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| Folger Institute short-term fellows for the 2015–2016 year. See previous Folger Institute short-term fellows for a multi-year list of previous fellows. | | #REDIRECT [[Folger Institute 2016-2017 short-term fellows]] |
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| Hannah Baker-Saltmarsh, Artist in Residence
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| :Research for poetry manuscript, Author Comma A Lady
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| Sarah Barnden, Postdoctoral Fellow, English, King’s College, London
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| :Shakespeare Performance and the Royal Collections‚ 1714-1952
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| Lakshmi Bulathsinghala, Adjunct Lecturer, Theatre‚ Asian and Asian-American Studies, and Women, Gender and Sexuality Studies, State University of New York, Binghamton
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| :Humor and Amusement on the Western and the Eastern Stage: A Study of the Clown Characters in Shakespearean Drama and Sri Lankan Nurthi
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| Sarah Burdett, Independent Scholar
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| :Martial Women in the British Theatre‚ 1789-1815
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| Victoria Burke, Associate Professor, English, University of Ottawa
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| :Collecting, Compiling, and Creating: Manuscript Writing by Seventeenth-Century Women
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| Society for the Study of Early Modern Women (SSEMW) Fellow
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| Brooke Conti, Associate Professor, English, Cleveland State University
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| :Religious Nostalgia from Shakespeare to Milton
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| Eugenia Conwayec, Professor, English, Appalachian State University
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| :Ballad Keepers of the “Old Love Songs”
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| Sonya Cronin, Independent Scholar
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| :Royalist Counter Public: Royalist Networks and Communications during the Interregnum
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| Renaissance Society of America (RSA) Fellow
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| Brian Cummings, Anniversary Professor, English and Related Literature, University of York
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| :Memory‚ Humanism‚ & the Reformation
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| Noah Dauber, Associate Professor, Political Science, Colgate University
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| :The Reformed Ethics of Thomas Hobbes
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| Markman Ellis, Professor, School of English and Drama, Queen Mary University of London
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| :Theatrical sociability: Charles Macklin’s British Inquisition‚ 1753-1755
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| Misha Ewen, Postdoctoral Fellow, History, University College London
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| :Intimate Connections: Virginia and English Society in the Seventeenth Century
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| Christine Ferdinand, Emerita Fellow Librarian, Libraries and Archives, Magdalen College Oxford
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| :A Biography of the Actor‚ Singer‚ and Businesswoman Anne Bracegirdle
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| Amy Froide, Professor, History, University of Maryland, Baltimore County
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| :Clayton‚ Morris & Co.: the Clientele of an early Banking House in Restoration London
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| Shanti Graheli, Research Assistant, School of History, University of St. Andrews
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| :A European Bestseller: The Orlando Furioso and Its Readers
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| Eilish Gregory, Postdoctoral Researcher, History, University College London
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| :The Integration of the Catholic Community in English Society‚ 1649-1689
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| Matthew Growhoski, Assistant Research Professor and Lecturer, History, Vanderbilt University
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| :Satire and Secret War: Literary Violence in the Age of Reformation
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| Helen Hattab, Associate Professor, Philosophy, University of Houston
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| :Substance‚ Unity and Universals in 16th and 17th Century Philosophy
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| Sarah Higinbotham, Marion L. Brittain Postdoctoral Fellow, Literature‚ Media‚ and Communication, Georgia Tech University
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| :The Violence of the Law: Aesthetics of Justice in Early Modern England
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| Jonathan Hsy, Associate Professor and Founding Co-Director, English and Digital Humanities Institute, The George Washington University
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| :Digital Pasts: Deaf Culture and the Middle Ages
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| Angela Iannone, Artist in Residence
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| :“The Prince” Play Five in The Edwin Booth Plays- Edwin Booth, Tommaso Salvini and the performance of Hamlet and Othello in 19th Century American Theatre
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| John Jowet, Professor and Deputy Director, The Shakespeare Institute, University of Birmingham
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| :Transcript and edition of Edward Dering's Henry IV
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| Carrie Klaus, Professor, French, DePauw University
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| :Le Sceptre de la France en quenouille: Women’s Political Authority and Expression in the Fronde
