Writing on Hands: Memory and Knowledge in Early Modern Europe: Difference between revisions
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Lenders to the exhibition included | Lenders to the exhibition included | ||
*The Folger Shakespeare Library | *[http://www.folger.edu/index.cfm The Folger Shakespeare Library] | ||
*The Library of Congress | *[http://www.loc.gov The Library of Congress] | ||
*The College of Physicians of Philadelphia | *[http://www.collegeofphysicians.org The College of Physicians of Philadelphia] | ||
*The Pierpont Morgan Library | *[http://www.themorgan.org The Pierpont Morgan Library] | ||
*The Metropolitan Museum | *[http://www.metmuseum.org The Metropolitan Museum] | ||
*National Library of Medicine | *[http://www.nlm.nih.gov National Library of Medicine] | ||
*National Gallery of Art | *[http://www.nga.gov/content/ngaweb.html National Gallery of Art] | ||
*The Walters Art Museum | *[http://thewalters.org/default.aspx The Walters Art Museum] | ||
Revision as of 14:46, 6 September 2014
Writing on Hands: Memory and Knowledge in Early Modern Europe was part of the Exhibitions at the Folger. Curated by Claire Sherman, it opened December 13. 2000 and closed on March 4, 2001.
The exhibition catalogue can be purchased from the Folger Shop.
The hand, while universally familiar, is a novel subject for an exhibition. Vital to human experience, the hand is involved in touching, feeling, acting, writing, creating, thinking, counting, remembering, and speaking. In visual communication, the hand is a universal symbol able to convey and reveal different types of information essential to human activity.
From the earliest pictorial records to the present day, representations of the hand, independent of the body, present a wide array of imagery dealing with both the external/material/visible and internal/spiritual/invisible qualities of human existence. From the profuse array of available imagery, the exhibition focused on representation of the hand inscribed with, or surrounded by, systems of graphic signs. The 70-80 works in the exhibition embraced such fields as anatomy, religion, philosophy, psychology, music theory, mathematics, literature, emblematics, and the occult sciences.
Lenders to the exhibition included