https://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&feed=atom&action=historyConstructing the Early Modern (seminar) - Revision history2024-03-29T05:16:48ZRevision history for this page on the wikiMediaWiki 1.39.6https://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&diff=15494&oldid=prevMeaghanBrown at 20:29, 17 March 20152015-03-17T20:29:40Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This was a fall [[<del style="font-weight: bold; text-decoration: none;">1997-1998 </del>Folger Institute Scholarly Programs|1997]] semester seminar led by [[Marion Trousdale]], Associate Professor of English at the University of Maryland at College Park. Speakers included [[Peter Stallybrass]] (University of Pennsylvania) and [[Margreta de Grazia]] (University of Pennsylvania).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This was a fall [[<ins style="font-weight: bold; text-decoration: none;">1997–1998 </ins>Folger Institute Scholarly Programs|1997]] semester seminar led by [[Marion Trousdale]], Associate Professor of English at the University of Maryland at College Park. Speakers included [[Peter Stallybrass]] (University of Pennsylvania) and [[Margreta de Grazia]] (University of Pennsylvania).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Texts, like physical bodies, corporations, court practices, and cultural concepts, had overlapping jurisdictions in early modern England. This seminar examined the material traces of the jurisdictions in both print and manuscript cultures in order to interrogate current theoretical narratives about the period. For instance, the seminar studied in particular at the material practices and competing discourses of playing, authoring, marketing, governing, and self-representation. The seminar considered the commodification of objects and of dress in the court and in the theatre as differing modes of cultural construction. Finally, the seminar also examined the means by which this material culture is currently made legible. After close scrutiny of extant documents of the Elizabethan court and stage, participants observed the contemporary performances in early London theatres of at least three plays—''Bartholomew Fair'', ''Eastward Ho'', and [[Coriolanus|''Coriolanus'']]—in an attempt to redefine the boundaries within which these plays and the culture that produced them are perceived.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Texts, like physical bodies, corporations, court practices, and cultural concepts, had overlapping jurisdictions in early modern England. This seminar examined the material traces of the jurisdictions in both print and manuscript cultures in order to interrogate current theoretical narratives about the period. For instance, the seminar studied in particular at the material practices and competing discourses of playing, authoring, marketing, governing, and self-representation. The seminar considered the commodification of objects and of dress in the court and in the theatre as differing modes of cultural construction. Finally, the seminar also examined the means by which this material culture is currently made legible. After close scrutiny of extant documents of the Elizabethan court and stage, participants observed the contemporary performances in early London theatres of at least three plays—''Bartholomew Fair'', ''Eastward Ho'', and [[Coriolanus|''Coriolanus'']]—in an attempt to redefine the boundaries within which these plays and the culture that produced them are perceived.</div></td></tr>
</table>MeaghanBrownhttps://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&diff=11205&oldid=prevMeaghanBrown at 14:12, 6 November 20142014-11-06T14:12:46Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This was a fall 1997 semester seminar led by Marion Trousdale, Associate Professor of English at the University of Maryland at College Park. Speakers included Peter Stallybrass (University of Pennsylvania) and Margreta de Grazia (University of Pennsylvania).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This was a fall <ins style="font-weight: bold; text-decoration: none;">[[</ins>1997<ins style="font-weight: bold; text-decoration: none;">-1998 Folger Institute Scholarly Programs|1997]] </ins>semester seminar led by <ins style="font-weight: bold; text-decoration: none;">[[</ins>Marion Trousdale<ins style="font-weight: bold; text-decoration: none;">]]</ins>, Associate Professor of English at the University of Maryland at College Park. Speakers included <ins style="font-weight: bold; text-decoration: none;">[[</ins>Peter Stallybrass<ins style="font-weight: bold; text-decoration: none;">]] </ins>(University of Pennsylvania) and <ins style="font-weight: bold; text-decoration: none;">[[</ins>Margreta de Grazia<ins style="font-weight: bold; text-decoration: none;">]] </ins>(University of Pennsylvania).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Texts, like physical bodies, corporations, court practices, and cultural concepts, had overlapping jurisdictions in early modern England. This seminar examined the material traces of the jurisdictions in both print and manuscript cultures in order to interrogate current theoretical narratives about the period. For instance, the seminar studied in particular at the material practices and competing discourses of playing, authoring, marketing, governing, and self-representation. The seminar considered the commodification of objects and of dress in the court and in the theatre as differing modes of cultural construction. Finally, the seminar also examined the means by which this material culture is currently made legible. After close scrutiny of extant documents of the Elizabethan court and stage, participants observed the contemporary performances in early London theatres of at least three plays—''Bartholomew Fair'', ''Eastward Ho'', and [[Coriolanus|''Coriolanus'']]—in an attempt to redefine the boundaries within which these plays and the culture that produced them are perceived.