List of paintings at the Folger in the Pressly Catalogue: Difference between revisions
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| 125 || Thomas Sully || ''Charlotte Cushman'' || 1843 || Oil on canvas || 51.4 x 44 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128667/ FPb47] || [http://luna.folger.edu/luna/servlet/s/9fp88u/ LUNA Digital Image] | | 125 || Thomas Sully || ''Charlotte Cushman'' || 1843 || Oil on canvas || 51.4 x 44 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128667/ FPb47] || [http://luna.folger.edu/luna/servlet/s/9fp88u/ LUNA Digital Image] | ||
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| 126 || Wilhelm Trautschold || ''Charlotte Cushman'' || ca. 1847 || Oil on canvas || 46.3 x 35.5 cm || Theatrical portraiture || | | 126 || Wilhelm Trautschold || ''Charlotte Cushman'' || ca. 1847 || Oil on canvas || 46.3 x 35.5 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128668/ FPb49] || | ||
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| 127 || Richard Westall, attributed to || ''Volumnia pleading with Coriolanus'' ('''Coriolanus''' V.3) || ca. 1800 || Oil on canvas || 76.5 x 64.3 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128669/ FPa33] || [http://luna.folger.edu/luna/servlet/s/x8w72x/ LUNA Digital Image] | |||
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| 128 || Benjamin Wilson || ''William Powell as Hamlet encountering the Ghost'' ('''Hamlet''' I.4) || ca. 1768-69 || Oil no canvas || 126.4 x 116 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128670/ FPa88] || [http://luna.folger.edu/luna/servlet/s/29rr9k/ LUNA Digital Image] | |||
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| 129 || Anonymous || ''Eliza Walstein (?) as Rosalind'' ('''As You Like It''' III.5) || After ca. 1815 || Oil on panel || 11.5 x 7.8 cm || Theatrical portraiture|| [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128671/ FPb6] || | |||
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| 130 || Anonymous, American school? || ''Sarah Siddons as Queen Katharine'' ('''Henry VIII''' II.4) || After 1817 || Oil on canvas || 81 x 55.1 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128672/ FPb5] || | |||
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| 131 || Anonymous || ''Isabella Glyn as Lady Macbeth'' ('''Macbeth''' I.5) || After 1850 || Oil on canvas || 90.7 x 73.5 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128673/ FPb4] || | |||
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| 132 || Anonymous || ''Sarah Siddons as Lady Macbeth'' ('''Macbeth''' II.2) || ca. 1790-1810 || Oil on canvas || 73.6 x 60.9 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128674/ FPa52] || [http://luna.folger.edu/luna/servlet/s/066bp6/ LUNA Digital Image] | |||
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| 133 || Anonymous || ''Actor in the character of Othello'' || Late nineteenth century || Oil on paper mounted on cardboard || 34.7 x 23.8 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128675/ FPb7] || | |||
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| 134 || Anonymous || ''Edmund Kean as Sir Giles Overreach'' (Philip Massinger, '''A New Way to Pay Old Debts''') || ca. 1816 || Oil on panle || 38.4 x 28.4 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128676/ FPb20] || | |||
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| 135 || Sir Joshua Reynolds, attributed to || ''Unknown man'' || || Oil on canvas || 63.8 x 53 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128677/ FPb39] || | |||
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| 136 || Anonymous || ''Unknown boy'' || Early nineteenth century || Oil on canvas || 50.3 x 41 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128678/ FPb35] || | |||
