https://folgerpedia.folger.edu/_mw/index.php?title=Between_Worlds:_Cultural_Mixture_and_Translation_(seminar)&feed=atom&action=historyBetween Worlds: Cultural Mixture and Translation (seminar) - Revision history2024-03-29T00:19:33ZRevision history for this page on the wikiMediaWiki 1.39.6https://folgerpedia.folger.edu/_mw/index.php?title=Between_Worlds:_Cultural_Mixture_and_Translation_(seminar)&diff=37518&oldid=prevOwenWilliams at 22:30, 23 October 20232023-10-23T22:30:38Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This was a spring [[1999–2000 Folger Institute Scholarly Programs|2000]] weekend <del style="font-weight: bold; text-decoration: none;">faculty </del>seminar led by [[Natalie Zemon Davis]]. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This was a spring [[1999–2000 Folger Institute Scholarly Programs|2000]] <ins style="font-weight: bold; text-decoration: none;">faculty </ins>weekend seminar led by [[Natalie Zemon Davis]]. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Cultural mixture in social experience, consciousness, and writing is often analysed in terms of polarities (assimilation/authenticity, domination/resistance), concealed hegemonies, or monochromatic melting pots. This seminar looked at the character of mixture more closely, exploring the interweaving of different strands of language, sensibility, and values in the early modern period. How did men and women negotiate the contrasting worlds to which they belonged? What strategies of identity-formation were used by those who moved across boundaries? What cultural resources did they have at their disposal for living a "mixed" life? Is there a descriptive language more precise than "hybridity," "patchwork," and "métissage"? Participants are invited to present their research on individuals, communities, and/or texts from early modern Europe (including Europe's Jewish communities), from Islamic societies, and from the indigenous and settler communities of the Americas (such as Katerina Tekakwitha in Quebec and Poma de Ayala in Peru). They read samples of each other's work in advance of the weekend session. In addition, participants read an exemplary text from the past and a few interpretive essays to provide a common frame for discussion.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Cultural mixture in social experience, consciousness, and writing is often analysed in terms of polarities (assimilation/authenticity, domination/resistance), concealed hegemonies, or monochromatic melting pots. This seminar looked at the character of mixture more closely, exploring the interweaving of different strands of language, sensibility, and values in the early modern period. How did men and women negotiate the contrasting worlds to which they belonged? What strategies of identity-formation were used by those who moved across boundaries? What cultural resources did they have at their disposal for living a "mixed" life? Is there a descriptive language more precise than "hybridity," "patchwork," and "métissage"? Participants are invited to present their research on individuals, communities, and/or texts from early modern Europe (including Europe's Jewish communities), from Islamic societies, and from the indigenous and settler communities of the Americas (such as Katerina Tekakwitha in Quebec and Poma de Ayala in Peru). They read samples of each other's work in advance of the weekend session. In addition, participants read an exemplary text from the past and a few interpretive essays to provide a common frame for discussion.</div></td></tr>
</table>OwenWilliamshttps://folgerpedia.folger.edu/_mw/index.php?title=Between_Worlds:_Cultural_Mixture_and_Translation_(seminar)&diff=15371&oldid=prevMeaghanBrown at 17:25, 17 March 20152015-03-17T17:25:15Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This was a spring [[<del style="font-weight: bold; text-decoration: none;">1999-2000 </del>Folger Institute Scholarly Programs|2000]] weekend faculty seminar led by [[Natalie Zemon Davis]]. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This was a spring [[<ins style="font-weight: bold; text-decoration: none;">1999–2000 </ins>Folger Institute Scholarly Programs|2000]] weekend faculty seminar led by [[Natalie Zemon Davis]]. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Cultural mixture in social experience, consciousness, and writing is often analysed in terms of polarities (assimilation/authenticity, domination/resistance), concealed hegemonies, or monochromatic melting pots. This seminar looked at the character of mixture more closely, exploring the interweaving of different strands of language, sensibility, and values in the early modern period. How did men and women negotiate the contrasting worlds to which they belonged? What strategies of identity-formation were used by those who moved across boundaries? What cultural resources did they have at their disposal for living a "mixed" life? Is there a descriptive language more precise than "hybridity," "patchwork," and "métissage"? Participants are invited to present their research on individuals, communities, and/or texts from early modern Europe (including Europe's Jewish communities), from Islamic societies, and from the indigenous and settler communities of the Americas (such as Katerina Tekakwitha in Quebec and Poma de Ayala in Peru). They read samples of each other's work in advance of the weekend session. In addition, participants read an exemplary text from the past and a few interpretive essays to provide a common frame for discussion.