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| Laura Kolb, Assistant Professor, English, Baruch College, The City University of New York
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| :Fictions of Credit in the Age of Shakespeare
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| Heather Kopelson, Associate Professor, History, University of Alabama
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| :Idolatrous Processions: Music, Dance, and Cultural Exchange in the Atlantic World, 1500-1700
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| Omohundro Institute of Early American History and Culture (OIEAHC) Fellow
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| Stephanie Koscak, Assistant Professor, History, Wake Forest University
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| :Royal Subjects: Mass Media and the Reinvention of Reverence
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| Colin Lahive, National University of Ireland Postdoctoral Research Fellow, School of English‚ Drama and Film, University College Dublin
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| :Milton's Irish Readers
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| Katarzyna Lecky, Assistant Professor, English, Bucknell University
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| :English Roots: Cultivating the Early Modern Commonwealth
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| Hilary Leichter, Artist in Residence
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| :The Ghost: A Commonplace Book
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| Ivan Lupic, Assistant Professor, English, Stanford University
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| :Shakespeare and the End of Editing
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| Lynne Magnusson, Professor, English, University of Toronto
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| :Shakespeare's Language and the Grammar of Possibility
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| James Marino, Associate Professor, English, Cleveland State University
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| :The Laius Complex: Shakespeare‚ Freud‚ and the Murderous Father
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| Clare McManus, Professor, English and Creative Writing, University of Roehampton
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| :Early Modern Women's Performance and the Dramatic Canon
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| Nedda Mehdizadeh, Lecturer, Writing Programs, University of California, Los Angeles
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| :Translating Persia: Safavid Iran and Early Modern English Writing
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| Marc Mierowsky, S. Ernest Sprott Fellow in Seventeenth-Century Literature, English, University of Cambridge
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| :Friendship as Resistance in the Poetry of Jacobite Women
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| David Miller, Carolina Distinguished Professor, English and Comparative Literature, University of South Carolina
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| :“Amoretti” and “Epithalamion” for The Collected Works of Edmund Spenser
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| Jennifer Mori, Professor, History, University of Toronto
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| :Popular science in the Gentleman's Magazine‚ 1778-1826
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| American Society for Eighteenth-Century Studies (ASECS) Fellow
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| Kendra Packham, Lewis Walpole Library Visiting Fellow, University Library, Yale University
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| :Engaging with Catholic Books in “Long Reformation” England
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| Courtney Quaintance, Associate Professor, French and Italian, Dartmouth College
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| :Performing Women: Opera, Literature, and the Female Voice in Early Modern Italy
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| Renaissance Society of America (RSA) Fellow
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| Susan Royal, Lecturer, Theology and Religion, Durham University
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| :Memory and Martyrdom Across Borders: The Waldensians in the Early Modern English Imagination
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| Simon Ryle, Assistant Professor, English, University of Split
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| :Shakespeare’s Alphabet: Print Technology and Poetic Infrastructure
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| Alec Ryrie, Professor, Theology and Religion, Durham University
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| :An Emotional History of Atheism in Renaissance England
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| Paul Salzman, Professor Emeritus, English, La Trobe University
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| :How editors constructed the Renaissance Literary Canon‚ 1825-1915
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| Maria Shmygol, Postdoctoral Research Associate, English, University of Geneva
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| :The German Shakespeare Project: Tito Andronico (1620)
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| Lauren Shohet, Professor, English, Villanova University
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| :Yet / Once / More: Mediation, Remedy, and Milton's Paradise Lost
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| James Siemon, Professor, English, Boston University
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| :Social Hierarchy and Distinction: Shakespeare
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| Lindsey Snyder, ASL Interpreter, Educator, and Artist, Theatre, American Shakespeare Center
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| :Sawing the Air Thus: American Sign Language translations of Shakespeare and the Echo of Rhetorical Gesture
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| Sarah Toulalan, Associate Professor, History, University of Exeter
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| :Multiple births in early modern England: mortality‚ maternity‚ meanings
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