Love's Labor's Lost (2019): Difference between revisions
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===Creative Team=== | ===Creative Team=== | ||
* William Shakespeare, Playwright | |||
* Vivienne Benesch, Director | * Vivienne Benesch, Director | ||
* Lee Savage***, Scenic Design | * Lee Savage***, Scenic Design | ||
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* Manna-Symone Middlebrooks & Teresa Wood, Folger Casting | * Manna-Symone Middlebrooks & Teresa Wood, Folger Casting | ||
* Jessica Short*, Production Stage Manager | * Jessica Short*, Production Stage Manager | ||
* Julia Singer* Assistant Stage Manager | * Julia Singer* Assistant Stage Manager | ||
===Production Team=== | ===Production Team=== |
Revision as of 11:01, 25 January 2021
Folger Theatre produced Love's Labor's Lost directed by Vivienne Benesch that ran from March 16th 2019 to June 30th 2019.
"Friendly and frisky ... the show so gets the erudite spirit of the play" - The Washington Post
A young king and his three compatriots renounce the company of women in favor of scholarly pursuits. Their pact is immediately jeopardized, however, when the Princess of France and her companions arrive. Will the men stand resolute and keep their monastic vows—or surrender to the charms of the opposite sex? Shakespeare’s delicious play is full of lovers and clowns, foolery and the follies of the heart. Don't miss this rarely performed comedy on our historic Washington, DC stage across from the US Capitol.
Production
Entertainment unions represented in Folger Theatre productions include The Stage Directors and Choreographers Society (**), United Scenic Artists (***), and the Actors' Equity Association (*), which includes members of the Union of Professional Actors and Stage Managers.
Cast
- Josh Adams, Dull & Marcade
- Tonya Beckman*, Boyet & Jaquenetta
- Louis Butelli*, Holofernes
- Matt Dallal, Longaville
- Zachary Fine*, Berowne
- Megan Graves*, Mote
- Eric Hissom* , Don Armado
- Yesenia Iglesias*, Maria
- Edmund Lewis*, Costard
- Amelia Pedlow*, Princess of France
- Kelsey Rainwater*, Rosaline
- Joshua David Robinson*, King of Navarre
- Susan Rome*, Nathaniel
- Jack Schmitt, Dumaine
- Chani Wereley, Katherine
Understudies
- Matt Dallal, Berowne
- Fabiolla da Silva, Boyet, Jaquenetta, & Nathaniel
- Danielle Gallo, Mote
- John Floyd, Dumaine & Longaville
- Yesenia Iglesias, Roseline
- Melanie Lawrence, Maria & Katherine
- Seamus Miller, Don Armado & Holofernes
- Jack Novak, Costard, Dull, & Marcade
- Jack Schmitt, King of Navarre
- Chani Wereley, Princess of France
Creative Team
- William Shakespeare, Playwright
- Vivienne Benesch, Director
- Lee Savage***, Scenic Design
- Tracy Christensen***, Costume Design
- Colin K. Bills***, Lighting Design
- Lindsay Jones***, Original Music and Sound Design
- Michele Osherow, Resident Dramaturg
- Eisenberg/Beans Casting, New York Casting
- Manna-Symone Middlebrooks & Teresa Wood, Folger Casting
- Jessica Short*, Production Stage Manager
- Julia Singer* Assistant Stage Manager
Production Team
- Charlie Marie McGrath, Assistant Director
- Christine Miller, Production Assistant
- Tom Story, Text and Voice Coach
- Erin Kleiber, Draturgical Intern
- Bella Faccia, Inc., Set Construction
- Sarah Conte, Props Master
- Dave Bova, Hair Designer
- Robert Croghan, Assistant Costume Designer
- Cidney Forkpah, Wardrobe Head
- Douglas Delpizzo, Assistant Lighting Designer
- Alex Keen, Master Electrician
- Kristen Roth, Assistant Master Electrician
- Brandon Roe, Sound Engineer
- Erica Power, For Eisenburg/Beans Casting Casting Intern
- Grafik, Graphic Design & Ad Agency
- OpenBox9, 2019/20 Graphic Design & Ad Agency
- Emily Tartanella, Marketing Design Consultant
- Brittany Diliberto, Bee Two Sweet PHotography, Promotional and Production Photography
- Chiet Productions, Promotional Video
- WVPAVA, Archival Video
- C2, Open Caption
Folger Theatre
- Janet Alexander Griffin, Artistic Producer
- Beth Emelson, Associate Artistic Producer
- David Polk, General Manager
- Charles Flye, Theatre Production Manager
- Rebekah Sheffer, Assistant Technical Director
Other Media
Promotional Video
Reviews
"Friendly and frisky ... the show so gets the erudite spirit of the play” – The Washington Post
"Delightfully funny … Love’s Labor’s Lost is a love worth finding” – BroadwayWorld
“Lovely, libidinous, and larksome” – Brightest Young Things
“Furiously funny … unbridled fun” – DC Theatre Scene
"The Bard at his most playful ... side-splitting" – DCist
“Love Labor’s Lost is a gem to take in” – DC Metro Theater Arts
"A delightful springtime treat ... you'll find yourself smiling and laughing out loud" - Free Lance-Star
“An irrepressible sense of humor and joy … complete and utter charm” – Metro Weekly
“A wildly outrageous comedy … not to be missed” – MD Theatre Guide
"A raucous and heartfelt ride" - TheatreBloom
“An entertaining, energetic, and side-splitting production” – Plays To See