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| 137 || Anonymous || '''Unknown man [David Garrick?]'' || ca. 1760s || Oil on canvas || 76.6 x 64.4 cm || Theatrical portraiture || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128679/ FPb11] || [http://luna.folger.edu/luna/servlet/s/j3tf43/ LUNA Digital Image] | |||
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| 138 || James Ferguson || ''Margaret Woffington'' || Mid-eighteenth cenutry || Pencil and india ink on vellum, oval || 5.5 x 4.4 cm || Miniatures (theatrical) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128680/ FPm16] || | |||
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| 139 || John Howes, after Cipriani || ''David Garrick unveiling a herm of Shakespeare and the Ephesian Diana'' || 1777 || Enamel, circular || 11.7 cm in diameter || Miniatures (theatrical) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128681/ FPm17] || [http://luna.folger.edu/luna/servlet/s/8f780h/ LUNA Digital Image] | |||
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| 140 || Joseph Inchbald, attributed to || ''Elizabeth Inchbald'' || ca. 1722-79 || Watercolor on ivory, circular, irregular || 4.2 x 4.1 cm || Miniatures (theatrical) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128682/ ART Box I37 no.1] || [http://luna.folger.edu/luna/servlet/s/v998eo/ LUNA Digital Image] | |||
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| 141 || Joseph Inchbald, attributed to || ''Robert Inchbald'' || ca. 1770s || Watercolor on ivory, oval image on rectangular piece of ivory with clipped corners || 4.6 x 3.8 cm || Miniatures (theatrical) || [http://shakespeare.folger.edu/cgi-bin/Pwebrecon.cgi?BBID=128683/ ART Box I37 no.2] || [http://luna.folger.edu/luna/servlet/s/78718b/ LUNA Digital Image] |
Revision as of 10:06, 16 July 2014
Pressly number | Artist | Title | Year | Medium | Size | Classification | Hamnet | LUNA |
---|---|---|---|---|---|---|---|---|
1 | John White Abbot | Macbeth recoiling from the apparition of the crowned child (Macbeth IV.1) | 1829 | Oil on panel | 19.7 x 23. 7 cm | Literary illustrations | FPa1 | LUNA Digital Image |
2 | John White Abbot | Prospero commanding Ariel (The Tempest I.2) | 1829 | Oil on panel | 19.7 x 23. 7 cm | Literary illustrations | FPa2 | LUNA Digital Image |
3 | Thomas Barker of Bath | Macbeth and the Witches (Macbeth IV.1) | ca. 1830 | Oil on canvas | 117.5 x 94.3 cm | Literary illustrations | FPa5 | LUNA Digital Image |
4 | Friedrich Brockmann | Portia and Nerissa (The Merchant of Venice I.2) | 1849 | Oil on canvas | 109.4 x 90.9 cm | Literary illustrations | FPa7 | LUNA Digital Image |
5 | John Cawse | Falstaff boasting to Prince Hal and Poins (Henry IV, Part 1 II.4) | ca. 1820s | Oil on canvas | 34.9 x 44.3 cm | Literary illustrations | FPa10 | |
6 | John Cawse | Falstaff mocking Bardolph's nose (Henry IV, Part I III.3) | ca. 1820s | Oil on canvas | 33.6 x 42.8 cm | Literary illustrations | FPa9 | LUNA Digital Image |
7 | John Cawse | Falstaff, Prince Hal, and Mistress Quickly (Henry IV, Part I III.3) | ca. 1820s | Oil on canvas | 63.6 x 76.9 cm | Literary illustrations | FPa15 | |
8 | John Cawse | Falstaff choosing his recruits (Henry IV, Part 2 III.2) | 1818 | Oil on canvas | 63.8 x 76.1 cm | Literary illustrations | FPa14 | LUNA Digital Image |
9 | John Cawse | Falstaff choosing his recruits (Henry IV, Part 2 III.2) | ca. 1820s | Oil on canvas | 53.5 x 71.2 cm | Literary illustrations | FPa90 | |
10 | John Cawse | Bardolph and Falstaff putting Wart through the drill (Henry IV, Part 2 III.2) | 1827? | Oil on canvas | 59.8 x 84.1 cm | Literary illustrations | FPa13 | LUNA Digital Image |
11 | John Cawse | Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) | ca. 1820 | Oil on canvas | 52.2 x 78 cm | Literary illustrations | FPa12 | LUNA Digital Image |
