digital Image
|
116 |
Thomas Lawrence, manner of |
Macready (?) in the character of a king |
ca. 1820s |
Oil on canvas |
76.2 x 63.4 cm |
Theatrical portraiture |
FPb34 |
|
117 |
John Lewis, after |
Margaret 'Peg' Woffington |
ca. 1753 |
Oil on canvas |
76.4 x 63.5 cm |
Theatrical portraiture |
FPb10 |
|
118 |
James McArdell, attributed to |
James Quin as Falstaff (Henry IV, Part I II.4) |
ca. 1750 |
Oil on canvas |
53.5 x 39.5 cm |
Theatrical portraiture |
FPa41 |
LUNA Digital Image
|
119 |
John Neagle, after |
William C. Macready as Macbeth |
After 1827 |
Oil on canvas |
76 x 63.4 cm |
Theatrical portraiture |
FPb2 |
|
120 |
Robert Edge Pine |
David Garrick |
ca. 1780 |
Oil on canvas, oval |
75.5 x 62.6 cm |
Theatrical portraiture |
FPa44 |
LUNA Digital Image
|
121 |
Sir Joshua Reynolds, studio of |
David Garrick |
ca. 1776-79 |
Oil on canvas |
75 x 61.5 cm |
Theatrical portraiture |
FPb37 |
LUNA Digital Image
|
122 |
Sir Joshua Reynolds, after |
David Garrick |
Early nineteenth century |
Oil on canvas |
30.5 x 25.5 cm |
Theatrical portraiture |
FPb38 |
|
123 |
Alfred Rolfe |
Macbeth's murder of Duncan (Macbeth II.2) |
ca. 1888 |
Oil on canvas |
131.7 x 181.5 cm |
Theatrical portraiture |
FPa47 |
LUNA Digital Image
|
124 |
George Romney |
John Henderson as Macbeth (Macbeth I.3) |
ca. 1787 |
Oil on engraving mounted on canvas |
42.5 x 52 cm |
Theatrical portraiture |
FPb42 |
LUNA Digital Image
|
125 |
Thomas Sully |
Charlotte Cushman |
1843 |
Oil on canvas |
51.4 x 44 cm |
Theatrical portraiture |
FPb47 |
LUNA Digital Image
|
126 |
Wilhelm Trautschold |
Charlotte Cushman |
ca. 1847 |
Oil on canvas |
46.3 x 35.5 cm |
Theatrical portraiture |
FPb49 |
|
127 |
Richard Westall, attributed to |
Volumnia pleading with Coriolanus (Coriolanus V.3) |
ca. 1800 |
Oil on canvas |
76.5 x 64.3 cm |
Theatrical portraiture |
FPa33 |
LUNA Digital Image
|
128 |
Benjamin Wilson |
William Powell as Hamlet encountering the Ghost (Hamlet I.4) |
ca. 1768-69 |
Oil no canvas |
126.4 x 116 cm |
Theatrical portraiture |
FPa88 |
LUNA Digital Image
|
129 |
Anonymous |
Eliza Walstein (?) as Rosalind (As You Like It III.5) |
After ca. 1815 |
Oil on panel |
11.5 x 7.8 cm |
Theatrical portraiture |
FPb6 |
|
130 |
Anonymous, American school? |
Sarah Siddons as Queen Katharine (Henry VIII II.4) |
After 1817 |
Oil on canvas |
81 x 55.1 cm |
Theatrical portraiture |
FPb5 |
|
131 |
Anonymous |
Isabella Glyn as Lady Macbeth (Macbeth I.5) |
After 1850 |
Oil on canvas |
90.7 x 73.5 cm |
Theatrical portraiture |
FPb4 |
|
132 |
Anonymous |
Sarah Siddons as Lady Macbeth (Macbeth II.2) |
ca. 1790-1810 |
Oil on canvas |
73.6 x 60.9 cm |
Theatrical portraiture |
FPa52 |
LUNA Digital Image
|
133 |
Anonymous |
Actor in the character of Othello |
Late nineteenth century |
Oil on paper mounted on cardboard |
34.7 x 23.8 cm |
Theatrical portraiture |
FPb7 |
|
134 |
Anonymous |
Edmund Kean as Sir Giles Overreach (Philip Massinger, A New Way to Pay Old Debts) |
ca. 1816 |
Oil on panle |
38.4 x 28.4 cm |
Theatrical portraiture |
FPb20 |
|
135 |
Sir Joshua Reynolds, attributed to |
Unknown man |
|
Oil on canvas |
63.8 x 53 cm |
Theatrical portraiture |
FPb39 |
|
136 |
Anonymous |
Unknown boy |
Early nineteenth century |
Oil on canvas |
50.3 x 41 cm |
Theatrical portraiture |
FPb35 |
|
137 |
Anonymous |
'Unknown man [David Garrick?] |
ca. 1760s |
Oil on canvas |
76.6 x 64.4 cm |
Theatrical portraiture |
FPb11 |
LUNA Digital Image
