Symbols of Honor exhibition material
This article offers a comprehensive and descriptive list of each piece included in the Symbols of Honor: Heraldry and Family History in Shakespeare's England, one of the Exhibitions at the Folger.
- 1 The Medieval Heritage
- 2 The Order of the Garter and The Garter King of Arms
- 3 French Influences
- 4 Tournaments and Armor
- 5 Visitations
- 6 Grants of Arms
- 7 Shakespeare's Grant of Arms
- 8 H.E.R.A.L.D
- 9 The Business of Heraldry
- 10 Badges, Mottoes, and Imprese
- 11 Disputes within the College of Arms
- 12 Heraldry for the Elite
- 13 Heraldry for All
- 14 Women's Heraldry
- 15 The First Amateur Genealogists
The Medieval Heritage
Beginning in the fourteenth century, the creation of genealogies and coats of arms had become the domain of a group of professional "heralds at arms" who established a set of rules which were part of the "law of arms." At the same time, biblical genealogies began to be depicted in graphic form, with scribes starting to use systematic interconnected roundels to explain inter-generational relationships. The items shown, on loan from the Rare Book Department at the Free Library of Philadelphia, are early examples of this innovation.
Peter of Poitiers is thought to have created the earliest genealogical chart, or family tree, recording the line of descent from Adam and Eve to Christ. These diagrams consisted of names inside roundels, connected by lines to indicate descent from one generation to the next. This final membrane of a thirteenth-century copy of the Compendium also includes miniatures of Christ’s birth, crucifixion, and resurrection.
A Genealogical Roll
Edward IV, King of England from 1461 to 1483, seized the throne toward the end of "the Wars of the Roses," the dynastic struggle between the noble houses of Lancaster and York. The Lancastrians (Henry IV, V, and VI) had the red rose as their badge, while the Yorkists (Edward IV and Richard III) used the badge of a white rose.
This elaborately decorated parchment roll was made to demonstrate King Edward IV’s royal ancestry all the way back to Adam, and includes depictions of the resurrected Christ, Old Testament patriarchs, Roman emperors, Anglo-Saxon kings, and an armored Edward IV astride a horse. His personal motto, Counfort et lyesse (Comfort and joy) appears in many places, indicating that the roll was made for Edward himself. It emphasizes his legitimacy as king and his hereditary rights to the crowns of England, France, and Castile.
Genealogical rolls like this adopted the same diagrammatic format as the biblical genealogies, but with names and texts in squares and rectangles rather than roundels. Fifty-four coats of arms identify key individuals in the genealogy.
- LOAN courtesy of the Rare Book Department, Free Library of Philadelphia. Edward IV. Manuscript roll on vellum, England, ca. 1460s. Call number: Lewis E 201 and Digital Image and Digital Scriptorium page.
- LOAN courtesy of the Rare Book Department, Free Library of Philadelphia. Peter of Poitiers. Membrane from Compendium historiae in genealogia Christi. Manuscript, ca. 1280. Call number: Lewis E 249a and Digital Image and Digital Scriptorium page.
The Order of the Garter and The Garter King of Arms
The Order of the Garter, founded by Edward III in 1348–9, was the first chivalric order of Europe. From 1415, it had its own herald, Garter King of Arms. The motto of the Order, Honi soit qui mal y pense (Evil be to him who evil thinks) is inscribed on the Garter surrounding the royal arms and the arms of all knights of the Order.
Every knight of the Order of the Garter was given a copy of the Order's statutes when he was elected to it. This copy has revisions and additions down to January 1559, and was probably written for Henry Manners, Earl of Rutland, who was elected a knight in 1559 and whose arms appear on the second leaf.
The royal arms encircled with the Garter appeared everywhere, including on bindings. King James I of England must have commissioned the binding of this copy of his Meditation upon the Lord's Prayer, since his own arms (as King of England, Scotland, and Ireland) are surmounted by a crown and inlaid in gilt on crimson velvet. He most likely intended this luxurious copy to be given away.
This collection of coats of arms of knights of the Garter was presented to James I in 1606 by William Segar, Garter King of Arms, who penned it himself. The arms, within a collar of the Order of the Garter, are intended to be those of Thomas FitzAlan, earl of Arundel, whose family history is recounted on the facing page. As a penciled note by a later owner remarks, Segar has unfortunately inverted the colors of this most celebrated coat of arms: by showing the lion as red and the field as gold, he has given the arms of the Charleton family, Lords Powys.
- Order of the Garter. The statutes and ordinances of the Order of the Garter. Manuscript, 1517–59. Call number: V.a.86; displayed f. 3.
- James I, King of England. Meditatio in orationem Dominicam. London: Bonham Norton and John Bill, 1619. Call number: STC 14385; displayed cover and LUNA Digital Image and Binding image on LUNA.
- Sir William Segar, Garter King of Arms. Names and arms of the Knights of the Garter. Manuscript, 1606. Call number: V.b.157; displayed f. 16 and LUNA Digital Image.