The New Music and the Old: the Early Seventeenth Century: Difference between revisions
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=== Folger Consort === | === Folger Consort === | ||
''Artistic Director'' | ''Artistic Director'' | ||
* Robert Eisenstein: viol | |||
* Christopher Kendall: lute | |||
* Warren Luther: Viol | |||
* Scott Reiss: recorder | |||
''Members'' | |||
* Ann Monoyios: soprano | |||
=== Guest Artists === | |||
* James Richman: harpsichord, virginals | |||
* Louise Schulman: cittern, viol, baroque violin |
Latest revision as of 08:49, 16 October 2019
Folger Consort performed The New Music and the Old: the Early Seventeenth Century in the Gallery and the Elizabethan Theatre on March 4 and March 5, 1979. The early seventeenth century was a transitional time for European music, in some ways a revolutionary time. This program presented music from opposite poles of the seventeenth-century musical culture: the somewhat insular and more conservative English styles and the deliberately new Italian experiments that eventually led to the establishment of what is known by most people today as Baroque style.
Artists
Folger Consort
Artistic Director
- Robert Eisenstein: viol
- Christopher Kendall: lute
- Warren Luther: Viol
- Scott Reiss: recorder
Members
- Ann Monoyios: soprano
Guest Artists
- James Richman: harpsichord, virginals
- Louise Schulman: cittern, viol, baroque violin