Josquin & Isaac: Master of the Notes (2005): Difference between revisions
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Josquin--whose ravishingly expressive works were universally admired for their sublime beauty--was unquestionably the greatest composer of his age. Yet, Isaac--who astonishing versatility produced songs in every language, lively instrumental pieces, and masterpieces of Flemish contrapuntal art--was not far behind. In the season's opening concert, ''Josquin & Isaac: Master of the Notes'', the Folger Consort performed motets, songs, and carmina by both Renaissance masters. Performances were held from October 7 to October 9, 2005. | Josquin--whose ravishingly expressive works were universally admired for their sublime beauty--was unquestionably the greatest composer of his age. Yet, Isaac--who astonishing versatility produced songs in every language, lively instrumental pieces, and masterpieces of Flemish contrapuntal art--was not far behind. In the season's opening concert, ''Josquin & Isaac: Master of the Notes'', the [[Folger Consort]] performed motets, songs, and carmina by both Renaissance masters. Performances were held from October 7 to October 9, 2005. | ||
==Artists== | ==Artists== |
Revision as of 10:43, 13 June 2014
Josquin--whose ravishingly expressive works were universally admired for their sublime beauty--was unquestionably the greatest composer of his age. Yet, Isaac--who astonishing versatility produced songs in every language, lively instrumental pieces, and masterpieces of Flemish contrapuntal art--was not far behind. In the season's opening concert, Josquin & Isaac: Master of the Notes, the Folger Consort performed motets, songs, and carmina by both Renaissance masters. Performances were held from October 7 to October 9, 2005.
Artists
Folger Consort
Artistic Directors
- Robert Eisenstein: violin, viol
- Christopher Kendall: lute
Guest artists
- Philip Cave: Tenor
- Barbara Hollinshead: Mezzo Soprano
- William Sharp: Baritone
- Daniel Stillman: Recorders, Trombone, Dulcian
- Margriet Tindemans: Viol
- Jay White: Countertenor