|
138 |
James Ferguson |
Margaret Woffington |
Mid-eighteenth cenutry |
Pencil and india ink on vellum, oval |
5.5 x 4.4 cm |
Miniatures (theatrical) |
FPm16 |
|
139 |
John Howes, after Cipriani |
David Garrick unveiling a herm of Shakespeare and the Ephesian Diana |
1777 |
Enamel, circular |
11.7 cm in diameter |
Miniatures (theatrical) |
FPm17 |
LUNA Digital Image
|
140 |
Joseph Inchbald, attributed to |
Elizabeth Inchbald |
ca. 1722-79 |
Watercolor on ivory, circular, irregular |
4.2 x 4.1 cm |
Miniatures (theatrical) |
ART Box I37 no.1 |
LUNA Digital Image
|
141 |
Joseph Inchbald, attributed to |
Robert Inchbald |
ca. 1770s |
Watercolor on ivory, oval image on rectangular piece of ivory with clipped corners |
4.6 x 3.8 cm |
Miniatures (theatrical) |
ART Box I37 no.2 |
LUNA Digital Image
|
142 |
Rosalie Sully |
Charlotte Cushman |
1844 |
Watercolor with tempera on ivory, oval |
5.2 x 3.9 cm |
Miniatures (theatrical) |
FPm21 |
LUNA Digital Image
|
143 |
Rosalie Sully |
Frances Anne Kemble |
1844 |
Watercolor on ivory, oval |
4 x 3.2 cm |
Miniatures (theatrical) |
FPm24 |
LUNA Digital Image
|
144 |
Thomas Sully, attributed to |
Susan Cushman |
ca. 1843-44 |
Watercolor with bodycolor on ivory, oval |
4.7 x 3.7 cm |
Miniatures (theatrical) |
FPm20 |
LUNA Digital Image
|
145 |
William Henry Watkins |
Charlotte Cushman |
1847 |
Watercolor on bodycolor on ivory, oval |
8.1 x 6.5 cm |
Miniatures (theatrical) |
FPm23 |
LUNA Digital Image
|
146 |
Mrs. Young |
Charlotte Cushman's eye |
Nineteenth century |
Watercolor with bodycolor on ivory, oval |
2.3 x 1.8 cm |
Miniatures (theatrical) |
FPm22 |
LUNA Digital Image
|
147 |
Anonymous |
The Beadle portrait of Shakespeare |
Early nineteenth century |
Oil on canvas |
76.2 x 58.4 cm |
Portraits of Shakespeare |
FPs12 |
|
148 |
Anonymous |
The Burbage portrait of Shakespeare |
Early nineteenth cenutry |
Oil on panel |
59.0 x 35.8 cm |
Portraits of Shakespeare |
FPs2 |
|
149 |
Anonymous |
The Buttery portrait of Shakespeare |
Nineteenth century |
Oil on panel |
33 x 24.7 cm |
Portraits of Shakespeare |
FPs3 |
LUNA Digital Image
|
150 |
Anonymous |
The Felton portrait of Shakespeare |
ca. 1792? |
Tempera and oil (?) on panel |
27.8 x 20.8 cm |
Portraits of Shakespeare |
FPs13 |
LUNA Digital Image
|
151 |
Anonymous |
Portrait of Shakespeare |
Nineteenth century |
Oil on panel |
29.3 x 24.1 cm |
Portraits of Shakespeare |
FPs11 |
LUNA Digital Image
|
152 |
Thomas Phillips |
The Stratford memorial bust |
ca. 1816 |
Oil on panel |
66.2 x 46.4 cm |
Portraits of Shakespeare |
FPs25 |
LUNA Digital Image
|
153 |
Anonymous |
The Dexter portrait of Shakespeare |
Nineteenth century |
Oil on panel |
38.4 x 29.1 cm |
Portraits of Shakespeare |
FPs10 |
LUNA Digital Image
|
154 |
Anonymous |
The Shakspere portrait of Shakespeare |
Early eighteenth century |
Oil on canvas |
75 x 63 cm |
Portraits of Shakespeare |
FPs22 |
LUNA Digital Image
|
155 |
Anonymous |
The Gunther portrait of Shakespeare |
Eighteenth century |
Oil on canvas (oval canvas attached to a rectangular one) |
76.2 x 64. 8 cm |
Portraits of Shakespeare |
FPs7 |
|
156 |
Anonymous |
The Lumley portrait of Shakespeare |
Eighteenth century |
Oil on canvas |
45 x 36 cm |
Portraits of Shakespeare |
FPs23 |
LUNA Digital Image
|
157 |
Anonymous |
Shakespeare signboard |
Late seventeenth or early eighteenth century |
Oil on mahogany panel, oval |
94.2 x 79.3 cm |
Portraits of Shakespeare |
FPs9 |
