Difference between revisions of "The Handwritten Worlds of Early Modem England"

 
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[[NEH Summer Institute for college and university faculty|NEH Summer Institute]]
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[[File:V.a.262.jpg|thumb|736x736px|right|[http://luna.folger.edu/luna/servlet/s/v52xe8 Source Call No. V.a.262]:Cases heard in the parish church before Henry Dede…]] 
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Directed by [[Steven W. May|'''Steven W. May''']], Professor of English at Georgetown College
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June 20 through July 29, 2005
  
''June 20 through July 29, 2005''
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This [[NEH_Summer_Institute_for_college_and_university_faculty|NEH Summer Institute for College and University Faculty]]  investigated the following: What accounts of manuscript cultures can we provide in our college classrooms? How, and why, will those accounts enrich our understanding of the period? In addressing these large questions, quite specific concerns will guide discussion throughout the institute and facilitate some provisional conclusions. Working directly with important classes of surviving materials, we will carefully analyze manuscripts, providing bibliographical descriptions, and attending to the identities of scribal hands, the means of production, the economics of trade, and the stages of transmission-- where such matters can be deduced -- and discussing alternative means of analysis where they cannot be. We will query such notions as authorship, originality, intellectual property, the associations of gender with particular kinds of writing, and the dimensions-and relationsof public and private, amateur and professional. Who participated in the creation and reception of certain types of manuscripts, how, and to what ends? Such analyses will open our discussions about the roles these manuscripts had in formulating and sustaining communities of readers and writers, as well as about the foundations of various communal identities.
  
[http://wayback.archive-it.org/2873/20140919194527/http://www.folger.edu/html/folger_institute/mm/Sitemap.html Institute Website: Manuscript Miscellany]
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In seeking to resituate manuscripts in a larger discursive world, the scope of the institute's inquiry will be broad, roughly encompassing the centuries from 1400 to 1700. We will begin our investigations at a point in time before the existence of a print trade in England, acknowledging the mature trade of manuscript production and circulation in the late middle ages and examining the transitions from one dominant mode of publication to another. We will next consider a transitional period, when the book trade in England is fully developed, to examine the exchanges among manuscript, print, and oral cultures in such genres as poetry, song, and drama. Finally, we will extend our investigations to the late seventeenth-century, continuing to explore multiple relations among inscriptive media, to discern parallel realms of circulation in specific knowledge communities, and to consider the causes for the survivals of manuscript circulation. The scope of the institute will thus add a diachronic dimension to our inquiries, asking why, for example, certain topics and types of documents were virtually restricted to manuscript circulation long after the arrival of the printing press. We will ask as well what genres during the period in question were gradually monopolized by print culture as they simultaneously disappeared from manuscript circulation. There will be yet further questions: Did manuscript texts circulate at all levels of society? Did literate classes read printed and transcribed materials in similar quantities with similar expectations? Did the ratios of printed and transcribed materials or, indeed, of readers and writers, evolve or remain constant during the centuries under review?                                                                                                                                                                                                                                                                                                 
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A key feature of these investigations will be an introduction of the many resources available. These resources are the materials themselves-the holdings of the Folger Shakespeare Library, to begin with, but also the modem printed editions and the growing number of documents now available digitally on the websites of research libraries and in other electronic media. The institute's resources are also, crucially, its community of scholars. The institute gathers an expert, international visiting faculty at the forefront of contemporary studies of manuscripts. Our sixteen scholar-participants will bring their own research and teaching agendas, and will welcome the visiting scholars, in tum, into ongoing investigations. The Folger Curator of Manuscripts will consult closely with the institute on the use of rare materials and codirect informal tutorials with the program director. Steven May, Professor of English at Georgetown College, will direct the institute. Professor May is an accomplished editor of manuscript materials, most recently of ''Queen Elizabeth I: Selected Works'' (Washington Square Press, 2004). In the long course of preparing his monumental ''Bibliography and First-Line Index of English Verse, 1559-1603'', Professor May has worked in more than one hundred archives, amassing references to more than thirty-thousand individual poems. The ''Index'' is a foundational work, one that gives scholars of this generation the materials with which to mount fresh investigations of primary sources, challenge conventional expectations, and perhaps revise literary histories.                                                                                                                                                                                                                                                                                                
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The institute does not require or aim to produce an expertise in paleography or editing. Rather, "The Handwritten Worlds of Early Modem England" gathers experts in those fields to work with college teachers to focus upon the many questions that figuratively crowd the margins of paleographical instruction. What materials survive? In what numbers and in what contexts? How do we incorporate new materials and new strategies for reading them into a fuller, richer picture of cultural production? With the series of engagements with authoritative visiting faculty described below, the selected participants will collaboratively articulate a set of terms by which the status of manuscripts may be assessed in the literary, cultural, and social histories of England.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 [[File:STC_26051.jpg|thumb|750x750px|left|[http://luna.folger.edu/luna/servlet/s/j854p2 Source Call No.STC 26051]: Mary Wroth. The Countesse of Mountgomeries Urania. London, 1621]] 
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<u><br>'''Materials and Products'''</u>
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The syllabus is available [[Media:2005NEHSI.pdf|here]].
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While the website is no longer supported, it has been archived: [http://wayback.archive-it.org/2873/20140919194527/http://www.folger.edu/html/folger_institute/mm/Sitemap.html The Handwritten Worlds of Early Modem England]
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A PDF of the [[Media:A Manuscript Miscellany.pdf|website's pages]] with the participants' interpretive essays.
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'''<u>Participants</u>'''
  