12 | John Cawse | Pistol announcing to Falstaff the death of the king (Henry IV, Part 2 V.3) | ca. 1820s | Oil on canvas | 73.2 x 76.5 cm | Literary illustrations | FPa11 | LUNA Digital Image |
13 | John Cawse | Autolycus selling his wares (The Winter's Tale IV.4) | ca. 1830 | Oil on canvas | 63.8 x 76.5 cm | Literary illustrations | FPa16 | LUNA Digital Image |
14 | Alexander Christie | Hamlet finding the king at prayer (Hamlet III.3) | 1842 | Oil sketch on canvas | 72.4 x 91.5 cm | Literary illustrations | FPb17 | |
15 | George Clint | Falstaff relating his valiant exploits (Henry IV, Part 1 II.4) | ca. mid-1830s | Oil on canvas | 88.3 x 119.5 cm | Literary illustrations | FPa68 | LUNA Digital Image |
16 | Richard Cook | Helen and Priam at the Scæn Gate (Homer, Iliad, book III) | 1808 | Oil on canvas | 29.3 x 24 cm | Literary illustrations | FPa75 | LUNA Digital Image |
17 | Richard Cook | Hector reproving Paris (Homer, Iliad, book VI) | 1808 | Oil on canvas | 29.4 x 24.1 cm | Literary illustrations | FPa74 | LUNA Digital Image |
18 | Alfred Dever | Sir John Falstaff and Mistress Quickly (Henry IV, Part 2 II.1) | ca. 1870 | Oil on canvas | 60 x 50 cm | Literary illustrations | FPa18 | LUNA Digital Image |
19 | George James De Wilde, attributed to | The Seven Ages of Man (As You Like It II.7) | 1823 | Oil on canvas | 58.7 x 84.5 cm | Literary illustrations | FPa19 | LUNA Digital Image |
20 | Thomas Francis Dicksee | Anne Page (The Merry Wives of Windsor I.1) | 1862 | Oil on canvas | 35.4 x 27.7 cm | Literary illustrations | FPa20 | LUNA Digital Image |
21 | Monogrammist T.E. | Ophelia (Hamlet IV.7) | Late nineteenth century | Oil on canvas, oval | 67.9 x 55.7 cm | Literary illustrations | FPa3 | LUNA Digital Image |
22 | Henry Joseph Fradelle | Othello and Desdemona (Othello III.4) | ca. 1827 | Oil on panel | 30.5 x 25.1 cm | Literary illustrations | FPb21 | LUNA Digital Image |
23 | William Powell Frith | Olivia unveiling (Twelfth Night I.5) | 1874 | Oil on canvas | 31.5 x 26.2 cm | Literary illustrations | FPa21 | LUNA Digital Image |
24 | Henry Fuseli | Macbeth consulting the vision of the armed head (Macbeth IV.1) | 1793 | Oil on canvas | 167.7 x 134.3 cm | Literary illustrations | FPa27 | LUNA Digital Image |
25 | Henry Fuseli | Puck (A Midsummer Night's Dream II.1) | ca. 1810-20 | Oil on canvas | 92 x 71.5 cm | Literary illustrations | FPa24 | LUNA Digital Image |
26 | Henry Fuseli | The two murderers of the Duke of Clarence (Richard III I.4) | ca. 1780-82 | Oil on canvas | 68.6 x 53.3 cm | Literary illustrations | FPa26 | LUNA Digital Image |
27 | Henry Fuseli | Romeo stabs Paris at the bier of Juliet (Romeo and Juliet V.3) | ca. 1809 | Oil on canvas | 71.2 x 92 cm | Literary illustrations | FPa25 | LUNA Digital Images |
28 | Henry Fuseli | Ariel (The Tempest V.1) | ca. 1800-1810 | Oil on canvas | 92.7 x 71.5 cm | Literary illustrations | FPa22 | LUNA Digital Image |
29 | Henry Fuseli | Faery Mab (John Milton, L'Allegro) | ca. 1815-20 | Oil on canvas | 70 x 90.8 cm | Literary illustrations | FPa23 | LUNA Digital Image |
30 | George Henry Hall | Sir Toby Belch (Twelfth Night II.3) | 1854 | Oil on canvas | 60.5 x 50.4 cm | Literary illustrations | FPa29 | LUNA Digital Image |
31 | George Henry Hall | Malvolio confronting the revelers (Twelfth Night II.3) | 1855 | Oil on canvas | 63.7 x 76.2 cm | Literary illustrations | FPa28 | LUNA Digital Image |
32 | William Hamilton | Isabella appealing to Angelo (Measure for Measure (II.2) | 1793 | Oil on canvas | 166.3 x 134.6 cm | Literary illustrations | FPa30 | LUNA Digital Image |
33 | William Hamilton | The Duke of York discovering his son Aumerle's treachery (Richard II V.2) | Late 1790s | Oil on canvas | 79.7 x 55.3 cm | Literary illustrations | FPa34 | LUNA Digital Image |
