The Plimpton "Sieve" portrait of Queen Elizabeth I: Difference between revisions

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==Iconography==
==Iconography==


Other well-known portraits of this type include the Siena "sieve" portrait, completed in 1583 by Quentin Messys the Younger in Antwerp.
Other well-known portraits of this type include the Siena "sieve" portrait, completed in 1583 by Quentin Messys the Younger.


==Creator==
==Creator==

Revision as of 14:29, 16 July 2015

Completed by George Gower in 1579, this work is part of a series of portraits of Elizabeth I in which she holds a sieve to symbolize her chastity. It is the earliest of the "sieve" portraits, and the oldest painting in the Folger Collection. The portrait is currently displayed in the Founders' Room. For more information, see this item's Hamnet record.

Physical description

Iconography

Other well-known portraits of this type include the Siena "sieve" portrait, completed in 1583 by Quentin Messys the Younger.

Creator

George Gower

George Gower was born in Yorkshire around 1540, and died in 1596 in London, where he was buried on August 30. By 1573, he was working in London as a portrait painter. Among his subjects were Sir Thomas Kytson and his wife Elizabeth, both 1573, and Elizabeth Knollys, 1576. On July 5, 1581, he was appointed Elizabeth I's Serjeant Painter for life. After this appointment, Gower and fellow painter Nicholas Hilliard attempted to streamline production of images of Elizabeth such that their production was exclusive to the pair. This attempt failed, and to date no images of the queen credited to Gower during his lifetime exist.[1]

Attribution

In The English Icon, Roy Strong attributes this portrait to Gower on stylistic grounds.[2]

Plimpton "Sieve" and the Folger

Provenance

Publisher George Arthur Plimpton acquired the painting by 1930, which was inherited by his son Francis T. P. Plimpton upon the former's death in 1936. The younger Plimpton bequeathed the work to the Folger Shakespeare Library, but, through an arrangement with the Library, was possessed by his widow until its transfer to the Library in 1997.

Notes

<references>

  1. William L. Pressly, A catalogue of paintings in the Folger Shakespeare Library : "as imagination bodies forth" (New Haven: Yale University Press, 1993), 329-330.
  2. Pressly 330.