Anne E. B. Coldiron: Difference between revisions

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This page reflects a scholar's association with the [[Folger Institute]].
This page reflects a scholar's association with the [[Folger Institute]].
 
 
A. E. B. Coldiron is Professor of English and Affiliated Faculty in French at Florida State University. She serves on the editorial board of the Tudor and Stuart Translations series for the Modern Humanities Research Association. Author of numerous articles and three books on early modern and late-medieval translation, her most recent title is ''Printers Without Borders: Englishing Texts in the Renaissance ''(forthcoming 2014).
=== Long-term fellowship ===
=== Long-term fellowship ===
Printers Without Borders: Translation and Transnationalism in Tudor Literature (NEH, [[Folger Institute 2010-2011 long-term fellows|2010-2011]])
"Printers Without Borders: Translation and Transnationalism in Tudor Literature" (NEH, [[Folger Institute 2010–2011 long-term fellows|2010–2011]])
   
   
''Printers without Borders'' studies translation, printing, and transnationalism in the first phases of the Renaissance media revolution. This book project builds on the work of such scholars as Helgerson, Hadfield, and MacEachern, who establish the centrality of early modern nationalism and nation-building in the sixteenth and seventeenth centuries. It is widely accepted that printing and translation helped develop English literary nationhood, enriching English letters and shaping English identity and power. But by studying the preceding century—the first crucial century after Caxton brought the press to England in 1476—and by focusing on two allied processes of textual transformation (printing and translation), this project reveals foundational transnational impulses developing alongside that better-known story of literary nationhood.  Earlier printer-translators such as Caxton, De Worde, Pynson, or Wyer, and later ones, such as Richard Field or John Wolfe, reached ever-broadening readerships by Englishing works that nevertheless remained visibly, vividly foreign. (The projects shows that “Englishing” comes to include e.g. transmediation, hybridity, cultural polysystems accommodations; thus that “English” literature comes to include considerable, essential alterity.) Among topics treated: the Arabic and multi-vernacular origins of Caxton’s ''Dictes'' (1477); Chartier’s anti-court critiques, deracinated and recontextualized during English rebellions; Beza’s octolingual broadside celebrating the Armada victory (Bishop/Newberie, 1588; extant copies on vellum & paper); Castiglione in bilingual-trilingual editions (Cloquemin, 1580; Huguetan, 1585; Wolfe, 1588); macaronic poems. These printer-translators’ work retained residual foreignness and connected readerships across emergent national boundaries. Their negotiations with alterity were fundamental; their transmediations/translations helped new English readers understand themselves as part of a wider world.
''Printers without Borders'' studies translation, printing, and transnationalism in the first phases of the Renaissance media revolution. This book project builds on the work of such scholars as Helgerson, Hadfield, and MacEachern, who establish the centrality of early modern nationalism and nation-building in the sixteenth and seventeenth centuries. It is widely accepted that printing and translation helped develop English literary nationhood, enriching English letters and shaping English identity and power. But by studying the preceding century—the first crucial century after Caxton brought the press to England in 1476—and by focusing on two allied processes of textual transformation (printing and translation), this project reveals foundational transnational impulses developing alongside that better-known story of literary nationhood.  Earlier printer-translators such as Caxton, De Worde, Pynson, or Wyer, and later ones, such as Richard Field or John Wolfe, reached ever-broadening readerships by Englishing works that nevertheless remained visibly, vividly foreign. (The projects shows that “Englishing” comes to include e.g. transmediation, hybridity, cultural polysystems accommodations; thus that “English” literature comes to include considerable, essential alterity.) Among topics treated: the Arabic and multi-vernacular origins of Caxton’s ''Dictes'' (1477); Chartier’s anti-court critiques, deracinated and recontextualized during English rebellions; Beza’s octolingual broadside celebrating the Armada victory (Bishop/Newberie, 1588; extant copies on vellum & paper); Castiglione in bilingual-trilingual editions (Cloquemin, 1580; Huguetan, 1585; Wolfe, 1588); macaronic poems. These printer-translators’ work retained residual foreignness and connected readerships across emergent national boundaries. Their negotiations with alterity were fundamental; their transmediations/translations helped new English readers understand themselves as part of a wider world.
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===Scholarly Programs===
===Scholarly Programs===
Director, [[Folger Institute current scholarly programs|Renaissance/Early Modern Translation]] (Colloquium, 2014-2015)  
Director, [[Renaissance/Early Modern Translation (colloquium)|Renaissance/Early Modern Translation]] (Colloquium, 2014–2015)  