34 | William Hamilton | The carousing of Sit Toby Belch and Sir Andrew Aguecheek (Twelfth Night II.3) | 1792 | Oil on canvas | 78.5 x 56.2 cm | Literary illustrations | FPa32 | LUNA Digital Image |
35 | William Hamilton | Olivia's proposal (Twelfth Night IV.3) | ca. 1796 | Oil on canvas | 77.8 x 55 cm | Literary illustrations | FPa31 | LUNA Digital Image |
36 | Francis Hayman | The play scene from "Hamlet" (Hamlet II.2) | ca. 1745 | Oil on canvas | 34.8 x 29.6 cm | Literary illustrations | FPa36 | LUNA Digital Image |
37 | Francis Hayman | Falstaff reviewing his recruits (Henry IV, Part 1, III.2) | 1760s | Oil on canvas | 101.6 x 122.5 cm | Literary illustrations | FPa35 | |
38 | Francis Hayman, after | Falstaff's cowardice detected (Henry IV, Part 1, II.4) | Mid-eighteenth century | Oil on canvas | 26.4 x 36.5 cm | Literary illustrations | FPb12 | |
39 | William Salter Herrick | Hamlet in the Queen's chamber (Hamlet III.4) | ca. 1857 | Oil on canvas | 114.1 x 157.6 cm | Literary illustrations | FPa37 | LUNA Digital Image |
40 | James Clarke Hook | Othello's description of Desdemona (Othello IV.1) | ca. 1852 | Oil on panel | 78.6 x 53.3 cm | Literary illustrations | FPa38 | LUNA Digital Image |
41 | Arthur Boyd Houghton | Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek (Twelfth Night IV.1) | ca. 1854 | Oil on panel | 29.8 x 39.7 cm | Literary illustrations | FPb63 | LUNA Digital Image |
42 | Frank Howard | Portia pronouncing sentence (The Merchant of Venice IV.1) | ca. 1830-31 | Oil on canvas | 71.2 x 91.5 cm | Literary illustrations | FPb3 | LUNA Digital Image |
43 | George Jones, attributed to | Hamlet in the Queen's closet (Hamlet III.4) | ca. 1830 | Oil on panel | 30.5 x 25 cm | Literary illustrations | FPb29 | LUNA Digital Image |
44 | G. Jones | Falstaff and Ford at the Garter Inn (The Merry Wives of Windsor II.2) | 1864 | Oil on panel, irregular | 14.7 x 20.5 cm | Literary illustrations | FPb30 | |
45 | Sir James Dromgole Linton | Portia (The Merchant of Venice IV.1) | ca. 1895 | Oil on canvas | 127.3 x 71 cm | Literary illustrations | FPa39 | LUNA Digital Image |
46 | Henry Liverseege, after | The grave-digger (Hamlet V.1) | ca. 1832 | Oil on canvas | 46.5 x 35.5 cm | Literary illustrations | FPb44 | LUNA Digital Image |
47 | Henry Liverseege, after | Falstaff and Bardolph (Henry IV, Part 1 III.3) | After 1833 | Oil on canvas | 40.1 x 30.6 cm | Literary illustrations | FPa40 | |
48 | Henry Liverseege, after | Falstaff and Bardolph (Henry IV, Part 1 III.3) | After 1833 | Oil on canvas | 30.5 x 25.4 cm | Literary illustrations | FPb31 | LUNA Digital Image |
49 | Rev. Matthew William Peters | The death of Juliet (Romeo and Juliet V.3) | 1793 | Oil on canvas | 167.2 x 134.1 cm | Literary illustrations | FPa43 | LUNA Digital Image |
50 | Rev. Matthew William Peters, after | Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3) | Early nineteenth century | Oil on canvas | 58.1 x 43.2 cm | Literary illustrations | FPb36 | LUNA Digital Image |
51 | Sir Joshua Reynolds, studio of | The death of Cardinal Beaufort (Henry VI Part 2 III.3) | ca. 1790? | Oil on board | 42.5 x 32.5 cm | Literary illustrations | FPb40 | LUNA Digital Image |
52 | John Francis Rigaud | Constantia revealing herself to her father (Chaucer, The Man of Law's Tale) | ca. 1788 | Oil on canvas | 35.9 x 45.8 cm | Literary illustrations | FPa46 | |
53 | George Romney | Macbeth and the witches (Macbeth IV.1) | 1785 | Oil on canvas | 74.9 x 63.3 cm | Literary illustrations | FPb41 | LUNA Digital Image |
54 | George Romney | Study for Titania, Puck, and the Changeling (A Midsummer Night's Dream II.1) | 1793 | Oil on cardboard mounted on canvas | 27.3 x 35.7 cm | Literary illustrations | FPa48 | LUNA Digital Image |