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Texts, like physical bodies, corporations, court practices, and cultural concepts, had overlapping jurisdictions in early modern England. This seminar examined the material traces of the jurisdictions in both print and manuscript cultures in order to interrogate current theoretical narratives about the period. For instance, the seminar studied in particular at the material practices and competing discourses of playing, authoring, marketing, governing, and self-representation. The seminar considered the commodification of objects and of dress in the court and in the theatre as differing modes of cultural construction. Finally, the seminar also examined the means by which this material culture is currently made legible. After close scrutiny of extant documents of the Elizabethan court and stage, participants observed the contemporary performances in early London theatres of at least three plays—''Bartholomew Fair'', ''Eastward Ho'', and [[Coriolanus|''Coriolanus'']]—in an attempt to redefine the boundaries within which these plays and the culture that produced them are perceived.</div></td></tr>
</table>MeaghanBrownhttps://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&diff=7827&oldid=prevMeaghanBrown: added date category2014-08-15T19:55:36Z<p>added date category</p>
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</table>MeaghanBrownhttps://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&diff=6863&oldid=prevSophieByvik at 16:30, 23 July 20142014-07-23T16:30:17Z<p></p>
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</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&diff=6518&oldid=prevSophieByvik at 14:31, 21 July 20142014-07-21T14:31:43Z<p></p>
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</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&diff=6301&oldid=prevSophieByvik at 20:28, 17 July 20142014-07-17T20:28:45Z<p></p>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category: William Shakespeare's works]]</ins></div></td></tr>
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</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&diff=5511&oldid=prevSophieByvik: added categories2014-07-10T18:43:19Z<p>added categories</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 13:43, 10 July 2014</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Texts, like physical bodies, corporations, court practices, and cultural concepts, had overlapping jurisdictions in early modern England. This seminar examined the material traces of the jurisdictions in both print and manuscript cultures in order to interrogate current theoretical narratives about the period. For instance, the seminar studied in particular at the material practices and competing discourses of playing, authoring, marketing, governing, and self-representation. The seminar considered the commodification of objects and of dress in the court and in the theatre as differing modes of cultural construction. Finally, the seminar also examined the means by which this material culture is currently made legible. After close scrutiny of extant documents of the Elizabethan court and stage, participants observed the contemporary performances in early London theatres of at least three plays—''Bartholomew Fair'', ''Eastward Ho'', and [[Coriolanus|''Coriolanus'']]—in an attempt to redefine the boundaries within which these plays and the culture that produced them are perceived.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Texts, like physical bodies, corporations, court practices, and cultural concepts, had overlapping jurisdictions in early modern England. This seminar examined the material traces of the jurisdictions in both print and manuscript cultures in order to interrogate current theoretical narratives about the period. For instance, the seminar studied in particular at the material practices and competing discourses of playing, authoring, marketing, governing, and self-representation. The seminar considered the commodification of objects and of dress in the court and in the theatre as differing modes of cultural construction. Finally, the seminar also examined the means by which this material culture is currently made legible. After close scrutiny of extant documents of the Elizabethan court and stage, participants observed the contemporary performances in early London theatres of at least three plays—''Bartholomew Fair'', ''Eastward Ho'', and [[Coriolanus|''Coriolanus'']]—in an attempt to redefine the boundaries within which these plays and the culture that produced them are perceived.</div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category: Folger Institute]]</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category: Scholarly programs]]</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category: Program archive]]</ins></div></td></tr>