Speaker, [[Teaching Book History (workshop)|Teaching Book History]] (Workshop, [[2012-2013 Folger Institute programs|2012-2013]])
Speaker, [[Teaching Book History (workshop)|Teaching Book History]] (Workshop, [[2012–2013 Folger Institute Scholarly Programs|2012–2013]])


Speaker, [[Early Modern Translation: Theory, History, Practice (conference)|Early Modern Translation: Theory, History, Practice]] (Conference, [[2010-2011 Folger Institute programs|2010-2011]])
Speaker, [[Early Modern Translation: Theory, History, Practice (conference)|Early Modern Translation: Theory, History, Practice]] (Conference, [[2010–2011 Folger Institute Scholarly Programs|2010–2011]])


Participant, [[The History of the Stationers' Company 1557-1710 (seminar)|The History of the Stationers' Company 1557-1710]] (Seminar, [[2010-2011 Folger Institute programs|2010-2011]])
Participant, [[The History of the Stationers' Company 1557–1710 (seminar)|The History of the Stationers' Company 1557–1710]] (Seminar, [[2010–2011 Folger Institute Scholarly Programs|2010–2011]])


Participant, [[Scattered Rhymes, Bound Pages (seminar)|Scattered Rhymes, Bound Pages]] (Seminar, [[1998-1999 Folger Institute programs|1998-1999]])
Participant, [[Scattered Rhymes, Bound Pages (seminar)|Scattered Rhymes, Bound Pages]] (Seminar, [[1998–1999 Folger Institute Scholarly Programs|1998–1999]])


[[Category:Folger Institute]]
[[Category:Folger Institute]]

Latest revision as of 15:24, 19 March 2015

This page reflects a scholar's association with the Folger Institute.

Long-term fellowship

"Printers Without Borders: Translation and Transnationalism in Tudor Literature" (NEH, 2010–2011)

Printers without Borders studies translation, printing, and transnationalism in the first phases of the Renaissance media revolution. This book project builds on the work of such scholars as Helgerson, Hadfield, and MacEachern, who establish the centrality of early modern nationalism and nation-building in the sixteenth and seventeenth centuries. It is widely accepted that printing and translation helped develop English literary nationhood, enriching English letters and shaping English identity and power. But by studying the preceding century—the first crucial century after Caxton brought the press to England in 1476—and by focusing on two allied processes of textual transformation (printing and translation), this project reveals foundational transnational impulses developing alongside that better-known story of literary nationhood. Earlier printer-translators such as Caxton, De Worde, Pynson, or Wyer, and later ones, such as Richard Field or John Wolfe, reached ever-broadening readerships by Englishing works that nevertheless remained visibly, vividly foreign. (The projects shows that “Englishing” comes to include e.g. transmediation, hybridity, cultural polysystems accommodations; thus that “English” literature comes to include considerable, essential alterity.) Among topics treated: the Arabic and multi-vernacular origins of Caxton’s Dictes (1477); Chartier’s anti-court critiques, deracinated and recontextualized during English rebellions; Beza’s octolingual broadside celebrating the Armada victory (Bishop/Newberie, 1588; extant copies on vellum & paper); Castiglione in bilingual-trilingual editions (Cloquemin, 1580; Huguetan, 1585; Wolfe, 1588); macaronic poems. These printer-translators’ work retained residual foreignness and connected readerships across emergent national boundaries. Their negotiations with alterity were fundamental; their transmediations/translations helped new English readers understand themselves as part of a wider world.

Short-term Fellowship

2002

Scholarly Programs

Director, Renaissance/Early Modern Translation (Colloquium, 2014–2015)

Speaker, Teaching Book History (Workshop, 2012–2013)

Speaker, Early Modern Translation: Theory, History, Practice (Conference, 2010–2011)

Participant, The History of the Stationers' Company 1557–1710 (Seminar, 2010–2011)

Participant, Scattered Rhymes, Bound Pages (Seminar, 1998–1999)