LUNA Digital Image
|
158 |
Anonymous |
Portrait of Shakespeare |
Early nineteenth century |
Oil on canvas |
76.6 x 55.7 cm |
Portraits of Shakespeare |
FPs30 |
LUNA Digital Image
|
159 |
Anonymous |
Portrait of Shakespeare |
Probably early nineteenth century |
Oil on panel, framed in a mahogany or rosewood case with two doors |
33 x 28.8 cm |
Portraits of Shakespeare |
FPs5 |
|
160 |
Anonymous |
Sir Thomas Overbury (?) |
Early 1610s, altered before 1770 |
Oil on panel |
55.9 x 43.4 cm |
Portraits of Shakespeare |
FPs17 |
LUNA Digital Image
|
161 |
Anonymous |
The Staunton portrait of Shakespeare |
ca. 1770s |
Oil on canvas |
76.3 x 63.5 cm |
Portraits of Shakespeare |
FPs18 |
LUNA Digital Image
|
162 |
Anonymous |
Portrait of Shakespeare |
Probably early nineteenth century |
Oil on panel |
17.7 x 13.3 cm |
Portraits of Shakespeare |
FPs21 |
|
163 |
Anonymous |
Portrait of Shakespeare |
Nineteenth century |
Oil on panel |
30.4 x 25.3 cm |
Portraits of Shakespeare |
FPs19 |
LUNA Digital Image
|
164 |
Anonymous |
Portrait of Shakespeare |
Nineteenth century |
Oil on paper mounted on an oak panel |
13.1 x 11.3 cm |
Portraits of Shakespeare |
FPs20 |
|
165 |
Anonymous |
The Ashbourne portrait of Shakespeare/Sir Hugh Hamersley |
1612, with nineteenth-century alterations |
Oil on canvas |
119.4 x 94.6 cm |
Portraits of Shakespeare |
FPs1 |
LUNA Digital Image
|
166 |
Anonymous |
Unknown man (formerly identified as Shakespeare; sometimes referred to as the Bath Portrait or the Archer Portrait of Shakespeare) |
ca. 1615-20 |
Oil on panel |
|
Portraits of Shakespeare |
FPs29 |
LUNA Digital Image
|
167 |
Anonymous |
Unknown man (formerly identified as Shakespeare) |
Seventeenth century with later overpainting |
Oil on panel |
61.6 x 46.6 cm |
Portraits of Shakespeare |
FPs16 |
LUNA Digital Image
|
168 |
Anonymous |
The Cosway portrait of Shakespeare |
Probably late eighteenth century |
Oil on circular panel |
19.1 cm in diameter |
Portraits of Shakespeare |
FPs4 |
|
169 |
Anonymous |
Version of the Zoust portrait of Shakespeare |
Probably early nineteenth century |
Oil on copper |
20.6 x 18 cm |
Portraits of Shakespeare |
FPs28 |
|
170 |
Thomas Sully |
Portrait of Shakespeare |
1864 |
Oil on canvas |
51.1 x 43.3 cm |
Portraits of Shakespeare |
FPa79 |
LUNA Digital Image
|
171 |
William Page |
Portrait of Shakespeare |
1873 |
Oil on canvas |
68.6 x 53.3 cm |
Portraits of Shakespeare |
FPs24 |
LUNA Digital Image
|
172a |
George Henry Hall |
Shakespeare composing while looking outward |
1894 |
Oil on canvas |
25.4 x 20.4 cm |
Portraits of Shakespeare |
FPs14 |
LUNA Digital Image
|
172b |
George Henry Hall |
Shakespeare composing while looking up to his right |
1894 |
Oil on canvas |
25.3 x 20.3 cm |
Portraits of Shakespeare |
FPs14 |
LUNA Digital Image
|
172c |
George Henry Hall |
Shakespeare composing while looking up to his left |
1894 |
Oil on canvas |
25.3 x 20.3 cm |
Portraits of Shakespeare |
FPs14 |
LUNA Digital Image
|
173 |
Anonymous |
The Palmer portrait of Shakespeare |
Late nineteenth century |
Oil on panel |
34.4 x 24.7 cm |
Portraits of Shakespeare |
FPs6 |
LUNA Digital Image
|
174 |
William Sartain |
Portrait of Shakespeare |
1907 |
Oil on canvas |
60.9 x 51 cm |
Portraits of Shakespeare |
FPs27 |
LUNA Digital Image]
|
175 |
Umberto Romano |
Shakespeare recites Shakespeare |
ca. 1960s |
Oil on canvas |
127.3 x 101.9 cm |
Portraits of Shakespeare |
FPs26 |
LUNA Digital Image
