Nobility and Newcomers in Renaissance Ireland: Difference between revisions

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(→‎Related Programs: Added the related programs listed at http://old.folger.edu/Content/Whats-On/Folger-Exhibitions/Past-Exhibitions/Nobility-and-Newcomers-in-Renaissance-Ireland/Programming-.cfm and interlinks when possible)
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=== Related publications ===
=== Related publications ===
=== Related programs ===
=== Related programs ===
==== Talks and Screenings at the Folger ====
 
==== Folger Theatre ====
''Nobility and Newcomers'' is accompanied by a variety of programming including poetry, early music, and free lectures. Explore the many influences of Ireland from Shakespeare's time to today.
==== Folger Consort ====
 
==== Folger Institute ====
==== [[Talks and Screenings at the Folger]] ====
 
* 1599 and Essex’s Irish Rebellion, [[James Shapiro]], January 25, 2013
* The Irish Imagined in Henry V and other Early Modern Plays, [[Patrick Tuite]], March 1, 2013
* The Breifne O'Reillys: An Ulster Clan in Medieval Ireland, John Killen, March 4, 2013
* Gallery Talk, Brendan Kane, March 7, 2013
* [[Shakespeare's Birthday Lecture]]: [[Shakespeare's Birthday Lecture: "Graymalkin and Other Shakespearean Celts"|"Graymalkin and Other Shakespearean Celts"]], [[Andrew Hadfield]], April 8, 2013
* [[Folger Poetry Board Reading: Paul Muldoon (2013)|Paul Muldoon]], Reading for the  [[O.B. Hardison Poetry Series]], May 13, 2013
 
==== [[Folger Consort]] ====
 
* [[Dublin: Celtic Art and Music (2013)|''Dublin: Celtic Art and Music'']], March 15–17, 2013.
 
=== Suggestions for further reading ===
=== Suggestions for further reading ===



Revision as of 19:54, 13 May 2015

Nobility and Newcomers in Renaissance Ireland one of the Exhibitions at the Folger opened January 19, 2013 and closed on May 19, 2013. The exhibition invites visitors on a journey to a destination that is both very new and very familiar: the Ireland of Shakespeare's time, from the sixteenth to mid-seventeenth century.

Through an extraordinary gathering of Irish-language manuscripts and other rare materials, many of them from Irish archives and libraries, Nobility and Newcomers draws a fresh picture of Renaissance Ireland as a vibrant, complex, outwardly oriented kingdom with strong cultural and family connections in England and the continent. Rare materials linked to important English "newcomers," including English poet and author Edmund Spenser, add to this new look at an island of ideas of its own.

Curation

This exhibition was curated by Thomas Herron and Brendan Kane.

Thomas Herron is Associate Professor of English at East Carolina University, Greenville, North Carolina, teaching Shakespeare and Renaissance literature. He is the author of Spenser’s Irish Work: Poetry, Plantation and Colonial Reformation (2007) as well as co-editor (with Michael Potterton) of both Ireland in the Renaissance, c. 1540–1660 (2007) and Dublin and the Pale in the Renaissance, c. 1540–1660 (2011). He currently edits the multidisciplinary journal Explorations in Renaissance Culture.

Brendan Kane is Associate Professor of History at the University of Connecticut and Associate Director of the University of Connecticut Humanities Institute. In addition to teaching broadly in early-modern European history, he offers classes in Irish Gaelic. He is the author of The Politics and Culture of Honour in Britain and Ireland, 1541–1641 (2010) and co-editor (with Valerie McGowan-Doyle) of a forthcoming collection of essays entitled Elizabeth I and Ireland.

Curator's insights: A New Look at Renaissance Ireland

Many people know something about the English-Irish conflicts in early modern Ireland, says Tom Herron, co-curator of Nobility and Newcomers in Renaissance Ireland. "The horrible war, the renewed conquest of Ireland, the large areas of colonial settlement and displacement—all true." The broader point of the exhibition? There is much more to the story. "Ireland was outward-looking, with an international perspective and a diverse culture. The native culture of Ireland," Herron says, "is more than dispossession. And the Irish were interconnected all along with the continent and England."