[[:File:A Manuscript Miscellany.pdf|PDF of Website]]
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(All affiliations are as of the program's date)
  
[[:File:2005NEHSI.pdf|Program Materials]]
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'''Timothy Billings,''' Assistant Professor of English at Middlebury College
  
Directed by [[Steven W. May]], Professor of English at Georgetown College                                                                                                                                                                                                                                                                                                
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'''Garth Bond,''' Lecturer of English at Lawrence University 
  
What accounts of manuscript cultures can we provide in our college classrooms? How, and why, will those accounts enrich our understanding of the period? In addressing these large questions, quite specific concerns will guide discussion throughout the institute and facilitate some provisional conclusions. Working directly with important classes of surviving materials, we will carefully analyze manuscripts, providing bibliographical descriptions, and attending to the identities of scribal hands, the means of production, the economics of trade, and the stages of transmission-- where such matters can be deduced -- and discussing alternative means of analysis where they cannot be. We will query such notions as authorship, originality, intellectual property, the associations of gender with particular kinds of writing, and the dimensions-and relationsof public and private, amateur and professional. Who participated in the creation and reception of certain types of manuscripts, how, and to what ends? Such analyses will open our discussions about the roles these manuscripts had in formulating and sustaining communities of readers and writers, as well as about the foundations of various communal identities.                                                                                                                                                                                                                                                                                                 
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'''Nicole Clifton''', Associate Professor of English at Northern Illinois University 
  
In seeking to resituate manuscripts in a larger discursive world, the scope of the institute's inquiry will be broad, roughly encompassing the centuries from 1400 to 1700. We will begin our investigations at a point in time before the existence of a print trade in England, acknowledging the mature trade of manuscript production and circulation in the late middle ages and examining the transitions from one dominant mode of publication to another. We will next consider a transitional period, when the book trade in England is fully developed, to examine the exchanges among manuscript, print, and oral cultures in such genres as poetry, song, and drama. Finally, we will extend our investigations to the late seventeenth-century, continuing to explore multiple relations among inscriptive media, to discern parallel realms of circulation in specific knowledge communities, and to consider the causes for the survivals of manuscript circulation. The scope of the institute will thus add a diachronic dimension to our inquiries, asking why, for example, certain topics and types of documents were virtually restricted to manuscript circulation long after the arrival of the printing press. We will ask as well what genres during the period in question were gradually monopolized by print culture as they simultaneously disappeared from manuscript circulation. There will be yet further questions: Did manuscript texts circulate at all levels of society? Did literate classes read printed and transcribed materials in similar quantities with similar expectations? Did the ratios of printed and transcribed materials or, indeed, of readers and writers, evolve or remain constant during the centuries under review?                                                                                                                                                                                                                                                                                                 
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'''Donna Crawford,''' Associate Professor of English at Virginia State University 
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'''Lara Dodds,''' Assistant Professor of English at Mississippi State University 
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'''Anne R. Hawkins,''' Assistant Professor of English at Texas Tech University 
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'''Christopher Ivic,''' Assistant Professor of English at SUNY, Potsdam 
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'''George Justice,''' Associate Professor of English at the University of Missouri-Columbia 
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'''Rebecca Laroche,''' Associate Professor of English at University of Colorado at Colorado Springs 
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'''Tricia A. McElroy,''' Lecturer of English at the University of Michigan 
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'''Jason Powell,''' Visiting Assistant Professor of English at Wake Forest University 
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'''William Quinn,''' Professor of English at the University of Arkansas 
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'''Matthew Rusnak,''' Professor of English at Bucks County Community College 
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'''Emily Bowles Smith,''' Adjunct Instructor of English at Georgia Perimeter College 
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'''Janet Wright Starner,''' Assistant Professor of English at Wilkes University 
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'''Andrew Walkling,''' Dean's Lecturer of Art History, English, and Theatre at SUNY Binghamton
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'''<u>Faculty</u>'''
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(All affiliations are as of the program's date)
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'''Julia Boffey,''' Professor of Medieval Studies, Queen Mary University of London
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[[File:STC_14344_copy_3.jpg|thumb|685x685px|right|[http://luna.folger.edu/luna/servlet/s/81882z Source Call No.STC 14344 copy 3]: [Works]]] 
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'''Victoria E. Burke,''' Associate Professor of English, University of Ottawa
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'''Susan Cerasano,''' Edgar W.B. Fairchild Professor of Literature and Director of the Medieval and Renaissance Studies Program, Colgate University
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'''A.S.G Edwards,''' Professor of English, University of Victoria
 +
 