55 | William Salter | Othello's Lamentation (Othello V.2) | ca. 1857 | Oil on canvas | 115.5 x 143.4 cm | Literary illustrations | FPa50 | LUNA Digital Image |
56 | Michael William Sharp | Petruchio and the tailor (The Taming of the Shrew IV.3) | 1835 | Oil on canvas | 67.7 x 57.5 cm | Literary illustrations | FPa51 | LUNA Digital Image |
57 | Robert Smirke | Falstaff Rebuked (Henry IV, Part 2 V.5) | ca. 1795 | Oil on canvas | 79.4 x 55.5 cm | Literary illustrations | FPa54 | LUNA Digital Image |
58 | Robert Smirke | The awakening of King Lear (King Lear IV.7) | ca. 1792 | Oil on canvas | 78.7 x 53.2 cm | Literary illustrations | FPa53 | LUNA Digital Image |
59 | Robert Smirke | Stephano confronting the monster (The Tempest II.2) | ca. 1798 | Oil on canvas | 78.0 x 56. 9 cm | Literary illustrations | FPa55 | |
60 | Robert Smirke | Falstaff instructing Bardolph (Henry IV, Part 1 IV.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | Literary illustrations | FPa60 | |
61 | Robert Smirke | Falstaff struggling with Hotspur's body (Henry IV, Part 1 V.4), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.7 x 11.7 cm | Literary illustrations | FPa61 | |
62 | Robert Smirke | Anne Page's invitation to slender (The Merry Wives of Windsor I.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.9 cm | Literary illustrations | FPa58 | |
63 | Robert Smirke | Falstaff hiding in the buckbasket (The Merry Wives of Windsor III.3), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.5 cm | Literary illustrations | FPa59 | |
64 | Robert Smirke | Lysander declaring his passion to Helena (A Midsummer Night's Dream II.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 10.6 cm | Literary illustrations | FPa63 | LUNA Digital Image |
65 | Robert Smirke | Puck's report to Oberon (A Midsummer Night's Dream III.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | Literary illustrations | FPa64 | |
66 | Robert Smirke | Bottom in the forest (A Midsummer Night's Dream IV.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 10.9 cm | Literary illustrations | FPa62 | |
67 | Robert Smirke | Katherina's first meeting with Petruchio (The Taming of the Shrew II.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 12.4 cm | Literary illustrations | FPa66 | |
68 | Robert Smirke | Katherina's chastisement of Bianca and the Widow (The Taming of the Shrew V.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.9 x 11.7 cm | Literary illustrations | FPa67 | |
69 | Robert Smirke | Prospero summoning Ariel (The Tempest I.2), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.8 x 11.6 cm | Literary illustrations | FPa65 | |
70 | Robert Smirke | Ferdinand proclaiming his love to Miranda (The Tempest III.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.6 x 10.9 cm | Literary illustrations | FPa56 | |
71 | Robert Smirke | Stephano demanding Trinculo's gown (The Tempest IV.1), from a series of twelve panels | ca. 1820-25 | Oil on panel, pencil underdrawing and border | 14.6 x 10.9 cm | Literary illustrations | FPa57 | |
72 | Robert Smirke, after | Anne Page inviting Slender to dinner (The Merry Wives of Windsor I.1) | Early nineteenth century | Oil on canvas | 58.9 x 45.7 cm | Literary illustrations | FPb43 | LUNA Digital Image |
73 | Carl Ferdinand Sohn, after | Romeo and Juliet (Romeo and Juilet III.5) | After 1836 | Oil on tin | 26.3 x 20.6 cm | Literary illustrations | FPb28 | LUNA Digital Image |
74 | Frank Stone | Study for Bassanio receiving the letter announcing Antonio's losses and peril (The Merchant of Venice III.2) | ca. 1850-51 | Oil on panel | 17.3 x 22.7 cm | Literary illustrations | FPa76 | |
75 | Thomas Stothard | Falstaff describing the fight at Gadshill (Henry IV, Part 1 II.4) | ca. 1827 | Oil on panel | 21.6 x 14.6 cm | Literary illustrations | FPa71 | LUNA Digital Image |