As an example, Herron cites Enchyridion Fidei, printed in Venice in 1509, one of the earliest printed books by an Irish writer. The author, Maurice O'Fiheley, a future archbishop in Galway, was teaching scholastic philosophy to university students in Padua at the time. "Here's an Irishman who's a scholastic in Renaissance Italy."

"The Irish were real players in the world and in learned culture," co-curator Brendan Kane agrees. The Irish and English were also not sharply distinguished from each other, since "both were part of the same monarchy. Elizabeth is the queen of two kingdoms, so the Irish people are subjects of the queen." Heraldic manuscripts in the exhibition freely combine the names of English and Irish earls—including Thomas Butler, the powerful Irish tenth Earl of Ormond and cousin to Queen Elizabeth. Christopher Nugent, an Irishman studying at Cambridge, created an Irish-language primer for Elizabeth, too. "It's visually beautiful, and it's the language of the subjects of her other kingdom," says Kane.

Both curators point to the number of Irish-language manuscripts, some on loan from other institutions and some in facsimile, as a central strength of the exhibition. Read-aloud audio clips, in Irish, are available through the audio tour and mobile tour app. "I'm an Irish-language fanatic," says Kane with cheerful enthusiasm. "People have little sense that there's an Irish language. Or they think it's a purely oral language; it's not. The Irish were a learned, literate, internationally engaged people. The manuscripts in the exhibition show the written language, and we included a book, which shows it as a print language. It's a rich language, used by a variety of people. Irish language materials and English language materials were part of a single world."

As the exhibition title suggests, English "newcomers" to Renaissance Ireland are essential to its story, too. The poet and author Edmund Spenser, one of Herron's primary research interests, "spent his entire mature career in Ireland," Herron says. "He was an English poet, but he settled in Ireland, and he wrote about the Irish landscape and politics, lots of allegory, pastoral and descriptive poetry on the Irish landscape."

"The influence of Irish politics and history plays out in Spenser's work," Herron explains. "And Shakespeare and Milton are influenced by that in Spenser. There's a knock-on effect from one canonical author to the others." In addition to rare manuscript notations in Spenser's own handwriting and editions of his works written in and about Ireland, the exhibition offers visitors "virtual tours" of a digital reconstruction of his castle at Kilcolman, County Cork, based on recent archaeological research.

The castle is digital now because the physical structure was sacked and burned in 1598 during the grueling Nine Years' War. (Spenser fled to England, where he died two months later.) Eventual English victory in the war, in 1603, led to the 1607 "flight of the earls"—the departure of the northern Irish lords, whose forfeited lands became the Ulster Plantation.

An Irish-language diary, shown in facsimile, provides the only contemporary account of the flight of the earls. "What's amazing," says Kane, is that it reads like any other travel writing. "He goes on 'the flight,' the end of the Gaelic world," he says. "And what you read is how everyone in Europe liked them, they were wined and dined, and so on. They're just not thinking about this event in the way we expect them to." As in the rest of the exhibition, in other words, rare materials add to our familiar knowledge of Irish history with a fresh perspective and some surprising results.

Contents of the exhibition

Exhibition material

Image Gallery

To view images of exhibition highlights, visit this Flickr photo album.

Scholar's insights on Nobility and Newcomers in Renaissance Ireland

Nobility and Newcomers in Renaissance Ireland children's exhibition

Supplemental materials

Audio

Video

Related publications

Related programs

Nobility and Newcomers is accompanied by a variety of programming including poetry, early music, and free lectures. Explore the many influences of Ireland from Shakespeare's time to today.

Talks and Screenings at the Folger

Folger Consort

Suggestions for further reading