List of paintings at the Folger in the Pressly Catalogue: Difference between revisions
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| 88 || Francis Wheatley, after || ''Jaqeunetta approaching Sir Nathaniel with Berowne's letter'' ('''Love's Labor's Lost''' IV.2) || Early nineteenth century || Oil on canvas || 76.2 x 63.2 cm || Literary illustrations || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128630/ FPb52] || [http://luna.folger.edu/luna/servlet/s/v3916b/ LUNA Digital Image] | | 88 || Francis Wheatley, after || ''Jaqeunetta approaching Sir Nathaniel with Berowne's letter'' ('''Love's Labor's Lost''' IV.2) || Early nineteenth century || Oil on canvas || 76.2 x 63.2 cm || Literary illustrations || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128630/ FPb52] || [http://luna.folger.edu/luna/servlet/s/v3916b/ LUNA Digital Image] | ||
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| 89 || John Masey Wright || ''Mistress Ford and Falstaff'' ('''The Merry Wives of Windsor''' III.3) || ca. 1810s? || Oil on canvas || 30.5 x 39 cm || Literary illustrations || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128631/ FPa4] || [http://luna.folger.edu/luna/servlet/s/k485p8/ LUNA Digital Image] | |||
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| 90 || John Masey Wright || ''Juliet and the Nurse'' ('''Romeo and Juliet''' II.5) || ca. 1810s? || Oil on canvas || 30.8 x 38.3 cm || Literary illustrations || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128632/ FPb13] || [http://luna.folger.edu/luna/servlet/s/l7186j/ LUNA Digital Image] | |||
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| 91 || John Masey Wright || ''Mercutio bidding farewell to Juliet's Nurse'' ('''Romeo and Juliet''' II.4) || ca. 1820s || Oil on canvas || 45.7 x 35.7 cm || Literary illustrations || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128633/ FPa70] || [http://luna.folger.edu/luna/servlet/s/ku944e/ LUNA Digital Image] | |||
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Revision as of 14:01, 15 July 2014
| Pressly number | Artist | Title | Year | Medium | Size | Classification | Hamnet | LUNA |
|---|---|---|---|---|---|---|---|---|
| 1 | John White Abbot | Macbeth recoiling from the apparition of the crowned child (Macbeth IV.1) | 1829 | Oil on panel | 19.7 x 23. 7 cm | Literary illustrations | FPa1 | LUNA Digital Image |
| 2 | John White Abbot | Prospero commanding Ariel (The Tempest I.2) | 1829 | Oil on panel | 19.7 x 23. 7 cm | Literary illustrations | FPa2 | LUNA Digital Image |
| 3 | Thomas Barker of Bath | Macbeth and the Witches (Macbeth IV.1) | ca. 1830 | Oil on canvas | 117.5 x 94.3 cm | Literary illustrations | FPa5 | LUNA Digital Image |
| 4 | Friedrich Brockmann | Portia and Nerissa (The Merchant of Venice I.2) | 1849 | Oil on canvas | 109.4 x 90.9 cm | Literary illustrations | FPa7 | LUNA Digital Image |
| 5 | John Cawse | Falstaff boasting to Prince Hal and Poins (Henry IV, Part 1 II.4) | ca. 1820s | Oil on canvas | 34.9 x 44.3 cm | Literary illustrations | FPa10 | |
| 6 | John Cawse | Falstaff mocking Bardolph's nose (Henry IV, Part I III.3) | ca. 1820s | Oil on canvas | 33.6 x 42.8 cm | Literary illustrations | FPa9 | LUNA Digital Image |
| 7 | John Cawse | Falstaff, Prince Hal, and Mistress Quickly (Henry IV, Part I III.3) | ca. 1820s | Oil on canvas | 63.6 x 76.9 cm | Literary illustrations | FPa15 | |
| 8 | John Cawse | Falstaff choosing his recruits (Henry IV, Part 2 III.2) | 1818 | Oil on canvas | 63.8 x 76.1 cm | Literary illustrations | FPa14 | LUNA Digital Image |
| 9 | John Cawse | Falstaff choosing his recruits (Henry IV, Part 2 III.2) | ca. 1820s | Oil on canvas | 53.5 x 71.2 cm | Literary illustrations | FPa90 | |