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'''Mary Erler,''' Professor of English, Fordham University
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'''Margaret J. M. Ezell,''' The John Paul Abbot Professor of Liberal Arts, Texas A&M University
  
A key feature of these investigations will be an introduction of the many resources available. These resources are the materials themselves-the holdings of the Folger Shakespeare Library, to begin with, but also the modem printed editions and the growing number of documents now available digitally on the websites of research libraries and in other electronic media. The institute's resources are also, crucially, its community of scholars. The institute gathers an expert, international visiting faculty at the forefront of contemporary studies of manuscripts. Our sixteen scholar-participants will bring their own research and teaching agendas, and will welcome the visiting scholars, in tum, into ongoing investigations. The Folger Curator of Manuscripts will consult closely with the institute on the use of rare materials and codirect informal tutorials with the program director. Steven May, Professor of English at Georgetown College, will direct the institute. Professor May is an accomplished editor of manuscript materials, most recently of ''Queen Elizabeth I: Selected Works'' (Washington Square Press, 2004). In the long course of preparing his monumental ''Bibliography and First-Line Index of English Verse, 1559-1603'', Professor May has worked in more than one hundred archives, amassing references to more than thirty-thousand individual poems. The ''Index'' is a foundational work, one that gives scholars of this generation the materials with which to mount fresh investigations of primary sources, challenge conventional expectations, and perhaps revise literary histories.                                                                                                                                                                                                                                                                                                
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'''Adam Fox,''' Reader in Economic and Social History, University of Edinburgh
  
The institute does not require or aim to produce an expertise in paleography or editing. Rather, "The Handwritten Worlds of Early Modem England" gathers experts in those fields to work with college teachers to focus upon the many questions that figuratively crowd the margins of paleographical instruction. What materials survive? In what numbers and in what contexts? How do we incorporate new materials and new strategies for reading them into a fuller, richer picture of cultural production? With the series of engagements with authoritative visiting faculty described below, the selected participants will collaboratively articulate a set of terms by which the status of manuscripts may be assessed in the literary, cultural, and social histories of England.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                
+
'''Lena C. Orlin,''' Professor English, University of Maryland, Baltimore County
  
==== '''Faculty''' ====
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'''Alan Stewart,''' Professor of English and Comparative Literature, Columbia University
[[Julia Boffey]], Professor of Medieval Studies, Queen Mary University of London
 
  
[[Victoria E. Burke]], Associate Professor of English, University of Ottawa
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'''Paul Werstine,''' Professor of English, University of Western Ontario
  
[[Susan Cerasano]], Edgar W.B. Fairchild Professor of Literature and Director of the Medieval and Renaissance Studies Program, Colgate University
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'''Heather Wolfe''', Curator of Manuscripts, Folger Shakespeare Library
  
[[A.S.G Edwards]], Professor of English, University of Victoria
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'''Henry Woudhuysen''', Professor of English and Head of Department, University College London
  
[[Mary Erler]], Professor of English, Fordham University
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'''<u>Website Production</u>'''
  
