https://folgerpedia.folger.edu/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)&feed=atom&action=historyThe Novel and La Mode: Marketing Novelties 1670–1720 (seminar) - Revision history2024-03-29T04:53:23ZRevision history for this page on the wikiMediaWiki 1.39.6https://folgerpedia.folger.edu/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)&diff=15040&oldid=prevMeaghanBrown: MeaghanBrown moved page The Novel and La Mode: Marketing Novelties 1670-1720 (seminar) to The Novel and La Mode: Marketing Novelties 1670–1720 (seminar): Hyphen to en-dash converison2015-03-13T16:46:08Z<p>MeaghanBrown moved page <a href="/The_Novel_and_La_Mode:_Marketing_Novelties_1670-1720_(seminar)" class="mw-redirect" title="The Novel and La Mode: Marketing Novelties 1670-1720 (seminar)">The Novel and La Mode: Marketing Novelties 1670-1720 (seminar)</a> to <a href="/The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)" title="The Novel and La Mode: Marketing Novelties 1670–1720 (seminar)">The Novel and La Mode: Marketing Novelties 1670–1720 (seminar)</a>: Hyphen to en-dash converison</p>
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</td></tr></table>MeaghanBrownhttps://folgerpedia.folger.edu/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)&diff=15034&oldid=prevMeaghanBrown at 16:41, 13 March 20152015-03-13T16:41:21Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This was a fall [[<del style="font-weight: bold; text-decoration: none;">2006-2007 </del>Folger Institute Scholarly Programs|2006]] semester seminar <del style="font-weight: bold; text-decoration: none;">led by [[Joan DeJean]]</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This was a fall [[<ins style="font-weight: bold; text-decoration: none;">2006–2007 </ins>Folger Institute Scholarly Programs|2006]] semester seminar.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1678, the French fashion industry officially came into existence: the first fashion season was proclaimed, and the members of the newly formed (1675) guild of seamstresses invented a revolutionary new garment for women, the manteau. That same year, the work known as the first modern novel in French, ''La Princesse de Clèves'', was published. All year long, both these events were chronicled in the monthly installments of the first periodical to resemble a modern newspaper, ''Le Mercure Galant''. This seminar explored the ways in which these three institutions—the novel, the fashion industry, and the newspaper—took on their modern incarnations together at the beginning of the long eighteenth century. Newspapers marketed fashion and advertised novels; novels featured the latest fashions; engravings designed to show off each season’s new outfits also promoted the reading of newspapers and novels. Participants read French and English novels and newspapers and fashion engravings in order to see how novel, newspaper, and fashion shaped each other. Among the subjects that interested the seminar: how the definition of “news” helped redefine the novel; how new trends in fashion influenced the depiction of characters; how newspapers trained readers to read novels. Later sessions incorporated participants’ own research on these questions. This seminar was devoted primarily to French materials, and a reading knowledge of French was assumed. Comparative projects dealing with other national traditions were also welcome; however, as many materials are available in English translations from the period (save for ''Le Mercure Galant'').</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1678, the French fashion industry officially came into existence: the first fashion season was proclaimed, and the members of the newly formed (1675) guild of seamstresses invented a revolutionary new garment for women, the manteau. That same year, the work known as the first modern novel in French, ''La Princesse de Clèves'', was published. All year long, both these events were chronicled in the monthly installments of the first periodical to resemble a modern newspaper, ''Le Mercure Galant''. This seminar explored the ways in which these three institutions—the novel, the fashion industry, and the newspaper—took on their modern incarnations together at the beginning of the long eighteenth century. Newspapers marketed fashion and advertised novels; novels featured the latest fashions; engravings designed to show off each season’s new outfits also promoted the reading of newspapers and novels. Participants read French and English novels and newspapers and fashion engravings in order to see how novel, newspaper, and fashion shaped each other. Among the subjects that interested the seminar: how the definition of “news” helped redefine the novel; how new trends in fashion influenced the depiction of characters; how newspapers trained readers to read novels. Later sessions incorporated participants’ own research on these questions. This seminar was devoted primarily to French materials, and a reading knowledge of French was assumed. Comparative projects dealing with other national traditions were also welcome; however, as many materials are available in English translations from the period (save for ''Le Mercure Galant'').</div></td></tr>
