Difference between revisions of "Mapping Early Modern Worlds"

(Added main content from intro of exhibition write up)
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Much more than a century of travels and scientific observation made the whole concept of mapping so commonplace that Donne’s readers knew exactly what he meant when he also wrote to his mistress:
 
Much more than a century of travels and scientific observation made the whole concept of mapping so commonplace that Donne’s readers knew exactly what he meant when he also wrote to his mistress:
"My face in thine eye, thine in mine appears. . ."
 
  
"Where can we find two better hemispheres"
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''My face in thine eye, thine in mine appears. . .''
  
"Without sharp North, without declining West?"
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''Where can we find two better hemispheres''
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''Without sharp North, without declining West?''
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== Exhibition material ==
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=== Orbis Terrrarum: The Circle of the Earth ===
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Maps, like works of art and literature, are a means of communication. In fact, when we look at a map we say that we are "reading" it. While we usually think of maps as records of geographical data, they may also record and communicate ideas and even legend and scripture. Medieval world maps of the three continents or the climatic zones were based on Biblical narrative and literary sources rather than on observation and experience.
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In the fifteenth century, the rediscovered Geography of the Greek mathematician Ptolemy was first translated into Latin and had a powerful impact on Renaissance cartographers. Gradually, and with increasing accuracy, maps came to represent geographic reality.
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The geographical writings of Ptolemy summed up nearly six centuries of Greek speculation on the shape of the earth and the extent of its habitation. Ptolemy stated that the earth was spherical and demonstrated that places upon it could be located within a geographical coordinate system. Most importantly, Ptolemy recognized the problems of depicting a spherical earth on a flat surface and developed three solutions, or projections, for doing so. Within a century of Ptolemy’s death, his work was virtually forgotten. It was not until the fourteenth century that manuscripts of his Geography preserved in Constantinople became known in Europe. Renaissance cartographers eagerly adopted Ptolemy’s concept of ordering space, of representing a subject within a measured geometrical framework.
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Ironically, Ptolemy’s work became known in Europe just at the time that explorers would demonstrate its limitations. Early in the sixteenth century, editions of Ptolemy began to incorporate maps reflecting new discoveries. The original maps were retained in "their ancient form," but for the first time a distinction was made between ancient and modern geography. New maps began to give Renaissance readers a sense of the size of the world and provided pictures of lands previously unknown.
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''This case included''
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* Hartmann Schedel.  ''Liber Cronicarum cum figuris''. Nuremberg, 1493. [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=90668 Inc S281].
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* Claudius Ptolemaeus. ''Geographie opus novissima''. Strasbourg, 1513. Shelfmark [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=188941 G 87 P8 L3 1513 Cage].

Revision as of 19:12, 16 July 2014

Mapping Early Modern Worlds, part of the Exhibitions at the Folger, opened on February 14, 1998 and closed on July 1, 1998.

When the poet John Donne called his mistress, "O my America! my new-found-land," he was employing a metaphor easily recognizable by English readers in the early seventeenth century. America itself had been "discovered" more than a century earlier and was often personified as "female" to a European audience. Many other far-flung parts of the world were appearing on ever-more-accurate maps and sea charts, and those maps themselves were now available as handy pocket atlases. But how did Western Europe reach this stage of conversant familiarity with mapping, both as a science and a metaphor? That question is at the heart of this exhibition, which draws on riches from the Folger collections to trace developments in cartography and to illustrate how the idea of "mapping" was used to make sense of explorations into other outer and inner worlds.

Much more than a century of travels and scientific observation made the whole concept of mapping so commonplace that Donne’s readers knew exactly what he meant when he also wrote to his mistress:

My face in thine eye, thine in mine appears. . .

Where can we find two better hemispheres

Without sharp North, without declining West?

Exhibition material

Orbis Terrrarum: The Circle of the Earth

Maps, like works of art and literature, are a means of communication. In fact, when we look at a map we say that we are "reading" it. While we usually think of maps as records of geographical data, they may also record and communicate ideas and even legend and scripture. Medieval world maps of the three continents or the climatic zones were based on Biblical narrative and literary sources rather than on observation and experience.

In the fifteenth century, the rediscovered Geography of the Greek mathematician Ptolemy was first translated into Latin and had a powerful impact on Renaissance cartographers. Gradually, and with increasing accuracy, maps came to represent geographic reality.

The geographical writings of Ptolemy summed up nearly six centuries of Greek speculation on the shape of the earth and the extent of its habitation. Ptolemy stated that the earth was spherical and demonstrated that places upon it could be located within a geographical coordinate system. Most importantly, Ptolemy recognized the problems of depicting a spherical earth on a flat surface and developed three solutions, or projections, for doing so. Within a century of Ptolemy’s death, his work was virtually forgotten. It was not until the fourteenth century that manuscripts of his Geography preserved in Constantinople became known in Europe. Renaissance cartographers eagerly adopted Ptolemy’s concept of ordering space, of representing a subject within a measured geometrical framework.

Ironically, Ptolemy’s work became known in Europe just at the time that explorers would demonstrate its limitations. Early in the sixteenth century, editions of Ptolemy began to incorporate maps reflecting new discoveries. The original maps were retained in "their ancient form," but for the first time a distinction was made between ancient and modern geography. New maps began to give Renaissance readers a sense of the size of the world and provided pictures of lands previously unknown.

This case included

  • Hartmann Schedel. Liber Cronicarum cum figuris. Nuremberg, 1493. Inc S281.
  • Claudius Ptolemaeus. Geographie opus novissima. Strasbourg, 1513. Shelfmark G 87 P8 L3 1513 Cage.