[[Margaret J. M. Ezell]], The John Paul Abbot Professor of Liberal Arts, Texas A&M University
+
'''Steven W. May,''' Advisory Editor
  
[[Adam Fox]], Reader in Economic and Social History, University of Edinburgh
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'''Kathleen Lynch,''' Principal Editor
  
[[Lena C. Orlin]], Professor English, University of Maryland, Baltimore County
+
'''Heather Wolfe,''' Advisory Editor
  
[[Alan Stewart]], Professor of English and Comparative Literature, Columbia University
+
'''Carol Brobeck,''' Editor
  
[[Paul Werstine]], Professor of English, University of Western Ontario
+
'''Virginia Millington,''' Editor
  
[[Heather Wolfe]], Curator of Manuscripts, Folger Shakespeare Library
+
'''Britton Haeuser,''' Intern Swim Design, Design and Development
  
[[Henry Woudhuysen]], Professor of English and Head of Department, University College London
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'''Julie Ainsworth,''' Folger Shakespeare Library Photographer
  
==== '''Participants''' ====
 
[[Timothy Billings]], Assistant Professor of English at Middlebury College 
 
  
[[Garth Bond]], Lecturer of English at Lawrence University 
 
  
[[Nicole Clifton]], Associate Professor of English at Northern Illinois University 
+
'''<u>Folger Institute Staff</u>'''
  
[[Donna Crawford]], Associate Professor of English at Virginia State University 
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'''Barbara Mowat''', Chair
  
[[Lara Dodds]], Assistant Professor of English at Mississippi State University 
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'''Kathleen Lynch''', Executive Director
  
[[Anne R. Hawkins]], Assistant Professor of English at Texas Tech University 
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'''Owen Williams''', Program Administrator
  
[[Christopher Ivic|Christopher Ivic,]] Assistant Professor of English at SUNY, Potsdam 
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'''Carol Brobeck,''' Folger Shakespeare Library Fellowships Administrator;  Folger Institute Program Liaison
  
[[George Justice]], Associate Professor of English at the University of Missouri-Columbia 
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'''Virginia Millington,''' Program Assistant
  
[[Rebecca Laroche]], Associate Professor of English at University of Colorado at Colorado Springs 
+
'''Shira Loev,''' Intern
  
[[Tricia A. McElroy]], Lecturer of English at the University of Michigan 
 
  
[[Jason Powell]], Visiting Assistant Professor of English at Wake Forest University 
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[[File:STC_5074.jpg|thumb|653x653px|left|[http://luna.folger.edu/luna/servlet/s/39977x Source Call No. STC 5074]: The workes of Geffray Cahucer…]
  
[[William Quinn|William Quinn,]] Professor of English at the University of Arkansas 
 
  
[[Matthew Rusnak]], Professor of English at Bucks County Community College 
 
  
[[Emily Bowles Smith]], Adjunct Instructor of English at Georgia Perimeter College 
 
  
[[Janet Wright Starner|Janet Wright Starner,]] Assistant Professor of English at Wilkes University 
 
  
[[Andrew Walkling]], Dean's Lecturer of Art History, English, and Theatre at SUNY Binghamton
+
'''<u>Essays</u>'''
  
==== '''Essays''' ====
 
 
''"The Emperor of China His Letter to Queen Elizabeth" (1600)''
 
''"The Emperor of China His Letter to Queen Elizabeth" (1600)''
  
Line 106: Line 158:
 
''The Royal Paper Office''
 
''The Royal Paper Office''
  
<strong>Folger Institute Staff</strong> 
 
Barbara Mowat, Chair
 
Kathleen Lynch, Executive Director
 
Owen Williams, Program Administrator
 
Carol Brobeck, Folger Shakespeare Library Fellowships Administrator;  Folger Institute Program Liaison
 
Virginia Millington, Program Assistant
 
Shira Loev, Intern
 
  
<strong>Website</strong> 
 
Steven W. May, Advisory Editor
 
Kathleen Lynch, Principal Editor
 
Heather Wolfe, Advisory Editor
 
Carol Brobeck, Editor
 
Virginia Millington, Editor
 
Britton Haeuser, Intern 
 
Swim Design, Design and Development
 
Julie Ainsworth, Folger Shakespeare Library Photographer                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 
 