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Cultural mixture in social experience, consciousness, and writing is often analysed in terms of polarities (assimilation/authenticity, domination/resistance), concealed hegemonies, or monochromatic melting pots. This seminar looked at the character of mixture more closely, exploring the interweaving of different strands of language, sensibility, and values in the early modern period. How did men and women negotiate the contrasting worlds to which they belonged? What strategies of identity-formation were used by those who moved across boundaries? What cultural resources did they have at their disposal for living a "mixed" life? Is there a descriptive language more precise than "hybridity," "patchwork," and "métissage"? Participants are invited to present their research on individuals, communities, and/or texts from early modern Europe (including Europe's Jewish communities), from Islamic societies, and from the indigenous and settler communities of the Americas (such as Katerina Tekakwitha in Quebec and Poma de Ayala in Peru). They read samples of each other's work in advance of the weekend session. In addition, participants read an exemplary text from the past and a few interpretive essays to provide a common frame for discussion.</div></td></tr>
</table>MeaghanBrownhttps://folgerpedia.folger.edu/_mw/index.php?title=Between_Worlds:_Cultural_Mixture_and_Translation_(seminar)&diff=11190&oldid=prevMeaghanBrown at 21:26, 5 November 20142014-11-05T21:26:48Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This was a spring 2000 weekend faculty seminar led by Natalie Zemon Davis. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This was a spring <ins style="font-weight: bold; text-decoration: none;">[[1999-</ins>2000 <ins style="font-weight: bold; text-decoration: none;">Folger Institute Scholarly Programs|2000]] </ins>weekend faculty seminar led by <ins style="font-weight: bold; text-decoration: none;">[[</ins>Natalie Zemon Davis<ins style="font-weight: bold; text-decoration: none;">]]</ins>. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Cultural mixture in social experience, consciousness, and writing is often analysed in terms of polarities (assimilation/authenticity, domination/resistance), concealed hegemonies, or monochromatic melting pots. This seminar looked at the character of mixture more closely, exploring the interweaving of different strands of language, sensibility, and values in the early modern period. How did men and women negotiate the contrasting worlds to which they belonged? What strategies of identity-formation were used by those who moved across boundaries? What cultural resources did they have at their disposal for living a "mixed" life? Is there a descriptive language more precise than "hybridity," "patchwork," and "métissage"? Participants are invited to present their research on individuals, communities, and/or texts from early modern Europe (including Europe's Jewish communities), from Islamic societies, and from the indigenous and settler communities of the Americas (such as Katerina Tekakwitha in Quebec and Poma de Ayala in Peru). They read samples of each other's work in advance of the weekend session. In addition, participants read an exemplary text from the past and a few interpretive essays to provide a common frame for discussion.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Cultural mixture in social experience, consciousness, and writing is often analysed in terms of polarities (assimilation/authenticity, domination/resistance), concealed hegemonies, or monochromatic melting pots. This seminar looked at the character of mixture more closely, exploring the interweaving of different strands of language, sensibility, and values in the early modern period. How did men and women negotiate the contrasting worlds to which they belonged? What strategies of identity-formation were used by those who moved across boundaries? What cultural resources did they have at their disposal for living a "mixed" life? Is there a descriptive language more precise than "hybridity," "patchwork," and "métissage"? Participants are invited to present their research on individuals, communities, and/or texts from early modern Europe (including Europe's Jewish communities), from Islamic societies, and from the indigenous and settler communities of the Americas (such as Katerina Tekakwitha in Quebec and Poma de Ayala in Peru). They read samples of each other's work in advance of the weekend session. In addition, participants read an exemplary text from the past and a few interpretive essays to provide a common frame for discussion.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Director''': Natalie Zemon Davis is currently Adjunct Professor of History and Senior Fellow in Comparative Literature at the University of Toronto. Her many works include ''Women on the Margins: Three Seventeenth-Century Lives'' (1995), ''Fiction in the Archives: Pardon Tales and their Tellers in Sixteenth Century France'' (1987), ''The Return of Martin Guerre'' (1983), and ''Society and Culture in Early Modern France'' (1975).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Director''': <ins style="font-weight: bold; text-decoration: none;">[[</ins>Natalie Zemon Davis<ins style="font-weight: bold; text-decoration: none;">]] </ins>is currently Adjunct Professor of History and Senior Fellow in Comparative Literature at the University of Toronto. Her many works include ''Women on the Margins: Three Seventeenth-Century Lives'' (1995), ''Fiction in the Archives: Pardon Tales and their Tellers in Sixteenth Century France'' (1987), ''The Return of Martin Guerre'' (1983), and ''Society and Culture in Early Modern France'' (1975).</div></td></tr>