</table>MeaghanBrownhttps://folgerpedia.folger.edu/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)&diff=10917&oldid=prevMeaghanBrown at 18:38, 28 October 20142014-10-28T18:38:36Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This was a fall 2006 semester seminar led by Joan DeJean.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This was a fall <ins style="font-weight: bold; text-decoration: none;">[[</ins>2006<ins style="font-weight: bold; text-decoration: none;">-2007 Folger Institute Scholarly Programs|2006]] </ins>semester seminar led by <ins style="font-weight: bold; text-decoration: none;">[[</ins>Joan DeJean<ins style="font-weight: bold; text-decoration: none;">]]</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1678, the French fashion industry officially came into existence: the first fashion season was proclaimed, and the members of the newly formed (1675) guild of seamstresses invented a revolutionary new garment for women, the manteau. That same year, the work known as the first modern novel in French, ''La Princesse de Clèves'', was published. All year long, both these events were chronicled in the monthly installments of the first periodical to resemble a modern newspaper, ''Le Mercure Galant''. This seminar explored the ways in which these three institutions—the novel, the fashion industry, and the newspaper—took on their modern incarnations together at the beginning of the long eighteenth century. Newspapers marketed fashion and advertised novels; novels featured the latest fashions; engravings designed to show off each season’s new outfits also promoted the reading of newspapers and novels. Participants read French and English novels and newspapers and fashion engravings in order to see how novel, newspaper, and fashion shaped each other. Among the subjects that interested the seminar: how the definition of “news” helped redefine the novel; how new trends in fashion influenced the depiction of characters; how newspapers trained readers to read novels. Later sessions incorporated participants’ own research on these questions. This seminar was devoted primarily to French materials, and a reading knowledge of French was assumed. Comparative projects dealing with other national traditions were also welcome; however, as many materials are available in English translations from the period (save for ''Le Mercure Galant'').</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1678, the French fashion industry officially came into existence: the first fashion season was proclaimed, and the members of the newly formed (1675) guild of seamstresses invented a revolutionary new garment for women, the manteau. That same year, the work known as the first modern novel in French, ''La Princesse de Clèves'', was published. All year long, both these events were chronicled in the monthly installments of the first periodical to resemble a modern newspaper, ''Le Mercure Galant''. This seminar explored the ways in which these three institutions—the novel, the fashion industry, and the newspaper—took on their modern incarnations together at the beginning of the long eighteenth century. Newspapers marketed fashion and advertised novels; novels featured the latest fashions; engravings designed to show off each season’s new outfits also promoted the reading of newspapers and novels. Participants read French and English novels and newspapers and fashion engravings in order to see how novel, newspaper, and fashion shaped each other. Among the subjects that interested the seminar: how the definition of “news” helped redefine the novel; how new trends in fashion influenced the depiction of characters; how newspapers trained readers to read novels. Later sessions incorporated participants’ own research on these questions. This seminar was devoted primarily to French materials, and a reading knowledge of French was assumed. Comparative projects dealing with other national traditions were also welcome; however, as many materials are available in English translations from the period (save for ''Le Mercure Galant'').</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Director''': Joan DeJean is Trustee Professor of Romance Languages at the University of Pennsylvania. Her books include the award-winning ''The Reinvention of Obscenity: Sex, Lies, and Tabloids in Early Modern France'' (2002), and ''Essence of Style: How the French Invented High Fashion, Fine Food, Chic Cafés, Style, Sophistication, and Glamour'' (2005).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Director''': <ins style="font-weight: bold; text-decoration: none;">[[</ins>Joan DeJean<ins style="font-weight: bold; text-decoration: none;">]] </ins>is Trustee Professor of Romance Languages at the University of Pennsylvania. Her books include the award-winning ''The Reinvention of Obscenity: Sex, Lies, and Tabloids in Early Modern France'' (2002), and ''Essence of Style: How the French Invented High Fashion, Fine Food, Chic Cafés, Style, Sophistication, and Glamour'' (2005).</div></td></tr>