</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&diff=3989&oldid=prevSophieByvik: SophieByvik moved page Constructing the Early Modern to Constructing the Early Modern (seminar): title required specificity2014-06-25T20:55:11Z<p>SophieByvik moved page <a href="/_mw/index.php?title=Constructing_the_Early_Modern&action=edit&redlink=1" class="new" title="Constructing the Early Modern (page does not exist)">Constructing the Early Modern</a> to <a href="/Constructing_the_Early_Modern_(seminar)" title="Constructing the Early Modern (seminar)">Constructing the Early Modern (seminar)</a>: title required specificity</p>
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</td></tr></table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&diff=3410&oldid=prevSophieByvik at 15:47, 23 June 20142014-06-23T15:47:34Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 10:47, 23 June 2014</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see <del style="font-weight: bold; text-decoration: none;">the </del>the article [[Folger Institute scholarly programs archive]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This was a fall 1997 semester seminar led by Marion Trousdale, Associate Professor of English at the University of Maryland at College Park. Speakers included Peter Stallybrass (University of Pennsylvania) and Margreta de Grazia (University of Pennsylvania).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This was a fall 1997 semester seminar led by Marion Trousdale, Associate Professor of English at the University of Maryland at College Park. Speakers included Peter Stallybrass (University of Pennsylvania) and Margreta de Grazia (University of Pennsylvania).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Texts, like physical bodies, corporations, court practices, and cultural concepts, had overlapping jurisdictions in early modern England. This seminar examined the material traces of the jurisdictions in both print and manuscript cultures in order to interrogate current theoretical narratives about the period. For instance, the seminar studied in particular at the material practices and competing discourses of playing, authoring, marketing, governing, and self-representation. The seminar considered the commodification of objects and of dress in the court and in the theatre as differing modes of cultural construction. Finally, the seminar also examined the means by which this material culture is currently made legible. After close scrutiny of extant documents of the Elizabethan court and stage, participants observed the contemporary performances in early London theatres of at least three plays—''Bartholomew Fair'', ''Eastward Ho'', and [[Coriolanus|''Coriolanus'']]—in an attempt to redefine the boundaries within which these plays and the culture that produced them are perceived.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Texts, like physical bodies, corporations, court practices, and cultural concepts, had overlapping jurisdictions in early modern England. This seminar examined the material traces of the jurisdictions in both print and manuscript cultures in order to interrogate current theoretical narratives about the period. For instance, the seminar studied in particular at the material practices and competing discourses of playing, authoring, marketing, governing, and self-representation. The seminar considered the commodification of objects and of dress in the court and in the theatre as differing modes of cultural construction. Finally, the seminar also examined the means by which this material culture is currently made legible. After close scrutiny of extant documents of the Elizabethan court and stage, participants observed the contemporary performances in early London theatres of at least three plays—''Bartholomew Fair'', ''Eastward Ho'', and [[Coriolanus|''Coriolanus'']]—in an attempt to redefine the boundaries within which these plays and the culture that produced them are perceived.</div></td></tr>
</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=Constructing_the_Early_Modern_(seminar)&diff=3205&oldid=prevSophieByvik: Created/added info from Folgerpedia>1997-1998 Folger Institute programs2014-06-19T20:33:42Z<p>Created/added info from Folgerpedia>1997-1998 Folger Institute programs</p>
<p><b>New page</b></p><div>For more past programming from the [[Folger Institute]], please see the the article [[Folger Institute scholarly programs archive]].<br />
<br />
This was a fall 1997 semester seminar led by Marion Trousdale, Associate Professor of English at the University of Maryland at College Park. Speakers included Peter Stallybrass (University of Pennsylvania) and Margreta de Grazia (University of Pennsylvania).<br />
<br />
Texts, like physical bodies, corporations, court practices, and cultural concepts, had overlapping jurisdictions in early modern England. This seminar examined the material traces of the jurisdictions in both print and manuscript cultures in order to interrogate current theoretical narratives about the period. For instance, the seminar studied in particular at the material practices and competing discourses of playing, authoring, marketing, governing, and self-representation. The seminar considered the commodification of objects and of dress in the court and in the theatre as differing modes of cultural construction. Finally, the seminar also examined the means by which this material culture is currently made legible. After close scrutiny of extant documents of the Elizabethan court and stage, participants observed the contemporary performances in early London theatres of at least three plays—''Bartholomew Fair'', ''Eastward Ho'', and [[Coriolanus|''Coriolanus'']]—in an attempt to redefine the boundaries within which these plays and the culture that produced them are perceived.</div>SophieByvik