76 | Thomas Stothard | Falstaff and Doll Tearsheet (Henry IV, Part 2 II.4) | ca. 1827 | Oil on panel | 21.2 x 15.3 cm | Literary illustrations | FPa72 | LUNA Digital Image |
77 | Thomas Stothard | Marina singing before Pericles (Pericles V.1) | ca. 1825 | Oil on canvas | 58.5 x 43.4 cm | Literary illustrations | FPa73 | LUNA Digital Image |
78 | Thomas Stothard | The Vintage | ca. 1833-34 | Oil on canvas | 78.9 x 59.1 cm | Literary illustrations | FPa69 | |
79 | Thomas Stothard, manner of | The performance of the Nine Worthies (Love's Labor's Lost V.2) | Eighteenth or nineteenth century | Oil on panel | 36.1 x 67.7 cm | Literary illustrations | FPb46 | LUNA Digital Image |
80 | Thomas Stothard, manner of | Olivia greeting Cesario in the garden (Twelfth Night III.1) | Eighteenth or nineteenth century | Oil on panel | 41.7 x 50.3 cm | Literary illustrations | FPb64 | LUNA Digital Image |
81 | Thomas Sully | Macbeth in the witches' cave (Macbeth IV.1) | 1840 | Oil on canvas | 73.5 x 60.9 cm | Literary illustrations | FPa77 | LUNA Digital Image |
82 | Thomas Sully | Portia and Shylock (The Merchant of Venice IV.1) | 1835 | Oil on canvas | 96.5 x 73.6 cm | Literary illustrations | FPa78 | LUNA Digital Image |
83 | Frederick Weekes | Falstaff and Bardolph (Henry IV, Part 1 III.3) | ca. 1855-57 | Oil on canvas | 47.7 x 38.4 cm | Literary illustrations | FPb50 | |
84 | Benjamin West | King Lear and Cordelia (King Lear IV.7) | 1793 | Oil on canvas | 48.1 x 59.9 cm | Literary illustrations | FPa82 | LUNA Digital Image |
85 | Richard Westall | Wolsey disgraced (Henry VIII III.2) | 1795 | Oil on canvas | 80.6 x 54.4 cm | Literary illustrations | FPa84 | LUNA Digital Image |
86 | Richard Westall | Shylock rebuffing Antonio (The Merchant of Venice III.3) | 1795 | Oil on canvas | 81.5 x 53.5 cm | Literary illustrations | FPa83 | LUNA Digital Image |
87 | Francis Wheatley | Helena and Count Bertram before the King of France (All's Well That Ends Well II.3) | 1793 | Oil on canvas | 78.5 x 55.3 cm | Literary illustrations | FPa85 | LUNA Digital Image |
88 | Francis Wheatley, after | Jaqeunetta approaching Sir Nathaniel with Berowne's letter (Love's Labor's Lost IV.2) | Early nineteenth century | Oil on canvas | 76.2 x 63.2 cm | Literary illustrations | FPb52 | LUNA Digital Image |
89 | John Masey Wright | Mistress Ford and Falstaff (The Merry Wives of Windsor III.3) | ca. 1810s? | Oil on canvas | 30.5 x 39 cm | Literary illustrations | FPa4 | LUNA Digital Image |
90 | John Masey Wright | Juliet and the Nurse (Romeo and Juliet II.5) | ca. 1810s? | Oil on canvas | 30.8 x 38.3 cm | Literary illustrations | FPb13 | LUNA Digital Image |
91 | John Masey Wright | Mercutio bidding farewell to Juliet's Nurse (Romeo and Juliet II.4) | ca. 1820s | Oil on canvas | 45.7 x 35.7 cm | Literary illustrations | FPa70 | LUNA Digital Image |
92 | John Masey Wright, attributed to | Petruchio and the Haberdasher (The Taming of the Shrew IV.3) | ca. 1830s? | Oil on canvas | 44.5 x 38.3 cm | Literary illustrations | FPa87 | |
93 | John Masey Wright, attributed to | Petruchio and the tailor (The Taming of the Shrew IV.3) | ca. 1830s? | Oil on canvas | 44.5 x 38.3 cm | Literary illustrations | FPa86 | |
94 | Lee Woodward Ziegler | Antony approaching Cleopatra, Meïamoun lying dead at her feet (Théophile Gautier, Une nuit de Cléopâtre) | ca. 1900 | Oil on canvas | 40.9 x 57.5 cm | Literary illustrations | ART Box Z45 no. 1 | LUNA Digital Image |
95 | Francesco Zuccarelli | Macbeth meeting the witches (Macbeth I.3) | 1760 | Oil on panel | 81.7 x 142.5 cm | Literary illustrations | FPa89 | LUNA Digital Image |