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</table>MeaghanBrownhttps://folgerpedia.folger.edu/_mw/index.php?title=Between_Worlds:_Cultural_Mixture_and_Translation_(seminar)&diff=7786&oldid=prevMeaghanBrown: added date category2014-08-15T17:47:24Z<p>added date category</p>
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</table>MeaghanBrownhttps://folgerpedia.folger.edu/_mw/index.php?title=Between_Worlds:_Cultural_Mixture_and_Translation_(seminar)&diff=6491&oldid=prevSophieByvik at 14:01, 21 July 20142014-07-21T14:01:07Z<p></p>
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</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=Between_Worlds:_Cultural_Mixture_and_Translation_(seminar)&diff=5460&oldid=prevSophieByvik: added categories2014-07-10T13:53:00Z<p>added categories</p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Director''': Natalie Zemon Davis is currently Adjunct Professor of History and Senior Fellow in Comparative Literature at the University of Toronto. Her many works include ''Women on the Margins: Three Seventeenth-Century Lives'' (1995), ''Fiction in the Archives: Pardon Tales and their Tellers in Sixteenth Century France'' (1987), ''The Return of Martin Guerre'' (1983), and ''Society and Culture in Early Modern France'' (1975).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Director''': Natalie Zemon Davis is currently Adjunct Professor of History and Senior Fellow in Comparative Literature at the University of Toronto. Her many works include ''Women on the Margins: Three Seventeenth-Century Lives'' (1995), ''Fiction in the Archives: Pardon Tales and their Tellers in Sixteenth Century France'' (1987), ''The Return of Martin Guerre'' (1983), and ''Society and Culture in Early Modern France'' (1975).</div></td></tr>
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</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=Between_Worlds:_Cultural_Mixture_and_Translation_(seminar)&diff=3924&oldid=prevSophieByvik: SophieByvik moved page Between Worlds: Cultural Mixture and Translation to Between Worlds: Cultural Mixture and Translation (seminar): title required specificity2014-06-25T20:42:43Z<p>SophieByvik moved page <a href="/_mw/index.php?title=Between_Worlds:_Cultural_Mixture_and_Translation&action=edit&redlink=1" class="new" title="Between Worlds: Cultural Mixture and Translation (page does not exist)">Between Worlds: Cultural Mixture and Translation</a> to <a href="/Between_Worlds:_Cultural_Mixture_and_Translation_(seminar)" title="Between Worlds: Cultural Mixture and Translation (seminar)">Between Worlds: Cultural Mixture and Translation (seminar)</a>: title required specificity</p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This was a spring 2000 weekend faculty seminar led by Natalie Zemon Davis. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This was a spring 2000 weekend faculty seminar led by Natalie Zemon Davis. </div></td></tr>
</table>SophieByvikhttps://folgerpedia.folger.edu/_mw/index.php?title=Between_Worlds:_Cultural_Mixture_and_Translation_(seminar)&diff=3140&oldid=prevSophieByvik: Created/added info from Folgerpedia>2001-2002 Folger Institute programs2014-06-19T18:36:04Z<p>Created/added info from Folgerpedia>2001-2002 Folger Institute programs</p>
<p><b>New page</b></p><div>For more past programming from the [[Folger Institute]], please see the the article [[Folger Institute scholarly programs archive]].<br />
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This was a spring 2000 weekend faculty seminar led by Natalie Zemon Davis. <br />
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Cultural mixture in social experience, consciousness, and writing is often analysed in terms of polarities (assimilation/authenticity, domination/resistance), concealed hegemonies, or monochromatic melting pots. This seminar looked at the character of mixture more closely, exploring the interweaving of different strands of language, sensibility, and values in the early modern period. How did men and women negotiate the contrasting worlds to which they belonged? What strategies of identity-formation were used by those who moved across boundaries? What cultural resources did they have at their disposal for living a "mixed" life? Is there a descriptive language more precise than "hybridity," "patchwork," and "métissage"? Participants are invited to present their research on individuals, communities, and/or texts from early modern Europe (including Europe's Jewish communities), from Islamic societies, and from the indigenous and settler communities of the Americas (such as Katerina Tekakwitha in Quebec and Poma de Ayala in Peru). They read samples of each other's work in advance of the weekend session. In addition, participants read an exemplary text from the past and a few interpretive essays to provide a common frame for discussion.<br />
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'''Director''': Natalie Zemon Davis is currently Adjunct Professor of History and Senior Fellow in Comparative Literature at the University of Toronto. Her many works include ''Women on the Margins: Three Seventeenth-Century Lives'' (1995), ''Fiction in the Archives: Pardon Tales and their Tellers in Sixteenth Century France'' (1987), ''The Return of Martin Guerre'' (1983), and ''Society and Culture in Early Modern France'' (1975).</div>SophieByvik