An Introduction to Research Methods at the Folger (seminar): Difference between revisions

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For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].
For more past programming from the [[Folger Institute]], please see the article [[Folger Institute scholarly programs archive]].
This article combines semester-long seminars titled ''A Folger Introduction to Research Methods and Agendas'' (Spring 2015, led by [[Alan B. Farmer]]) and ''An Introduction to Research Methods at the Folger'' (spring [[2012-2013 Folger Institute Scholarly Programs|2013]] led by [[Thomas Fulton]]). Although the titles differ, the substance of each seminar was the same. 
:[[Alan B. Farmer]]
:Spring 2015 Semester Seminar
This seminar will illustrate and exemplify graduate-level work in the humanities, surveying the tools of research in early modern studies through a semester-long immersion in one of the world’s major Renaissance collections. Representative fields and approaches addressed will include various forms of historiography (e.g., theatrical, cultural, social, scientific, and political), the book as a material object, the visual analysis of images, manuscript studies, and editorial practice. Participants will develop their research skills through a series of exercises linked to the strengths and ranges of the collection and current trends and debates in scholarship. They will develop potential research projects; identify and discuss theses and hypotheses; and engage with the varieties of expertise found in the scholarly community at the Folger Shakespeare Library, including those of fellows and professional staff. Each student will assemble a portfolio of exercises throughout the term, with copies of all to be shared so that students are prepared for further graduate work with a broad-based sourcebook for early modern studies.
'''Director''': [[Alan B. Farmer]] is Associate Professor of English at The Ohio State University. He is the co-creator (with Zachary Lesser) of [http://deep.sas.upenn.edu/ DEEP: Database of Early English Playbooks] and the co-editor (with Adam Zucker) of ''Localizing Caroline Drama'' (2006). The author of essays on Jonson, Shakespeare, and the early modern book trade, he is currently completing book projects on print and popularity in Shakespeare’s England and on playbooks, newsbooks, and the politics of the Thirty Years’ War in England.
<hr/>


:[[Thomas Fulton]]
:[[Thomas Fulton]]

Revision as of 10:25, 1 December 2014

For more past programming from the Folger Institute, please see the article Folger Institute scholarly programs archive.

Thomas Fulton
Spring 2013 Semester Seminar

This seminar illustrated and exemplified graduate-level work in the humanities, surveying the tools of research in early modern studies through a semester-long immersion in one of the world’s major Renaissance collections. Representative fields and approaches addressed included various forms of historiography (theatrical, cultural, social, and political), the book as a material object, the visual analysis of images, manuscript studies, and editorial practice. Participants developed their research skills through a series of exercises linked to the strengths and ranges of the collection and current trends and debates in scholarship. They developed potential research projects; identified and sharpened theses and hypotheses; and engaged with the varieties of expertise found in the scholarly community at the Folger Shakespeare Library, including those of fellows and professional staff. Each student assembled a portfolio of exercises throughout the term, with shared copies of all so that students are prepared for further graduate work with a broad-based sourcebook for early modern studies.

Director: Thomas Fulton is Associate Professor of English at Rutgers University, where he teaches literature and the history of the book. His work on Erasmus, Shakespeare, Donne, Milton and other medieval and early modern writers has appeared in several journals and edited collections. He is the author of Historical Milton: Manuscript, Print, and Political Culture in Revolutionary England (2010), and co-editor (with Ann Baynes Coiro) of Rethinking Historicism from Shakespeare to Milton (2012).