96 | Anonymous | Celia and Rosalind departing from Orlando (As You Like It I.2) | ca. 1840s | Oil on tin | 20.2 x 16.9 cm | Literary illustrations | FPb15 | LUNA Digital Image |
97 | Anonymous | Romeo and Juliet (Romeo and Juliet III.5) | ca. 1840s | Oil on tin | 20.2 x 16.8 cm | Literary illustrations | FPb14 | LUNA Digital Image |
98 | Anonymous | Falstaff at the Boar's Head Tavern (Henry IV, Part 1 II.4) | ca. 1840 | Oil on canvas | 43.5 x 60.7 cm | Literary illustrations | FPa81 | LUNA Digital Image |
99 | Anonymous | Falstaff impersonating the King (Henry IV, Part 1 II.4) | ca. 1840s | Oil on canvas | 26 x 30.2 cm | Literary illustrations | FPa45 | LUNA Digital Image |
100 | Anonymous | Falstaff and Bardolph (Henry IV, Part 1 III.3) | Early nineteenth century | Oil on canvas on panel | 38.5 x 30.9 cm | Literary illustrations | FPb53 | LUNA Digital Image |
101 | Anonymous | King Lear (King Lear IV.6) | 1874 | Oil canvas mounted on board | 76.2 x 63.5 cm | Literary illustrations | FPb48 | LUNA Digital Image |
102 | Anonymous | Shylock (The Merchant of Venice IV.1) | Early nineteenth century | Oil on canvas | 38.2 x 31.8 cm | Literary illustrations | FPb45 | LUNA Digital Image |
103 | Anonymous | Titania caressing the drowsy Bottom (A Midsummer Night's Dream IV.1) | Early nineteenth century | Oil on canvas | 43.3 x 35.8 cm | Literary illustrations | FPa8 | LUNA Digital Image |
104 | Anonymous | Ariel leading Caliban by a chain (?) (The Tempest II.2 (?)) | Nineteenth century | Oil on panel | 21.2 x 27 cm | Literary illustrations | FPa6 | |
105 | Anonymous | Unknown subject (Constance's cry) | Late eighteenth or early nineteenth century | Oil on canvas | 100.4 x 73.9 cm | Literary illustrations | FPb1 | |
106 | Nathaniel Dance | David Garrick | 1774 | Oil on canvas | 76.2 x 63.8 cm | Theatrical portraiture | FPa17 | LUNA Digiatl Image |
107 | Nathaniel Dance, after | David Garrick as Richard III (Richard III V.4) | After 1772 | Oil on canvas | 125 x 85 cm | Theatrical portraiture | FPb18 | LUNA Digital Image |
108 | George Dawe | Study for Miss O'Neill as Juliet (Romeo and Juliet II.2) | ca. 1816 | Oil on canvas | 63.6 x 46 cm | Theatrical portraiture | FPb19 | LUNA Digital Image |
109 | Thomas Gainsborough, after | David Garrick leaning on a bust of Shakespeare | After 1769 | Oil on canvas | 114.3 x 75.9 cm | Theatrical portraiture | FPb27 | LUNA Digital Image |
110 | Thomas Gainsborough, after | Sarah Siddons | After 1785 | Oil on canvas | 76.1 x 63.2 cm | Theatrical portraiture | FPb22 | LUNA Digital Image |
111 | James Green, after | George Frederick Cooke as Iago (Othello III.3) | After 1801 | Oil on canvas | 77.8 x 63.7 cm | Theatrical portraiture | FPb23 | |
112 | William Hamilton | John Philip Kemble as Richard III (Richard III V.3) | ca. 1787 | Oil on canvas | 55.5 x 46.5 cm | Theatrical portraiture | FPb24 | LUNA Digital Image |
113 | Gabriel Harrison | Edwin Forrest as King Lear (King Lear IV.6) | 1872 | Oil on paper pasted on board | 50.2 x 38.7 cm | Theatrical portraiture | ART Box H319 no. 2 | |
114 | Sir Thomas Lawrence, after | John Philip Kemble as Coriolanus (Coriolanus IV.5) | Early 1800s | Oil on cardboard | 27 x 22 cm | Theatrical portraiture | FPb25 | |
115 | Sir Thomas Lawrence, after | John Philip Kemble as Hamlet (Hamlet V.1) | Early 1800s | Oil on canvas | 76.2 x 49.3 cm | Theatrical portraiture | FPb26 | LUNA Digital Image |
116 | Thomas Lawrence, manner of | Macready (?) in the character of a king | ca. 1820s | Oil on canvas | 76.2 x 63.4 cm | Theatrical portraiture | FPb34 | |
117 | John Lewis, after | Margaret 'Peg' Woffington | ca. 1753 | Oil on canvas | 76.4 x 63.5 cm | Theatrical portraiture | FPb10 | |
118 | James McArdell, attributed to | James Quin as Falstaff (Henry IV, Part I II.4) | ca. 1750 | Oil on canvas | 53.5 x 39.5 cm | Theatrical portraiture | FPa41 | LUNA Digital Image |