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</table>MeaghanBrownhttps://folgerpedia.folger.edu/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)&diff=7683&oldid=prevMeaghanBrown: added date category2014-08-14T14:03:56Z<p>added date category</p>
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</table>MeaghanBrownhttps://folgerpedia.folger.edu/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)&diff=6941&oldid=prevSophieByvik at 15:39, 24 July 20142014-07-24T15:39:44Z<p></p>
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</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)&diff=6429&oldid=prevSophieByvik at 20:27, 18 July 20142014-07-18T20:27:34Z<p></p>
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</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)&diff=5830&oldid=prevRachelDankert: RStevenson moved page The Novel and La Mode: Marketing Novelties (1670-1720) (seminar) to The Novel and La Mode: Marketing Novelties 1670-1720 (seminar) without leaving a redirect2014-07-14T17:43:58Z<p>RStevenson moved page <a href="/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_(1670-1720)_(seminar)&action=edit&redlink=1" class="new" title="The Novel and La Mode: Marketing Novelties (1670-1720) (seminar) (page does not exist)">The Novel and La Mode: Marketing Novelties (1670-1720) (seminar)</a> to <a href="/The_Novel_and_La_Mode:_Marketing_Novelties_1670-1720_(seminar)" class="mw-redirect" title="The Novel and La Mode: Marketing Novelties 1670-1720 (seminar)">The Novel and La Mode: Marketing Novelties 1670-1720 (seminar)</a> without leaving a redirect</p>
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</td></tr></table>RachelDankerthttps://folgerpedia.folger.edu/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)&diff=5396&oldid=prevSophieByvik: added categories2014-07-09T19:57:39Z<p>added categories</p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Director''': Joan DeJean is Trustee Professor of Romance Languages at the University of Pennsylvania. Her books include the award-winning ''The Reinvention of Obscenity: Sex, Lies, and Tabloids in Early Modern France'' (2002), and ''Essence of Style: How the French Invented High Fashion, Fine Food, Chic Cafés, Style, Sophistication, and Glamour'' (2005).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Director''': Joan DeJean is Trustee Professor of Romance Languages at the University of Pennsylvania. Her books include the award-winning ''The Reinvention of Obscenity: Sex, Lies, and Tabloids in Early Modern France'' (2002), and ''Essence of Style: How the French Invented High Fashion, Fine Food, Chic Cafés, Style, Sophistication, and Glamour'' (2005).</div></td></tr>
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</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_1670%E2%80%931720_(seminar)&diff=3744&oldid=prevSophieByvik: SophieByvik moved page The Novel and La Mode: Marketing Novelties (1670-1720) to The Novel and La Mode: Marketing Novelties (1670-1720) (seminar): title required specificity2014-06-25T16:24:44Z<p>SophieByvik moved page <a href="/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_(1670-1720)&action=edit&redlink=1" class="new" title="The Novel and La Mode: Marketing Novelties (1670-1720) (page does not exist)">The Novel and La Mode: Marketing Novelties (1670-1720)</a> to <a href="/_mw/index.php?title=The_Novel_and_La_Mode:_Marketing_Novelties_(1670-1720)_(seminar)&action=edit&redlink=1" class="new" title="The Novel and La Mode: Marketing Novelties (1670-1720) (seminar) (page does not exist)">The Novel and La Mode: Marketing Novelties (1670-1720) (seminar)</a>: title required specificity</p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see <del style="font-weight: bold; text-decoration: none;">the </del>the article [[Folger Institute scholarly programs archive]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This was a fall 2006 semester seminar led by Joan DeJean.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This was a fall 2006 semester seminar led by Joan DeJean.</div></td></tr>
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