Bibliography of readings related to Noyses, Sounds, and Sweet Aires: Music in Early Modern England
Revision as of 19:51, 30 November 2014 by KateCovintree (talk | contribs) (Added reading list items from http://www.folger.edu/Content/Whats-On/Folger-Exhibitions/Past-Exhibitions/Noyses-Sounds-and-Sweet-Aires/Suggestions-for-Further-Reading.cfm)
This article is related to the exhibition, Noyses, Sounds, and Sweet Aires: Music in Early Modern England.
- Ashbee, Andrew. Records of English Court Music. Snodland; Aldershot, 1986–1995.
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- Ashbee, Andrew, and David Lasocki, eds. A Biographical Dictionary of English Court Musicians 1485–1714. Aldershot, 1998.
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- Austern, Linda. "‘Alluring the Auditorie to Effeminacie’: Music and the Idea of the Feminine in Early Modern England." Music and Letters 74 (1993).
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- ———. Music in English Children's Drama of the Later Renaissance. New York, 1992.
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- Baldwin, Elizabeth. Paying the Piper: Music in Pre-1642 Cheshire. Kalamazoo, 2002.
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- Bowers, Roger. English Church Polyphony: Singers and Sources from the 14th to the 17th Century. Aldershot; Brookfield, 1999.
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- Boyd, Morrison Comegys. Elizabethan Music and Musical Criticism. Revised edition. Philadelphia, 1974.
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- Bray, Roger, ed. The Sixteenth Century. The Blackwell History of Music in Britain. Oxford, 1995.
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- Caldwell, John. The Oxford History of English Music. Vol. I, From the Beginnings to c. 1715. Oxford; New York, 1991.
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- Charteris, Richard. An Annotated Catalogue of Music Manuscripts in the Folger Shakespeare Library, Washington, D.C. Hillsdale, 2005.
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- Clark, Peter. The English Alehouse: A Social History, 1200–1830. London; New York, 1983.
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- Duffin, Ross. Shakespeare's Songbook. New York, 2004.
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- Finney, Gretchen L. Musical Backgrounds for English Literature: 1580–1650. New Brunswick, 1962.
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- Gouk, Penelope. Music, Science, and Natural Magic in Seventeenth-Century England. New Haven, 1999.
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- Harper, John. The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century. Oxford; New York, 1991.
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- Hollander, John. The Untuning of the Sky: Ideas of Music in English Poetry, 1500–1700. Second edition. New York, 1970.
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- Holman, Peter. Four and Twenty Fiddlers: The Violin at the English Court 1540–1690. Oxford; New York, 1993.
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- Houck, Stacey Jocoy. “Decoding Music Resistance: Vocal Music in the Service of the King (1625–1660).” Ph.D. diss., University of Illinois, 2005.
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- Kisby, Fiona, ed. Music and Musicians in Renaissance Cities and Towns. Cambridge; New York, 2001.
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- Krummel, D. W. English Music Printing 1553–1700. London, 1975.
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- Le Huray, Peter. Music and the Reformation in England, 1549–1660. Second edition. Cambridge; New York, 1978.
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- Lindley, David. Shakespeare and Music. London, 2006.
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- McColley, Diane Kelsey. Poetry and Music in Seventeenth-Century England. Cambridge; New York, 1997.
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- Mellers, Wilfrid. "Music: Paradise and Paradox in the Seventeenth Century." In Seventeenth-Century Britain, ed. Boris Ford. Cambridge, 1992.
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- Milsom, John. "Music, Politics, and Society." In A Companion to Tudor Britain. Blackwell Companions to British History, ed. Robert Tittler and Norman L. Jones. Malden, 2004.
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- ———. "Sacred Songs in the Chamber." In English Choral Practice 1400–1650, ed. John Morehen. Cambridge, 1995.
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- ———. "Songs and Society in Early Tudor London." Early Music History 16 (1997).
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- Monson, Craig. "Byrd, the Catholics, and the Motet: The Hearing Reopened." In Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance, ed. Dolores Pesce. New York, 1997.
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- ———. "Elizabethan London." In The Renaissance: From the 1470s to the End of the 16th Century, ed. Iain Fenlon. Englewood Cliffs, 1989.
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- ———. Voices and Viols in England, 1600–1650: The Sources and the Music. Ann Arbor, 1982.
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- Morehen, John, ed. English Choral Practice 1400–1650. Cambridge, 1995.
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- Page, Daniel Bennett. "Uniform and Catholic: Church Music in the Reign of Mary Tudor (1553–1558)." Ph.D. diss., Brandeis University, 1996.
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- Price, David C. Patrons and Musicians of the English Renaissance. Cambridge; New York, 1981.
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- Schmitt, Samuel Armstrong. "The Paston Manuscripts in Context: A Study of Folger Shakespeare Library Ms V.A.405–7." Ph.D. diss., Catholic University of America, 2004.
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- Seng, Peter J. The Vocal Songs in the Plays of Shakespeare, a Critical History. Cambridge, Mass., 1967.
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- Shesgreen, Sean, ed. The Criers and Hawkers of London: Engravings and Drawings by Marcellus Laroon. Aldershot; Stanford, 1990.
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- ———. Images of the Outcast: The Urban Poor in the Cries of London. New Brunswick; Manchester, 2002.
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- Smith, Jeremy. "Music and Politics in Late Elizabethan England: The Identities of Oriana and Diana." Journal of the American Musicological Society 58 (2005).
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- ———. Thomas East and Music Publishing in Renaissance England. Oxford; New York, 2003.
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- Smith, Bruce R. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago, 1999.
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- Spink, Ian, ed. The Seventeenth Century. The Blackwell History of Music in Britain. Oxford, 1992.
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- ———. English Song: Dowland to Purcell. Second edition. London; New York, 1986.
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- Temperley, Nicholas. The Hymn Tune Index: A Census of English-Language Hymn Tunes in Printed Sources from 1535 to 1820. 4 vols. Oxford; New York, 1998.
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- ———. The Music of the EnglishParishChurch. Cambridge; New York, 1979.
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- Walls, Peter. Music in the English Courtly Masque 1604-1640. Oxford; New York, 1996.
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- Woodfill, Walter L. Musicians in English Society from Elizabeth to Charles I. Revised edition. New York, 1969.
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