  
[[Category:NEH]]
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[[Category:NEH Summer Institute]]
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For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].
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Hosted by the Folger Shakespeare Library. For more information about current summer seminars, please visit the National Endowment for the Humanities [http://www.neh.gov/divisions/education/summer-programs/ website].       
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[[Category: Folger Institute]]
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[[Category: Scholarly programs]]
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[[Category:National Endowment for the Humanities]]
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[[Category: Program archive]]
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[[Category: Seminar]]
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[[Category: 15th century]]
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[[Category: 16th century]]
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[[Category: 17th century]]

Latest revision as of 15:34, 4 August 2017

Source Call No. V.a.262:Cases heard in the parish church before Henry Dede…

Directed by Steven W. May, Professor of English at Georgetown College

June 20 through July 29, 2005

This NEH Summer Institute for College and University Faculty investigated the following: What accounts of manuscript cultures can we provide in our college classrooms? How, and why, will those accounts enrich our understanding of the period? In addressing these large questions, quite specific concerns will guide discussion throughout the institute and facilitate some provisional conclusions. Working directly with important classes of surviving materials, we will carefully analyze manuscripts, providing bibliographical descriptions, and attending to the identities of scribal hands, the means of production, the economics of trade, and the stages of transmission-- where such matters can be deduced -- and discussing alternative means of analysis where they cannot be. We will query such notions as authorship, originality, intellectual property, the associations of gender with particular kinds of writing, and the dimensions-and relationsof public and private, amateur and professional. Who participated in the creation and reception of certain types of manuscripts, how, and to what ends? Such analyses will open our discussions about the roles these manuscripts had in formulating and sustaining communities of readers and writers, as well as about the foundations of various communal identities.

In seeking to resituate manuscripts in a larger discursive world, the scope of the institute's inquiry will be broad, roughly encompassing the centuries from 1400 to 1700. We will begin our investigations at a point in time before the existence of a print trade in England, acknowledging the mature trade of manuscript production and circulation in the late middle ages and examining the transitions from one dominant mode of publication to another. We will next consider a transitional period, when the book trade in England is fully developed, to examine the exchanges among manuscript, print, and oral cultures in such genres as poetry, song, and drama. Finally, we will extend our investigations to the late seventeenth-century, continuing to explore multiple relations among inscriptive media, to discern parallel realms of circulation in specific knowledge communities, and to consider the causes for the survivals of manuscript circulation. The scope of the institute will thus add a diachronic dimension to our inquiries, asking why, for example, certain topics and types of documents were virtually restricted to manuscript circulation long after the arrival of the printing press. We will ask as well what genres during the period in question were gradually monopolized by print culture as they simultaneously disappeared from manuscript circulation. There will be yet further questions: Did manuscript texts circulate at all levels of society? Did literate classes read printed and transcribed materials in similar quantities with similar expectations? Did the ratios of printed and transcribed materials or, indeed, of readers and writers, evolve or remain constant during the centuries under review?                                                                                                                                                                                                                                                                                                

A key feature of these investigations will be an introduction of the many resources available. These resources are the materials themselves-the holdings of the Folger Shakespeare Library, to begin with, but also the modem printed editions and the growing number of documents now available digitally on the websites of research libraries and in other electronic media. The institute's resources are also, crucially, its community of scholars. The institute gathers an expert, international visiting faculty at the forefront of contemporary studies of manuscripts. Our sixteen scholar-participants will bring their own research and teaching agendas, and will welcome the visiting scholars, in tum, into ongoing investigations. The Folger Curator of Manuscripts will consult closely with the institute on the use of rare materials and codirect informal tutorials with the program director. Steven May, Professor of English at Georgetown College, will direct the institute. Professor May is an accomplished editor of manuscript materials, most recently of Queen Elizabeth I: Selected Works (Washington Square Press, 2004). In the long course of preparing his monumental Bibliography and First-Line Index of English Verse, 1559-1603, Professor May has worked in more than one hundred archives, amassing references to more than thirty-thousand individual poems. The Index is a foundational work, one that gives scholars of this generation the materials with which to mount fresh investigations of primary sources, challenge conventional expectations, and perhaps revise literary histories.                                                                                                                                                                                                                                                                                                

The institute does not require or aim to produce an expertise in paleography or editing. Rather, "The Handwritten Worlds of Early Modem England" gathers experts in those fields to work with college teachers to focus upon the many questions that figuratively crowd the margins of paleographical instruction. What materials survive? In what numbers and in what contexts? How do we incorporate new materials and new strategies for reading them into a fuller, richer picture of cultural production? With the series of engagements with authoritative visiting faculty described below, the selected participants will collaboratively articulate a set of terms by which the status of manuscripts may be assessed in the literary, cultural, and social histories of England.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                

Source Call No.STC 26051: Mary Wroth. The Countesse of Mountgomeries Urania. London, 1621


Materials and Products

The syllabus is available here.

