The Taming of the Shrew: Difference between revisions

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== Productions at the Folger ==
== Productions at the Folger ==
*[[The Taming of the Shrew (Folger Theatre, 2012)|''The Taming of the Shrew'' (Folger Theatre, 2012)]]
*[[The Taming of the Shrew (Folger Theatre, 2012)|''The Taming of the Shrew'' (Folger Theatre, 2012)]]
:[[Helen Hayes Awards]]
:''Wins'': "Outstanding Resident Play"
:''Nominations'': "Outstanding Ensemble, Resident Play," "Outstanding Director, Resident Play" for Aaron Posner, "The Robert Prosky Award for Outstanding Lead Actor, Resident Play" for Cody Nickell, "Outstanding Lead Actress, Resident Play" for Kate Eastwood Norris, "The James MacArthur Award for Outstanding Supporting Actor, Resident Play" for Danny Scheie, "Outstanding Supporting Actress, Resident Play" for Sarah Marshall, "Outstanding Supporting Actress, Resident Play" for Holly Twyford, and "Outstanding Sound Design, Resident Production" for Cliff Eberhardt, Original Music, and Christopher Baine, Sound Design
*[[The Taming of the Shrew (Shenandoah Shakespeare Express, 1998)|''The Taming of the Shrew'' (Shenandoah Shakespeare Express, 1998)]]
*[[The Taming of the Shrew (Shenandoah Shakespeare Express, 1998)|''The Taming of the Shrew'' (Shenandoah Shakespeare Express, 1998)]]



Revision as of 09:13, 26 June 2014

Love and marriage are the concerns of The Taming of the Shrew, one of William Shakespeare's plays. Lucentio’s marriage to Bianca is prompted by his idealized love of an apparently ideal woman. Petruchio's wooing of Katherine, however, is free of idealism. Petruchio takes money from Bianca’s suitors to woo her, since Katherine must marry before her sister by her father's decree; he also arranges the dowry with her father. Petruchio is then ready to marry Katherine, even against her will.

Katherine, the shrew of the play’s title, certainly acts much changed. But have she and Petruchio learned to love each other?—or is the marriage based on terror and deception? This is just one of the questions this play raises for us.

The dating of The Taming of the Shrew is complicated. A play of the same name, printed and performed in 1594, may have been an early or reported version. Shakespeare's play was printed in the 1623 First Folio. Its sources include other contemporary works.[1]

Productions at the Folger

Helen Hayes Awards
Wins: "Outstanding Resident Play"
Nominations: "Outstanding Ensemble, Resident Play," "Outstanding Director, Resident Play" for Aaron Posner, "The Robert Prosky Award for Outstanding Lead Actor, Resident Play" for Cody Nickell, "Outstanding Lead Actress, Resident Play" for Kate Eastwood Norris, "The James MacArthur Award for Outstanding Supporting Actor, Resident Play" for Danny Scheie, "Outstanding Supporting Actress, Resident Play" for Sarah Marshall, "Outstanding Supporting Actress, Resident Play" for Holly Twyford, and "Outstanding Sound Design, Resident Production" for Cliff Eberhardt, Original Music, and Christopher Baine, Sound Design

Early editions

First Folio

LUNA: First Folio: S2v - 2v1r
Hamnet: STC 22273 Fo. 1 no. 68

Second Folio

LUNA: Second Folio: S2v - V1r
Hamnet: STC 22274 Fo. 2 no. 07

First Quarto

LUNA: First Quarto
Hamnet: STC 22327 Copy 1

Modern editions

The Taming of the Shrew can be read online with Folger Digital Texts and purchased from Simon and Schuster. The play can also be purchased in Three Comedies, a collection that also includes A Midsummer Night's Dream and Twelfth Night.

Hamnet link to Folger Edition: PR2753 .M6 2002 copy 2 v.30

In popular culture

Translations

Performance materials

Other media

Notes

<references>

  1. Adapted from the Folger Library Shakespeare edition, edited by Barbara A. Mowat and Paul Werstine. © 1992 Folger Shakespeare Library.