| 10 | John Cawse | Bardolph and Falstaff putting Wart through the drill (Henry IV, Part 2 III.2) | 1827? | Oil on canvas | 59.8 x 84.1 cm | Literary illustrations | FPa13 | LUNA Digital Image |
| 11 | John Cawse | Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) | ca. 1820 | Oil on canvas | 52.2 x 78 cm | Literary illustrations | FPa12 | LUNA Digital Image |
| 12 | John Cawse | Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) | ca. 1820s | Oil on canvas | 73.2 x 76.5 cm | Literary illustrations | FPa11 | LUNA Digital Image |
| 13 | John Cawse | Autolycus selling his wares (The Winter's Tale IV.4) | ca. 1830 | Oil on canvas | 63.8 x 76.5 cm | Literary illustrations | FPa16 | LUNA Digital Image |
| 14 | Alexander Christie | Hamlet finding the king at prayer (Hamlet III.3) | 1842 | Oil sketch on canvas | 72.4 x 91.5 cm | Literary illustrations | FPb17 | |
| 15 | George Clint | Falstaff relating his valiant exploits (Henry IV, Part 1 II.4) | ca. mid-1830s | Oil on canvas | 88.3 x 119.5 cm | Literary illustrations | FPa68 | LUNA Digital Image |
| 16 | Richard Cook | Helen and Priam at the Scæn Gate (Homer, Iliad, book III) | 1808 | Oil on canvas | 29.3 x 24 cm | Literary illustrations | FPa75 | LUNA Digital Image |
| 17 | Richard Cook | Hector reproving Paris (Homer, Iliad, book VI) | 1808 | Oil on canvas | 29.4 x 24.1 cm | Literary illustrations | FPa74 | LUNA Digital Image |
| 18 | Alfred Dever | Sir John Falstaff and Mistress Quickly (Henry IV, Part 2 II.1) | ca. 1870 | Oil on canvas | 60 x 50 cm | Literary illustrations | FPa18 | LUNA Digital Image |
| 19 | George James De Wilde, attributed to | The Seven Ages of Man (As You Like It II.7) | 1823 | Oil on canvas | 58.7 x 84.5 cm | Literary illustrations | FPa19 | LUNA Digital Image |
| 20 | Thomas Francis Dicksee | Anne Page (The Merry Wives of Windsor I.1) | 1862 | Oil on canvas | 35.4 x 27.7 cm | Literary illustrations | FPa20 | LUNA Digital Image |
| 21 | Monogrammist T.E. | Ophelia (Hamlet IV.7) | Late nineteenth century | Oil on canvas, oval | 67.9 x 55.7 cm | Literary illustrations | FPa3 | LUNA Digital Image |
| 22 | Henry Joseph Fradelle | Othello and Desdemona (Othello III.4) | ca. 1827 | Oil on panel | 30.5 x 25.1 cm | Literary illustrations | FPb21 | LUNA Digital Image |
| 23 | William Powell Frith | Olivia unveiling (Twelfth Night I.5) | 1874 | Oil on canvas | 31.5 x 26.2 cm | Literary illustrations | FPa21 | LUNA Digital Image |
| 24 | Henry Fuseli | Macbeth consulting the vision of the armed head (Macbeth IV.1) | 1793 | Oil on canvas | 167.7 x 134.3 cm | Literary illustrations | FPa27 | LUNA Digital Image |
| 25 | Henry Fuseli | Puck (A Midsummer Night's Dream II.1) | ca. 1810-20 | Oil on canvas | 92 x 71.5 cm | Literary illustrations | FPa24 | LUNA Digital Image |
| 26 | Henry Fuseli | The two murderers of the Duke of Clarence (Richard III I.4) | ca. 1780-82 | Oil on canvas | 68.6 x 53.3 cm | Literary illustrations | FPa26 | LUNA Digital Image |
| 27 | Henry Fuseli | Romeo stabs Paris at the bier of Juliet (Romeo and Juliet V.3) | ca. 1809 | Oil on canvas | 71.2 x 92 cm | Literary illustrations | FPa25 | LUNA Digital Images |
| 28 | Henry Fuseli | Ariel (The Tempest V.1) | ca. 1800-1810 | Oil on canvas | 92.7 x 71.5 cm | Literary illustrations | FPa22 | LUNA Digital Image |
| 29 | Henry Fuseli | Faery Mab (John Milton, L'Allegro) | ca. 1815-20 | Oil on canvas | 70 x 90.8 cm | Literary illustrations | FPa23 | LUNA Digital Image |
| 30 | George Henry Hall | Sir Toby Belch (Twelfth Night II.3) | 1854 | Oil on canvas | 60.5 x 50.4 cm | Literary illustrations | FPa29 | LUNA Digital Image |