While the website is no longer supported, it has been archived: The Handwritten Worlds of Early Modem England

A PDF of the website's pages with the participants' interpretive essays.


Participants

(All affiliations are as of the program's date)

Timothy Billings, Assistant Professor of English at Middlebury College

Garth Bond, Lecturer of English at Lawrence University 

Nicole Clifton, Associate Professor of English at Northern Illinois University 

Donna Crawford, Associate Professor of English at Virginia State University 

Lara Dodds, Assistant Professor of English at Mississippi State University 

Anne R. Hawkins, Assistant Professor of English at Texas Tech University 

Christopher Ivic, Assistant Professor of English at SUNY, Potsdam 

George Justice, Associate Professor of English at the University of Missouri-Columbia 

Rebecca Laroche, Associate Professor of English at University of Colorado at Colorado Springs 

Tricia A. McElroy, Lecturer of English at the University of Michigan 

Jason Powell, Visiting Assistant Professor of English at Wake Forest University 

William Quinn, Professor of English at the University of Arkansas 

Matthew Rusnak, Professor of English at Bucks County Community College 

Emily Bowles Smith, Adjunct Instructor of English at Georgia Perimeter College 

Janet Wright Starner, Assistant Professor of English at Wilkes University 

Andrew Walkling, Dean's Lecturer of Art History, English, and Theatre at SUNY Binghamton



Faculty

(All affiliations are as of the program's date)

Julia Boffey, Professor of Medieval Studies, Queen Mary University of London

Victoria E. Burke, Associate Professor of English, University of Ottawa

Susan Cerasano, Edgar W.B. Fairchild Professor of Literature and Director of the Medieval and Renaissance Studies Program, Colgate University

A.S.G Edwards, Professor of English, University of Victoria

Mary Erler, Professor of English, Fordham University

Margaret J. M. Ezell, The John Paul Abbot Professor of Liberal Arts, Texas A&M University

Adam Fox, Reader in Economic and Social History, University of Edinburgh

Lena C. Orlin, Professor English, University of Maryland, Baltimore County

Alan Stewart, Professor of English and Comparative Literature, Columbia University

Paul Werstine, Professor of English, University of Western Ontario

Heather Wolfe, Curator of Manuscripts, Folger Shakespeare Library

Henry Woudhuysen, Professor of English and Head of Department, University College London

Website Production

Steven W. May, Advisory Editor

Kathleen Lynch, Principal Editor

Heather Wolfe, Advisory Editor

Carol Brobeck, Editor

Virginia Millington, Editor

Britton Haeuser, Intern Swim Design, Design and Development

Julie Ainsworth, Folger Shakespeare Library Photographer


Folger Institute Staff

Barbara Mowat, Chair

Kathleen Lynch, Executive Director

Owen Williams, Program Administrator

Carol Brobeck, Folger Shakespeare Library Fellowships Administrator;  Folger Institute Program Liaison

Virginia Millington, Program Assistant

Shira Loev, Intern


Source Call No. STC 5074: The workes of Geffray Cahucer…



Essays

"The Emperor of China His Letter to Queen Elizabeth" (1600)

John Donne's "To His Mistress Going to Bed" As an Open Source

Sequence and Design in Wroth's Pamphilia to Amphilanthus

A Seventeenth-Century Prophecy of Merlin

The Marginalized Voices of Chaucer's Early Readers

Poetic Authority in Manuscript and Print: The Case of Milton's Paradise Lost and Dryden's The State of Innocence and Fall of Man

Ben Jonson and Manuscript Culture

The Circulation of Poetry in the Eighteenth Century: The Case of Charles Plumptre's Manuscript Volume

Gendering Hands, Gendering Business: A Letter from Elizabeth Bagot 

Copying Fatherly Advice

Episodes in the Pastoral

"Let them Compleately Learn": Manuscript Clues About Early Modern Women's Educational Practices

Teaching Reading and Writing

The Royal Paper Office






For more past programming from the Folger Institute, please see the article Folger Institute scholarly programs archive.

Hosted by the Folger Shakespeare Library. For more information about current summer seminars, please visit the National Endowment for the Humanities website.