Suzanne Coley: Difference between revisions
LeahThomas (talk | contribs) (Created page with "'''Artistic Research Fellowship''' Suzanne Coley is a 2023–25 Folger Shakespeare Institute Fellow. Her work explores the intersection of textiles, printmaking, and literature, translating Shakespeare’s texts into textile-based artist’s books. She was a 2023–24 resident artist and scholar at the Arizona Center for Medieval and Renaissance Studies. left|thumb|Cover of ''Gracious Light'' by Suzanne Coley, 2020 '''Exhibitions at the...") |
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'''Exhibitions at the Folger''' | '''Exhibitions at the Folger''' | ||
The Folger Shakespeare Library exhibited Coley’s textile books Gracious Light (2020) and Born of Love (2024), translations of Sonnets 7 and 151, in the Out of the Vault Research Case (September 16, 2024 – February 9, 2025). The Folger acquired her textile book No Longer Yours, translation of Sonnet 13, for its permanent collection and will display it in spring 2025. | The Folger Shakespeare Library exhibited Coley’s textile books ''Gracious Light'' (2020) and ''Born of Love'' (2024), translations of Sonnets 7 and 151, in the ''Out of the Vault Research Case'' (September 16, 2024 – February 9, 2025). The Folger acquired her textile book ''[https://catalog.folger.edu/record/1134015?ln=en No Longer Yours]'', translation of Sonnet 13, for its permanent collection and will display it in spring 2025. | ||
[[File:Coley Gracious Light Linocut textjpg.jpg|thumb|''Gracious Light'' linocut by Suzanne Coley, 2020]] | [[File:Coley Gracious Light Linocut textjpg.jpg|thumb|''Gracious Light'' linocut by Suzanne Coley, 2020]] | ||
'''Talks at the Folger''' | '''Talks at the Folger''' | ||
As part of her Folger fellowship, Coley led Coded Threads: Translating Shakespeare Through Art, an artist talk exploring the conceptual and technical aspects of translating Shakespeare’s language into fiber art. The talk was part of a daylong event featuring Maryland fiber artists who collaborated with Coley on two textile books inspired by Measure for Measure. Coley’s presentation highlighted the creative process behind the project, offering insights into the intersection of literature and textile design. During the talk, Coley presented two of the four books she created during her Folger residency, Flowers for Mistress Overdone, Book 1 and Book 2 (2024). The books feature elaborately embroidered covers and meticulously crafted textile pages with linocuts and embroidery. | As part of her Folger fellowship, Coley led ''Coded Threads: Translating Shakespeare Through Art'', an artist talk exploring the conceptual and technical aspects of translating Shakespeare’s language into fiber art. The talk was part of a daylong event featuring Maryland fiber artists who collaborated with Coley on two textile books inspired by ''Measure for Measure''. Coley’s presentation highlighted the creative process behind the project, offering insights into the intersection of literature and textile design. During the talk, Coley presented two of the four books she created during her Folger residency, Flowers for Mistress Overdone, Book 1 and Book 2 (2024). The books feature elaborately embroidered covers and meticulously crafted textile pages with linocuts and embroidery. | ||
'''About the Artist''' | '''About the Artist''' | ||
Coley is a multidisciplinary artist specializing in embroidery, book binding, and printmaking. Her work examines how trauma materializes in cultural memory, often incorporating historical textiles and needlework techniques. Her series Love Sonnets from Shakespeare to Baltimore reimagines Shakespeare’s language through fabric, texture, and hand-stitched narratives. Her artwork is in the collections of the Smithsonian National Museum of African Art, the National Museum of Women in the Arts, and the Folger Shakespeare Library. To learn more about her work please visit: https://suzannecoley.com | Coley is a multidisciplinary artist specializing in embroidery, book binding, and printmaking. Her work examines how trauma materializes in cultural memory, often incorporating historical textiles and needlework techniques. Her series ''Love Sonnets from Shakespeare to Baltimore'' reimagines Shakespeare’s language through fabric, texture, and hand-stitched narratives. Her artwork is in the collections of the Smithsonian National Museum of African Art, the National Museum of Women in the Arts, and the Folger Shakespeare Library. To learn more about her work please visit: https://suzannecoley.com | ||
[[File:Coley No Longer Yours.jpg|left|thumb|Cover of ''No Longer Yours'' by Suzanne Coley, | [[File:Coley No Longer Yours.jpg|left|thumb|Cover of ''No Longer Yours'' by Suzanne Coley, 2020]] | ||
[[File:Coley NoLongerYours pg2and3.jpg|thumb|''No Longer Yours'' by Suzanne Coley, 2020]] | |||
[[File:Coley NoLongerYours Redpages.jpg|center|thumb|''No Longer Yours'' by Suzanne Coley, 2020]] | |||
Latest revision as of 16:45, 4 March 2025
Artistic Research Fellowship
Suzanne Coley is a 2023–25 Folger Shakespeare Institute Fellow. Her work explores the intersection of textiles, printmaking, and literature, translating Shakespeare’s texts into textile-based artist’s books. She was a 2023–24 resident artist and scholar at the Arizona Center for Medieval and Renaissance Studies.
Exhibitions at the Folger
The Folger Shakespeare Library exhibited Coley’s textile books Gracious Light (2020) and Born of Love (2024), translations of Sonnets 7 and 151, in the Out of the Vault Research Case (September 16, 2024 – February 9, 2025). The Folger acquired her textile book No Longer Yours, translation of Sonnet 13, for its permanent collection and will display it in spring 2025.
Talks at the Folger
As part of her Folger fellowship, Coley led Coded Threads: Translating Shakespeare Through Art, an artist talk exploring the conceptual and technical aspects of translating Shakespeare’s language into fiber art. The talk was part of a daylong event featuring Maryland fiber artists who collaborated with Coley on two textile books inspired by Measure for Measure. Coley’s presentation highlighted the creative process behind the project, offering insights into the intersection of literature and textile design. During the talk, Coley presented two of the four books she created during her Folger residency, Flowers for Mistress Overdone, Book 1 and Book 2 (2024). The books feature elaborately embroidered covers and meticulously crafted textile pages with linocuts and embroidery.
About the Artist
Coley is a multidisciplinary artist specializing in embroidery, book binding, and printmaking. Her work examines how trauma materializes in cultural memory, often incorporating historical textiles and needlework techniques. Her series Love Sonnets from Shakespeare to Baltimore reimagines Shakespeare’s language through fabric, texture, and hand-stitched narratives. Her artwork is in the collections of the Smithsonian National Museum of African Art, the National Museum of Women in the Arts, and the Folger Shakespeare Library. To learn more about her work please visit: https://suzannecoley.com