| 31 | George Henry Hall | Malvolio confronting the revelers (Twelfth Night II.3) | 1855 | Oil on canvas | 63.7 x 76.2 cm | Literary illustrations | FPa28 | LUNA Digital Image |
| 32 | William Hamilton | Isabella appealing to Angelo (Measure for Measure (II.2) | 1793 | Oil on canvas | 166.3 x 134.6 cm | Literary illustrations | FPa30 | LUNA Digital Image |
| 33 | William Hamilton | The Duke of York discovering his son Aumerle's treachery (Richard II V.2) | Late 1790s | Oil on canvas | 79.7 x 55.3 cm | Literary illustrations | FPa34 | LUNA Digital Image |
| 34 | William Hamilton | The carousing of Sit Toby Belch and Sir Andrew Aguecheek (Twelfth Night II.3) | 1792 | Oil on canvas | 78.5 x 56.2 cm | Literary illustrations | FPa32 | LUNA Digital Image |
| 35 | William Hamilton | Olivia's proposal (Twelfth Night IV.3) | ca. 1796 | Oil on canvas | 77.8 x 55 cm | Literary illustrations | FPa31 | LUNA Digital Image |
| 36 | Francis Hayman | The play scene from "Hamlet" (Hamlet II.2) | ca. 1745 | Oil on canvas | 34.8 x 29.6 cm | Literary illustrations | FPa36 | LUNA Digital Image |
| 37 | Francis Hayman | Falstaff reviewing his recruits (Henry IV, Part 1, III.2) | 1760s | Oil on canvas | 101.6 x 122.5 cm | Literary illustrations | FPa35 | |
| 38 | Francis Hayman, after | Falstaff's cowardice detected (Henry IV, Part 1, II.4) | Mid-eighteenth century | Oil on canvas | 26.4 x 36.5 cm | Literary illustrations | FPb12 | |
| 39 | William Salter Herrick | Hamlet in the Queen's chamber (Hamlet III.4) | ca. 1857 | Oil on canvas | 114.1 x 157.6 cm | Literary illustrations | FPa37 | LUNA Digital Image |
| 40 | James Clarke Hook | Othello's description of Desdemona (Othello IV.1) | ca. 1852 | Oil on panel | 78.6 x 53.3 cm | Literary illustrations | FPa38 | LUNA Digital Image |
| 41 | Arthur Boyd Houghton | Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek (Twelfth Night IV.1) | ca. 1854 | Oil on panel | 29.8 x 39.7 cm | Literary illustrations | FPb63 | LUNA Digital Image |
| 42 | Frank Howard | Portia pronouncing sentence (The Merchant of Venice IV.1) | ca. 1830-31 | Oil on canvas | 71.2 x 91.5 cm | Literary illustrations | FPb3 | LUNA Digital Image |
| 43 | George Jones, attributed to | Hamlet in the Queen's closet (Hamlet III.4) | ca. 1830 | Oil on panel | 30.5 x 25 cm | Literary illustrations | FPb29 | LUNA Digital Image |
| 44 | G. Jones | Falstaff and Ford at the Garter Inn (The Merry Wives of Windsor II.2) | 1864 | Oil on panel, irregular | 14.7 x 20.5 cm | Literary illustrations | FPb30 | |
| 45 | Sir James Dromgole Linton | Portia (The Merchant of Venice IV.1) | ca. 1895 | Oil on canvas | 127.3 x 71 cm | Literary illustrations | FPa39 | LUNA Digital Image |
| 46 | Henry Liverseege, after | The grave-digger (Hamlet V.1) | ca. 1832 | Oil on canvas | 46.5 x 35.5 cm | Literary illustrations | FPb44 | LUNA Digital Image |
| 47 | Henry Liverseege, after | Falstaff and Bardolph (Henry IV, Part 1 III.3) | After 1833 | Oil on canvas | 40.1 x 30.6 cm | Literary illustrations | FPa40 | |
| 48 | Henry Liverseege, after | Falstaff and Bardolph (Henry IV, Part 1 III.3) | After 1833 | Oil on canvas | 30.5 x 25.4 cm | Literary illustrations | FPb31 | LUNA Digital Image |
| 49 | Rev. Matthew William Peters | The death of Juliet (Romeo and Juliet V.3) | 1793 | Oil on canvas | 167.2 x 134.1 cm | Literary illustrations | FPa43 | LUNA Digital Image |
| 50 | Rev. Matthew William Peters, after | Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3) | Early nineteenth century | Oil on canvas | 58.1 x 43.2 cm | Literary illustrations | FPb36 | LUNA Digital Image |
