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| [[Folger Institute]] short-term fellows for the 2015–2016 year. See [[previous Folger Institute short-term fellows]] for a multi-year list of previous fellows. | | #REDIRECT [[Folger Institute 2016-2017 short-term fellows]] |
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| [[Hannah Baker-Saltmarsh]], Artist in Residence
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| :''Research for poetry manuscript, Author Comma A Lady''
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| [[Sarah Barnden]], Postdoctoral Fellow, English, King’s College, London
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| :''Shakespeare Performance and the Royal Collections‚ 1714-1952''
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| [[Lakshmi Bulathsinghala]], Adjunct Lecturer, Theatre‚ Asian and Asian-American Studies, and Women, Gender and Sexuality Studies, State University of New York, Binghamton
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| :''Humor and Amusement on the Western and the Eastern Stage: A Study of the Clown Characters in Shakespearean Drama and Sri Lankan Nurthi''
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| [[Sarah Burdett]], Independent Scholar
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| :''Martial Women in the British Theatre‚ 1789-1815''
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| [[Victoria Burke]], Associate Professor, English, University of Ottawa
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| :''Collecting, Compiling, and Creating: Manuscript Writing by Seventeenth-Century Women''
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| :Society for the Study of Early Modern Women (SSEMW) Fellow
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| [[Brooke Conti]], Associate Professor, English, Cleveland State University
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| :''Religious Nostalgia from Shakespeare to Milton''
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| [[Eugenia Conwayec]], Professor, English, Appalachian State University
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| :''Ballad Keepers of the “Old Love Songs”''
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| [[Sonya Cronin]], Independent Scholar
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| :''Royalist Counter Public: Royalist Networks and Communications during the Interregnum''
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| :Renaissance Society of America (RSA) Fellow
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| [[Brian Cummings]], Anniversary Professor, English and Related Literature, University of York
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| :''Memory‚ Humanism‚ & the Reformation''
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| [[Noah Dauber]], Associate Professor, Political Science, Colgate University
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| :''The Reformed Ethics of Thomas Hobbes''
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| [[Markman Ellis]], Professor, School of English and Drama, Queen Mary University of London
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| :''Theatrical sociability: Charles Macklin’s British Inquisition‚ 1753-1755''
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| [[Misha Ewen]], Postdoctoral Fellow, History, University College London
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| :''Intimate Connections: Virginia and English Society in the Seventeenth Century''
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| [[Christine Ferdinand]], Emerita Fellow Librarian, Libraries and Archives, Magdalen College Oxford
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| :''A Biography of the Actor‚ Singer‚ and Businesswoman Anne Bracegirdle''
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| [[Amy Froide]], Professor, History, University of Maryland, Baltimore County
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| :''Clayton‚ Morris & Co.: the Clientele of an early Banking House in Restoration London''
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| [[Shanti Graheli]], Research Assistant, School of History, University of St. Andrews
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| :''A European Bestseller: The Orlando Furioso and Its Readers''
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| [[Eilish Gregory]], Postdoctoral Researcher, History, University College London
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| :''The Integration of the Catholic Community in English Society‚ 1649-1689''
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| [[Matthew Growhoski]], Assistant Research Professor and Lecturer, History, Vanderbilt University
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| :''Satire and Secret War: Literary Violence in the Age of Reformation''
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| [[Helen Hattab]], Associate Professor, Philosophy, University of Houston
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| :''Substance‚ Unity and Universals in 16th and 17th Century Philosophy''
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| [[Sarah Higinbotham]], Marion L. Brittain Postdoctoral Fellow, Literature‚ Media‚ and Communication, Georgia Tech University
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| :''The Violence of the Law: Aesthetics of Justice in Early Modern England''
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| [[Jonathan Hsy]], Associate Professor and Founding Co-Director, English and Digital Humanities Institute, The George Washington University
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| :''Digital Pasts: Deaf Culture and the Middle Ages''
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| [[Angela Iannone]], Artist in Residence
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| :''“The Prince” Play Five in The Edwin Booth Plays- Edwin Booth, Tommaso Salvini and the performance of Hamlet and Othello in 19th Century American Theatre''
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| [[John Jowet]], Professor and Deputy Director, The Shakespeare Institute, University of Birmingham
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| :''Transcript and edition of Edward Dering's Henry IV''
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| [[Carrie Klaus]], Professor, French, DePauw University
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| :''Le Sceptre de la France en quenouille: Women’s Political Authority and Expression in the Fronde''