119 | John Neagle, after | William C. Macready as Macbeth | After 1827 | Oil on canvas | 76 x 63.4 cm | Theatrical portraiture | FPb2 | |
120 | Robert Edge Pine | David Garrick | ca. 1780 | Oil on canvas, oval | 75.5 x 62.6 cm | Theatrical portraiture | FPa44 | LUNA Digital Image |
121 | Sir Joshua Reynolds, studio of | David Garrick | ca. 1776-79 | Oil on canvas | 75 x 61.5 cm | Theatrical portraiture | FPb37 | LUNA Digital Image |
122 | Sir Joshua Reynolds, after | David Garrick | Early nineteenth century | Oil on canvas | 30.5 x 25.5 cm | Theatrical portraiture | FPb38 | |
123 | Alfred Rolfe | Macbeth's murder of Duncan (Macbeth II.2) | ca. 1888 | Oil on canvas | 131.7 x 181.5 cm | Theatrical portraiture | FPa47 | LUNA Digital Image |
124 | George Romney | John Henderson as Macbeth (Macbeth I.3) | ca. 1787 | Oil on engraving mounted on canvas | 42.5 x 52 cm | Theatrical portraiture | FPb42 | LUNA Digital Image |
125 | Thomas Sully | Charlotte Cushman | 1843 | Oil on canvas | 51.4 x 44 cm | Theatrical portraiture | FPb47 | LUNA Digital Image |
126 | Wilhelm Trautschold | Charlotte Cushman | ca. 1847 | Oil on canvas | 46.3 x 35.5 cm | Theatrical portraiture | FPb49 | |
127 | Richard Westall, attributed to | Volumnia pleading with Coriolanus (Coriolanus V.3) | ca. 1800 | Oil on canvas | 76.5 x 64.3 cm | Theatrical portraiture | FPa33 | LUNA Digital Image |
128 | Benjamin Wilson | William Powell as Hamlet encountering the Ghost (Hamlet I.4) | ca. 1768-69 | Oil no canvas | 126.4 x 116 cm | Theatrical portraiture | FPa88 | LUNA Digital Image |
129 | Anonymous | Eliza Walstein (?) as Rosalind (As You Like It III.5) | After ca. 1815 | Oil on panel | 11.5 x 7.8 cm | Theatrical portraiture | FPb6 | |
130 | Anonymous, American school? | Sarah Siddons as Queen Katharine (Henry VIII II.4) | After 1817 | Oil on canvas | 81 x 55.1 cm | Theatrical portraiture | FPb5 | |
131 | Anonymous | Isabella Glyn as Lady Macbeth (Macbeth I.5) | After 1850 | Oil on canvas | 90.7 x 73.5 cm | Theatrical portraiture | FPb4 | |
132 | Anonymous | Sarah Siddons as Lady Macbeth (Macbeth II.2) | ca. 1790-1810 | Oil on canvas | 73.6 x 60.9 cm | Theatrical portraiture | FPa52 | LUNA Digital Image |
133 | Anonymous | Actor in the character of Othello | Late nineteenth century | Oil on paper mounted on cardboard | 34.7 x 23.8 cm | Theatrical portraiture | FPb7 | |
134 | Anonymous | Edmund Kean as Sir Giles Overreach (Philip Massinger, A New Way to Pay Old Debts) | ca. 1816 | Oil on panle | 38.4 x 28.4 cm | Theatrical portraiture | FPb20 | |
135 | Sir Joshua Reynolds, attributed to | Unknown man | Oil on canvas | 63.8 x 53 cm | Theatrical portraiture | FPb39 | ||
136 | Anonymous | Unknown boy | Early nineteenth century | Oil on canvas | 50.3 x 41 cm | Theatrical portraiture | FPb35 | |
137 | Anonymous | 'Unknown man [David Garrick?] | ca. 1760s | Oil on canvas | 76.6 x 64.4 cm | Theatrical portraiture | FPb11 | LUNA Digital Image |
138 | James Ferguson | Margaret Woffington | Mid-eighteenth cenutry | Pencil and india ink on vellum, oval | 5.5 x 4.4 cm | Miniatures (theatrical) | FPm16 | |
139 | John Howes, after Cipriani | David Garrick unveiling a herm of Shakespeare and the Ephesian Diana | 1777 | Enamel, circular | 11.7 cm in diameter | Miniatures (theatrical) | FPm17 | LUNA Digital Image |
140 | Joseph Inchbald, attributed to | Elizabeth Inchbald | ca. 1722-79 | Watercolor on ivory, circular, irregular | 4.2 x 4.1 cm | Miniatures (theatrical) | ART Box I37 no.1 | LUNA Digital Image |
141 | Joseph Inchbald, attributed to | Robert Inchbald | ca. 1770s | Watercolor on ivory, oval image on rectangular piece of ivory with clipped corners | 4.6 x 3.8 cm | Miniatures (theatrical) | ART Box I37 no.2 | LUNA Digital Image |