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...s I Hate About You''. Video recording. Burbank, CA: Touchstone Home Video, 1999. Call number: [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=113844 V * Francis Hayman. The Play Scene from [[Hamlet|''Hamlet'']]. Oil on canvas, ca. 1745. Call number: [http://hamnet.folger.edu/cgi-bi

...nd Comparative Literature. His books include ''Shakespeare After Theory'' (1999), ''Shakespeare and the Book'' (2001), and several edited works. He is a Ge ...nding experiments in “database” cinema to Michael Almereyda’s recasting of Hamlet as a devotee of visual technologies as well as to Julie Taymor’s postmode

:McIntyre, Ian. ''Garrick''. London: Allen Lane, 1999. ...[http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=110789 PN2598.G3 M45 1999]

...r) of ''Writing and Political Engagement in Seventeenth Century England'' (1999). He is currently working on ''Dominion: England and its Island Neighbours, ...xe, and Shakespeare’s Henry VIII. The seminar’s reading will conclude with Hamlet, a text in which all previous meanings of conscience seem to wash up, jostl

...sar'']], [[The Merchant of Venice|''The Merchant of Venice'']], [[Hamlet|''Hamlet'']], and [[Romeo and Juliet|''Romeo and Juliet'']]. '''1999'''

...Seminar:''' [[Periodization and Hamlet in 2000 (seminar)|Periodization and Hamlet in 2000]] '''2000 Annual Shakespeare's Birthday Lecture:''' "The Latest [[Hamlet|''Hamlet'']]"

''Hamlet'' in Japanese, 2003. [http://hamnet.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=1 Since the 1940s, when megastar Laurence Olivier played Darcy, Henry V, and Hamlet in seamless succession, the cinema has helped to adjust both Will and Jane

...y English Playbooks. DEEP’s data isn’t new; it’s been a digital tool since 1999, when it was developed by Zachary Lesser and Alan Farmer as part of their g ...ents. The notation is simulated through two studies of the same lines from Hamlet’s ‘To Be or Not to Be’ soliloquy spoken by Steele and Garrick as desc

* Benjamin Wilson. ''William Powell as Hamlet encountering the Ghost''. Oil on canvas, ca. 1768–1769. Call number: [htt Hamlet, King Lear, and Richard III comprised Garrick’s most frequently-acted tra

...co-directed productions of ''[[Romeo and Juliet]]'', ''[[Macbeth]]'', ''[[Hamlet]]'', and ''[[A Midsummer Night's Dream]]''. As a dramaturge and director, N ...ography at Technical University Berlin and University of North London from 1999 till 2007 (diploma with distinction, thesis on “Poetic Space”), scholar

...ich satirizes his reception in Paris. Costumed in a black suit (perhaps as Hamlet), his pockets bulging with feuilletons, Garrick is assaulted from all sides ...s depictions of Garrick performing his most popular tragic and comic roles—Hamlet, Lear, Ranger, Benedick , and Sir John Brute—there are a surprising numbe

...hn A.), || Phoenix, Ariz. : Oryx Press, 1999. || DA 357 W 34 1999 || https://archive.org/details/historicaldictio0000wagn || https://hamnet.f ...pher, statesman, poet : an index to Baconiana and its predecessors, 1886 - 1999 / compiled and with an introduction by A.M. Challinor. || || London : Fran