A Midsummer Night's Dream: Difference between revisions
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In ''A Midsummer Night's Dream'', Shakespeare stages the workings of love. Theseus and Hippolyta, about to marry, are figures from mythology. In the woods outside Theseus' Athens, two young men and two young women sort themselves out into couples—but not before they form first one love triangle, and then another. | In ''A Midsummer Night's Dream'', one of [[William Shakespeare's plays]], Shakespeare stages the workings of love. Theseus and Hippolyta, about to marry, are figures from mythology. In the woods outside Theseus' Athens, two young men and two young women sort themselves out into couples—but not before they form first one love triangle, and then another. | ||
Also in the woods, the king and queen of fairyland, Oberon and Titania, battle over custody of an orphan boy; Oberon uses magic to make Titania fall in love with a weaver named Bottom, whose head is temporarily transformed into a donkey by a hobgoblin or "puck," Robin Goodfellow. Finally, Bottom and his companions ineptly stage the tragedy of "Pyramus and Thisbe." | Also in the woods, the king and queen of fairyland, Oberon and Titania, battle over custody of an orphan boy; Oberon uses magic to make Titania fall in love with a weaver named Bottom, whose head is temporarily transformed into a donkey by a hobgoblin or "puck," Robin Goodfellow. Finally, Bottom and his companions ineptly stage the tragedy of "Pyramus and Thisbe." |
Revision as of 15:34, 19 June 2014
In A Midsummer Night's Dream, one of William Shakespeare's plays, Shakespeare stages the workings of love. Theseus and Hippolyta, about to marry, are figures from mythology. In the woods outside Theseus' Athens, two young men and two young women sort themselves out into couples—but not before they form first one love triangle, and then another.
Also in the woods, the king and queen of fairyland, Oberon and Titania, battle over custody of an orphan boy; Oberon uses magic to make Titania fall in love with a weaver named Bottom, whose head is temporarily transformed into a donkey by a hobgoblin or "puck," Robin Goodfellow. Finally, Bottom and his companions ineptly stage the tragedy of "Pyramus and Thisbe."
Shakespeare probably wrote A Midsummer Night's Dream in the mid-1590s. The play was published as a quarto in 1600. The main plot has no obvious sources, but sources for Pyramus and Thisbe include Ovid's Metamorphoses. Shakespeare may also have drawn on Chaucer's Canterbury Tales and Sir Thomas North's English translation of Plutarch's Lives.[1]
Productions at the Folger
- A Midsummer Night's Dream: In Concert (2014)
- A Midsummer Night's Dream (Folger Theatre, 2006)
- A Midsummer Night's Dream (Shenandoah Shakespeare Express, 2001)
- A Midsummer Night's Dream (Shenandoah Shakespeare Express, 1997)
- A Midsummer Night's Dream (Shenandoah Shakespeare Express, 1993)
- A Midsummer Night's Dream (The Traveling Shakespeare Company, 1993)
Early editions
First Folio
- LUNA: First Folio: N1r - O3v
- Hamnet: STC 22273 Fo. 1 no. 68
Second Folio
- LUNA: Second Folio: N1r - O3v
- Hamnet: STC 22274 Fo. 2 no. 07
First Quarto
- LUNA: First Quarto
- Hamnet: STC 22302
Second Quarto
- LUNA: Second Quarto
- Hamnet: STC 22303 Copy 1
Modern editions
A Midsummer Night's Dream can be read online with Folger Digital Texts and purchased from Simon and Schuster. The play can also be purchased in Three Comedies, a collection that also includes The Taming of the Shrew and Twelfth Night.
The Folger Luminary Shakespeare App can be purchased on iTunes.
- Hamnet link to Folger Edition: PR2753 .M6 2004 copy 2 v.25
In popular culture
Translations
Performance materials
Other media
Notes
<references>
- ↑ Adapted from the Folger Library Shakespeare edition, edited by Barbara A. Mowat and Paul Werstine. © 1993 Folger Shakespeare Library.