|
176 |
George Romney |
The infant Shakespeare attended by nature and the passions |
ca. 1791-92 |
Oil on canvas |
143.5 x 203 cm |
Portraits of Shakespeare |
FPa49 |
LUNA Digital Image
|
177 |
Anonymous |
Apotheosis of Shakespeare |
Early nineteenth century |
Oil on paper on canvas |
55.3 x 40.9 cm |
Portraits of Shakespeare |
FPs15 |
|
178 |
Dante Gabriel Rossetti |
Portrait of Shakespeare |
ca. 1865 |
Watercolor with gouache on ivory, oval |
6.1 x 4.7 cm |
Miniatures (Shakespeare) |
FPm1 |
LUNA Digital Image
|
179 |
Anonymous |
Portrait of Shakespeare |
Probably nineteenth century |
Watercolor with touches of gouache on ivory |
8.7 x 6.6 cm |
Miniatures (Shakespeare) |
FPm2 |
LUNA Digital Image
|
180 |
Anonymous |
Portrait of Shakespeare |
Probably nineteenth century |
Watercolor with touches of gouache on ivory |
8.2 x 6.4 cm |
Miniatures (Shakespeare) |
FPm3 |
LUNA Digital Image
|
181 |
Anonymous |
Portrait of Shakespeare |
1769? |
Enamel on copper, oval |
4.2 x 3.4 cm |
Miniatures (Shakespeare) |
FPm5 |
LUNA Digital Image
|
182 |
Anonymous |
Portrait of Shakespeare |
1769? |
Enamel on copper, oval |
6.3 x 5 cm |
Miniatures (Shakespeare) |
FPm6 |
LUNA Digital Image
|
183 |
Anonymous |
The Clopton-Wingfield portrait of Shakespeare |
Eighteenth or nineteenth century |
Watercolor on ivory |
13.3 x 9.8 cm |
Miniatures (Shakespeare) |
FPm4 |
LUNA Digital Image
|
184 |
Anonymous |
Portrait of Shakespeare |
Probably nineteenth century |
Enamel, irregular oval |
5.8 x 4.7 cm |
Miniatures (Shakespeare) |
FPm7 |
LUNA Digital Image
|
185 |
Anonymous |
Portrait of Shakespeare |
After 1721 |
Watercolor with white gouache in ruff on ivory, oval |
9.6 x 7.4 cm |
Miniatures (Shakespeare) |
FPm8 |
LUNA Digital Image
|
186 |
John De Critz, the Elder, after |
Queen Elizabeth I |
After 1620 |
Oil on panel |
11 x 8.7 cm |
Portraits of Shakespeare's contemporaries |
FPb66 |
LUNA Digital Image
|
187 |
George Gower |
The Plimpton "Sieve" portrait of Queen Elizabeth I |
1579 |
Oil on panel |
104.4 x 76.2 cm |
Portraits of Shakespeare's contemporaries |
ART 246171 |
LUNA Digital Image
|
188 |
Michiel Jansz van Miereveld, after |
Elizabeth, the Queen of Bohemia |
After 1623 |
Oil on panel |
30.8 x 25.9 cm |
Portraits of Shakespeare's contemporaries |
FPb54 |
LUNA Digital Image
|
189 |
Daniel Mytens, after |
Henry Wriothesley, third Earl of Southampton |
After 1620 |
Oil on canvas |
114.3 x 91.5 cm |
Portraits of Shakespeare's contemporaries |
FPb55 |
LUNA Digital Image
|
190 |
Paul van Somer, after? |
Elizabeth Wriothesley, Countess of Southamptno |
After 1620 |
Oil on canvas |
114.4 x 91.5 cm |
Portraits of Shakespeare's contemporaries |
FPb56 |
LUNA Digital Image
|
191 |
Peter Oliver, after |
Ben Jonson |
Mid-eighteenth century |
Oil on canvas |
21.2 x 16.2 cm |
Portraits of Shakespeare's contemporaries |
FPb8 |
|
192 |
Anonymous |
Unknown man (formerly identified as Ben Jonson) |
Seventeenth century with later overpainting |
Oil on panel |
57.2 x 44 cm |
Portraits of Shakespeare's contemporaries |
FPb33 |
LUNA Digital Image
|
193 |
Nicholas Hilliard |
Lettice Knollys, Countess of Leicester |
ca. 1590-95 |
Watercolor on vellum, oval |
4.5 x 3.8 cm |
Miniatures (Early Modern) |
FPm9 |
LUNA Digital Image
|
194 |
Isaac Oliver |
William Herbert, Third Earl of Pembroke |
1611 |
Watercolor with bodycolor on vellum, oval |
5.3 x 4.3 cm |
Miniatures (Early Modern) |
FPm10 |
LUNA Digital Image
|