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| [[Laura Kolb]], Assistant Professor, English, Baruch College, The City University of New York
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| :''Fictions of Credit in the Age of Shakespeare''
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| [[Heather Kopelson]], Associate Professor, History, University of Alabama
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| :''Idolatrous Processions: Music, Dance, and Cultural Exchange in the Atlantic World, 1500-1700''
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| :Omohundro Institute of Early American History and Culture (OIEAHC) Fellow
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| [[Stephanie Koscak]], Assistant Professor, History, Wake Forest University
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| :''Royal Subjects: Mass Media and the Reinvention of Reverence''
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| [[Colin Lahive]], National University of Ireland Postdoctoral Research Fellow, School of English‚ Drama and Film, University College Dublin
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| :''Milton's Irish Readers''
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| [[Katarzyna Lecky]], Assistant Professor, English, Bucknell University
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| :''English Roots: Cultivating the Early Modern Commonwealth''
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| [[Hilary Leichter]], Artist in Residence
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| :''The Ghost: A Commonplace Book''
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| [[Ivan Lupic]], Assistant Professor, English, Stanford University
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| :''Shakespeare and the End of Editing''
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| [[Lynne Magnusson]], Professor, English, University of Toronto
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| :''Shakespeare's Language and the Grammar of Possibility''
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| [[James Marino]], Associate Professor, English, Cleveland State University
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| :''The Laius Complex: Shakespeare‚ Freud‚ and the Murderous Father''
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| [[Clare McManus]], Professor, English and Creative Writing, University of Roehampton
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| :''Early Modern Women's Performance and the Dramatic Canon''
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| [[Nedda Mehdizadeh]], Lecturer, Writing Programs, University of California, Los Angeles
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| :''Translating Persia: Safavid Iran and Early Modern English Writing''
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| [[Marc Mierowsky]], S. Ernest Sprott Fellow in Seventeenth-Century Literature, English, University of Cambridge
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| :''Friendship as Resistance in the Poetry of Jacobite Women''
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| [[David Miller]], Carolina Distinguished Professor, English and Comparative Literature, University of South Carolina
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| :''“Amoretti” and “Epithalamion” for The Collected Works of Edmund Spenser''
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| [[Jennifer Mori]], Professor, History, University of Toronto
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| :''Popular science in the Gentleman's Magazine‚ 1778-1826''
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| :American Society for Eighteenth-Century Studies (ASECS) Fellow
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| [[Kendra Packham]], Lewis Walpole Library Visiting Fellow, University Library, Yale University
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| :''Engaging with Catholic Books in “Long Reformation” England''
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| [[Courtney Quaintance]], Associate Professor, French and Italian, Dartmouth College
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| :''Performing Women: Opera, Literature, and the Female Voice in Early Modern Italy''
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| :Renaissance Society of America (RSA) Fellow
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| [[Susan Royal]], Lecturer, Theology and Religion, Durham University
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| :''Memory and Martyrdom Across Borders: The Waldensians in the Early Modern English Imagination''
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| [[Simon Ryle]], Assistant Professor, English, University of Split
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| :''Shakespeare’s Alphabet: Print Technology and Poetic Infrastructure''
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| [[Alec Ryrie]], Professor, Theology and Religion, Durham University
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| :''An Emotional History of Atheism in Renaissance England''
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| [[Paul Salzman]], Professor Emeritus, English, La Trobe University
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| :''How editors constructed the Renaissance Literary Canon‚ 1825-1915''
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| [[Maria Shmygol]], Postdoctoral Research Associate, English, University of Geneva
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| :''The German Shakespeare Project: Tito Andronico (1620)''
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| [[Lauren Shohet]], Professor, English, Villanova University
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| :''Yet / Once / More: Mediation, Remedy, and Milton's Paradise Lost''
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| [[James Siemon]], Professor, English, Boston University
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| :''Social Hierarchy and Distinction: Shakespeare''
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| [[Lindsey Snyder]], ASL Interpreter, Educator, and Artist, Theatre, American Shakespeare Center
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| :''Sawing the Air Thus: American Sign Language translations of Shakespeare and the Echo of Rhetorical Gesture''
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| [[Sarah Toulalan]], Associate Professor, History, University of Exeter
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| :''Multiple births in early modern England: mortality‚ maternity‚ meanings''
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