| 51 | Sir Joshua Reynolds, studio of | The death of Cardinal Beaufort (Henry VI Part 2 III.3) | ca. 1790? | Oil on board | 42.5 x 32.5 cm | Literary illustrations | FPb40 | LUNA Digital Image |
| 52 | John Francis Rigaud | Constantia revealing herself to her father (Chaucer, The Man of Law's Tale) | ca. 1788 | Oil on canvas | 35.9 x 45.8 cm | Literary illustrations | FPa46 | |
| 53 | George Romney | Macbeth and the witches (Macbeth IV.1) | 1785 | Oil on canvas | 74.9 x 63.3 cm | Literary illustrations | FPb41 | LUNA Digital Image |
| 54 | George Romney | Study for Titania, Puck, and the Changeling (A Midsummer Night's Dream II.1) | 1793 | Oil on cardboard mounted on canvas | 27.3 x 35.7 cm | Literary illustrations | FPa48 | LUNA Digital Image |
| 55 | William Salter | Othello's Lamentation (Othello V.2) | ca. 1857 | Oil on canvas | 115.5 x 143.4 cm | Literary illustrations | FPa50 | LUNA Digital Image |
| 56 | Michael William Sharp | Petruchio and the tailor (The Taming of the Shrew IV.3) | 1835 | Oil on canvas | 67.7 x 57.5 cm | Literary illustrations | FPa51 | LUNA Digital Image |
| 57 | Robert Smirke | Falstaff Rebuked (Henry IV, Part 2 V.5) | ca. 1795 | Oil on canvas | 79.4 x 55.5 cm | Literary illustrations | FPa54 | LUNA Digital Image |
| 58 | Robert Smirke | The awakening of King Lear (King Lear IV.7) | ca. 1792 | Oil on canvas | 78.7 x 53.2 cm | Literary illustrations | FPa53 | LUNA Digital Image |
| 59 | Robert Smirke | Stephano confronting the monster (The Tempest II.2) | ca. 1798 | Oil on canvas | 78.0 x 56. 9 cm | Literary illustrations | FPa55 | |
| 60 | Robert Smirke | Falstaff instructing Bardolph (Henry IV, Part 1 IV.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | Literary illustrations | FPa60 | |
| 61 | Robert Smirke | Falstaff struggling with Hotspur's body (Henry IV, Part 1 V.4), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.7 x 11.7 cm | Literary illustrations | FPa61 | |
| 62 | Robert Smirke | Anne Page's invitation to slender (The Merry Wives of Windsor I.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.9 cm | Literary illustrations | FPa58 | |
| 63 | Robert Smirke | Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.5 cm | Literary illustrations | FPa59 | |
| 64 | Robert Smirke | Lysander declaring his passion to Helena (A Midsummer Night's Dream II.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 10.6 cm | Literary illustrations | FPa63 | LUNA Digital Image |
| 65 | Robert Smirke | Puck's report to Oberon (A Midsummer Night's Dream III.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | Literary illustrations | FPa64 | |
| 66 | Robert Smirke | Bottom in the forest (A Midsummer Night's Dream IV.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 10.9 cm | Literary illustrations | FPa62 | |
| 67 | Robert Smirke | Katherina's first meeting with Petruchio (The Taming of the Shrew II.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 12.4 cm | Literary illustrations | FPa66 | |
| 68 | Robert Smirke | Katherina's chastisement of Bianca and the Widow (The Taming of the Shrew V.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | Literary illustrations | FPa67 | |
| 69 | Robert Smirke | Prospero summoning Ariel (The Tempest I.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 11.6 cm | Literary illustrations | FPa65 | |
| 70 | Robert Smirke | Ferdinand proclaiming his love to Miranda (The Tempest III.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.6 x 10.9 cm | Literary illustrations | FPa56 | |
| 71 | Robert Smirke | Stephano demanding Trinculo's gown (The Tempest IV.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.6 x 10.9 cm | Literary illustrations | FPa57 | |
