Works of Margherita Costa in the Folger Collection: Difference between revisions

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[https://en.wikipedia.org/wiki/Margherita_Costa Margherita Costa] (c. 1600 – after 1657) was an Italian Baroque singer, performer, and writer active in Italy and France. The Folger holds a number of her works, including
[https://en.wikipedia.org/wiki/Margherita_Costa Margherita Costa] (c. 1600 – after 1657) was an Italian Baroque singer, performer, and writer. Virginia Cox has described Costa as the "most distinctly 'seventeenth-century' of seventeenth-century female poets . . . , [whose works] are deserving of a far closer critical scrutiny than they have hitherto received" (213-214). [[Jessica Goethals]] and Sara Diaz have recently contributed to that critical work with their forthcoming edition and translation of Costa's ''The Buffoons'' in [http://crrs.ca/pub/other-voice/ The Other Voice in Early Modern Europe] series.


* ''Istoria del viaggio d'Alemagna del serenissimo Gran Duca di Toscana Ferdinando Secondo'', Venice, [1630?]. Folger call number: 223098
 
* ''Il violino'', Frankfurt: per Daniel Wastch, 1638. Folger call number: 199908
The Folger holds a significant collection of Costa's printed works, including
* ''Per l’incendio di Pitti''. Florence: Nella Stamperia nuoua, 1638. Folger call number: [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=196236 262- 664q]
 
* ''Flora feconda, poema'', Florence: Massi e Landi, 1640. Folger call number: 181821
* ''Istoria del viaggio d'Alemagna del serenissimo Gran Duca di Toscana Ferdinando Secondo'', [''The History of Grand Duke of Florence Ferdinando II's Trip to Germany''], Venice, [1630?]. Folger call number: 223- 098q [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=342796 (Hamnet record)]
* ''La selva di Cipressi'', Florence, 1640. Folger call number: 178228
* ''Il violino'', [''The Violin''], Frankfurt: per Daniel Wastch, 1638. Folger call number: 199- 908q [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=342821 (Hamnet record)]. [http://pds.lib.harvard.edu/pds/view/21015794 Electronic version] of Harvard copy.
* ''Li buffoni: Comedia ridicola'', Florence: Massi e Landi, 1641. Folger call number: [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=245176 169572]
* ''Per l’incendio di Pitti'', [''On the Fire in Palazzo Pitti'']. Florence: Nella Stamperia nuoua, 1638. Folger call number: 262- 664q [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=196236 (Hamnet record)]
* ''La tromba di Parnaso'', Paris, 1647. Folger call number: 212505.1
* ''Flora feconda, poema'', [''Fertile Flora, A Poem''], Florence: Massi e Landi, 1640. Folger call number: 181- 821q [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=342742 (Hamnet record)]
* ''Festa reale per balletto a cavallo'', Paris: Craimoisy, 1647. Folger call number: 212505.2
* ''La selva di Cipressi'', [''The Cypress Forest''], Florence, 1640. Folger call number: 178- 228q [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=342870 (Hamnet record)]. [http://pds.lib.harvard.edu/pds/view/46480325 Electronic version] of Harvard copy.
* ''La selva di Diana'', Paris: Craimoisy, 1647. Folger call number: 212505.3
* ''Li buffoni: Comedia ridicola'', [''The Buffoons: A Ridiculous Comedy''], Florence: Massi e Landi, 1641. Folger call number: 169- 572q [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=245176 (Hamnet record)]
* ''La tromba di Parnaso'', [''The Trumpet of Parnassus''], Paris, 1647. Folger call number: 212- 505q item 1 [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=342918 (Hamnet record)]
* ''Festa reale per balletto a cavallo'', [''Royal Festivities for an Equestrian Ballet''], Paris: Craimoisy, 1647. Folger call number: 212- 505q item 2 [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=342923 (Hamnet record)]
* ''La selva di Diana'', [''The Forest of Diana''], Paris: Craimoisy, 1647. Folger call number: 212- 505q item 3 [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=342919 (Hamnet record)]




The following titles would complete our Costa holdings:  
The following titles would complete our Costa holdings:  
* ''La Santa Cecilia, poema sacro'', 1630
* ''La chitarra'', [''The Guitar''], Frankfurt: per Daniel Wastch, 1638
* ''La chitarra'', Frankfurt: per Daniel Wastch, 1638
* ''Lettere amorose'', [''Love Letters'']  (reprinted with some revisions in 1674), Venice, 1639
* ''Lettere amorose'', Venice, 1639
* ''Lo stipo'', [''The Jewel Box''], Venice, 1639
* ''Lo stipo'', Venice, 1639
* ''La flora feconda drama'', [''Fertile Flora, A Drama''], Florence: Massi e Landi, 1640
* ''La flora feconda drama'', Florence: Massi e Landi, 1640
* ''Cecilia martire poema sacro'', [''Cecilia the Martyr, A Sacred Poem''], Rome: Mascardi, 1644. [http://pds.lib.harvard.edu/pds/view/46480324 Electronic version] of Harvard copy.
* ''Cecilia martire poema sacro'', Rome: Mascardi, 1644
* ''Gli amori della luna'', [''Lovers of the Moon''], Venice: Giuliani, 1654
* ''Gli amori della luna'', Venice: Giuliani, 1654
 


Single Poem Editions:
*''Al serenissimo Ferdinando II, Gran Duca di Toscana, per la festa di San Giovanni Battista'', Venice [np, nd].
*''Al serenissimo principe Gio. Carlo di Toscana, per la carica di generalissimo del mare conferitagli dalla M. Cattolica'', Florence, Massi & Landi [np, nd].
*''Al serenissimo Ferdinando II, Gran Duca di Toscana, nel giorno della sua nascita'', Florence: Landi, 1655.


==== References
 
====
==== References====
Cox, Virginia, ''Women's Writing in Italy, 1400–1650'', Baltimore: Johns Hopkins University Press, 2008.
Cox, Virginia, ''Women's Writing in Italy, 1400–1650'', Baltimore: Johns Hopkins University Press, 2008.
Natalia Costa-Zalessow, "Margherita Costa." In ''Seventeenth-Century Italian Poets and Dramatists.'' Dictionary of Literary Biography. Gale, 2008: 113-18.
[[Category: Collection]]
[[Category: Women writers]]
[[Category: Continental books]]
[[Category: 17th century]]
[[Category: Research guides]]

Latest revision as of 08:24, 21 June 2017

Margherita Costa (c. 1600 – after 1657) was an Italian Baroque singer, performer, and writer. Virginia Cox has described Costa as the "most distinctly 'seventeenth-century' of seventeenth-century female poets . . . , [whose works] are deserving of a far closer critical scrutiny than they have hitherto received" (213-214). Jessica Goethals and Sara Diaz have recently contributed to that critical work with their forthcoming edition and translation of Costa's The Buffoons in The Other Voice in Early Modern Europe series.


The Folger holds a significant collection of Costa's printed works, including

  • Istoria del viaggio d'Alemagna del serenissimo Gran Duca di Toscana Ferdinando Secondo, [The History of Grand Duke of Florence Ferdinando II's Trip to Germany], Venice, [1630?]. Folger call number: 223- 098q (Hamnet record)
  • Il violino, [The Violin], Frankfurt: per Daniel Wastch, 1638. Folger call number: 199- 908q (Hamnet record). Electronic version of Harvard copy.
  • Per l’incendio di Pitti, [On the Fire in Palazzo Pitti]. Florence: Nella Stamperia nuoua, 1638. Folger call number: 262- 664q (Hamnet record)
  • Flora feconda, poema, [Fertile Flora, A Poem], Florence: Massi e Landi, 1640. Folger call number: 181- 821q (Hamnet record)
  • La selva di Cipressi, [The Cypress Forest], Florence, 1640. Folger call number: 178- 228q (Hamnet record). Electronic version of Harvard copy.
  • Li buffoni: Comedia ridicola, [The Buffoons: A Ridiculous Comedy], Florence: Massi e Landi, 1641. Folger call number: 169- 572q (Hamnet record)
  • La tromba di Parnaso, [The Trumpet of Parnassus], Paris, 1647. Folger call number: 212- 505q item 1 (Hamnet record)
  • Festa reale per balletto a cavallo, [Royal Festivities for an Equestrian Ballet], Paris: Craimoisy, 1647. Folger call number: 212- 505q item 2 (Hamnet record)
  • La selva di Diana, [The Forest of Diana], Paris: Craimoisy, 1647. Folger call number: 212- 505q item 3 (Hamnet record)


The following titles would complete our Costa holdings:

  • La chitarra, [The Guitar], Frankfurt: per Daniel Wastch, 1638
  • Lettere amorose, [Love Letters] (reprinted with some revisions in 1674), Venice, 1639
  • Lo stipo, [The Jewel Box], Venice, 1639
  • La flora feconda drama, [Fertile Flora, A Drama], Florence: Massi e Landi, 1640
  • Cecilia martire poema sacro, [Cecilia the Martyr, A Sacred Poem], Rome: Mascardi, 1644. Electronic version of Harvard copy.
  • Gli amori della luna, [Lovers of the Moon], Venice: Giuliani, 1654


Single Poem Editions:

  • Al serenissimo Ferdinando II, Gran Duca di Toscana, per la festa di San Giovanni Battista, Venice [np, nd].
  • Al serenissimo principe Gio. Carlo di Toscana, per la carica di generalissimo del mare conferitagli dalla M. Cattolica, Florence, Massi & Landi [np, nd].
  • Al serenissimo Ferdinando II, Gran Duca di Toscana, nel giorno della sua nascita, Florence: Landi, 1655.


References

Cox, Virginia, Women's Writing in Italy, 1400–1650, Baltimore: Johns Hopkins University Press, 2008.

Natalia Costa-Zalessow, "Margherita Costa." In Seventeenth-Century Italian Poets and Dramatists. Dictionary of Literary Biography. Gale, 2008: 113-18.