| 72 | Robert Smirke, after | Anne Page inviting Slender to dinner (The Merry Wives of Windsor I.1) | Early nineteenth century | Oil on canvas | 58.9 x 45.7 cm | Literary illustrations | FPb43 | LUNA Digital Image |
| 73 | Carl Ferdinand Sohn, after | Romeo and Juliet (Romeo and Juilet III.5) | After 1836 | Oil on tin | 26.3 x 20.6 cm | Literary illustrations | FPb28 | LUNA Digital Image |
| 74 | Frank Stone | Study for Bassanio receiving the letter announcing Antonio's losses and peril (The Merchant of Venice III.2) | ca. 1850-51 | Oil on panel | 17.3 x 22.7 cm | Literary illustrations | FPa76 | |
| 75 | Thomas Stothard | Falstaff describing the fight at Gadshill (Henry IV, Part 1 II.4) | ca. 1827 | Oil on panel | 21.6 x 14.6 cm | Literary illustrations | FPa71 | LUNA Digital Image |
| 76 | Thomas Stothard | Falstaff and Doll Tearsheet (Henry IV, Part 2 II.4) | ca. 1827 | Oil on panel | 21.2 x 15.3 cm | Literary illustrations | FPa72 | LUNA Digital Image |
| 77 | Thomas Stothard | Marina singing before Pericles (Pericles V.1) | ca. 1825 | Oil on canvas | 58.5 x 43.4 cm | Literary illustrations | FPa73 | LUNA Digital Image |
| 78 | Thomas Stothard | The Vintage | ca. 1833-34 | Oil on canvas | 78.9 x 59.1 cm | Literary illustrations | FPa69 | |
| 79 | Thomas Stothard, manner of | The performance of the Nine Worthies (Love's Labor's Lost V.2) | Eighteenth or nineteenth century | Oil on panel | 36.1 x 67.7 cm | Literary illustrations | FPb46 | LUNA Digital Image |
| 80 | Thomas Stothard, manner of | Olivia greeting Cesario in the garden (Twelfth Night III.1) | Eighteenth or nineteenth century | Oil on panel | 41.7 x 50.3 cm | Literary illustrations | FPb64 | LUNA Digital Image |
| 81 | Thomas Sully | Macbeth in the witches' cave (Macbeth IV.1) | 1840 | Oil on canvas | 73.5 x 60.9 cm | Literary illustrations | FPa77 | LUNA Digital Image |
| 82 | Thomas Sully | Portia and Shylock (The Merchant of Venice IV.1) | 1835 | Oil on canvas | 96.5 x 73.6 cm | Literary illustrations | FPa78 | LUNA Digital Image |
| 83 | Frederick Weekes | Falstaff and Bardolph (Henry IV, Part 1 III.3) | ca. 1855-57 | Oil on canvas | 47.7 x 38.4 cm | Literary illustrations | FPb50 | |
| 84 | Benjamin West | King Lear and Cordelia (King Lear IV.7) | 1793 | Oil on canvas | 48.1 x 59.9 cm | Literary illustrations | FPa82 | LUNA Digital Image |
| 85 | Richard Westall | Wolsey disgraced (Henry VIII III.2) | 1795 | Oil on canvas | 80.6 x 54.4 cm | Literary illustrations | FPa84 | LUNA Digital Image |
| 86 | Richard Westall | Shylock rebuffing Antonio (The Merchant of Venice III.3) | 1795 | Oil on canvas | 81.5 x 53.5 cm | Literary illustrations | FPa83 | LUNA Digital Image |
| 87 | Francis Wheatley | Helena and Count Bertram before the King of France (All's Well That Ends Well II.3) | 1793 | Oil on canvas | 78.5 x 55.3 cm | Literary illustrations | FPa85 | LUNA Digital Image |
| 88 | Francis Wheatley, after | Jaqeunetta approaching Sir Nathaniel with Berowne's letter (Love's Labor's Lost IV.2) | Early nineteenth century | Oil on canvas | 76.2 x 63.2 cm | Literary illustrations | FPb52 | LUNA Digital Image |
| 89 | John Masey Wright | Mistress Ford and Falstaff (The Merry Wives of Windsor III.3) | ca. 1810s? | Oil on canvas | 30.5 x 39 cm | Literary illustrations | FPa4 | LUNA Digital Image |
| 90 | John Masey Wright | Juliet and the Nurse (Romeo and Juliet II.5) | ca. 1810s? | Oil on canvas | 30.8 x 38.3 cm | Literary illustrations | FPb13 | LUNA Digital Image |
| 91 | John Masey Wright | Mercutio bidding farewell to Juliet's Nurse (Romeo and Juliet II.4) | ca. 1820s | Oil on canvas | 45.7 x 35.7 cm | Literary illustrations | FPa70 | LUNA Digital Image |